All Churches

Basilica della Collegiata, also known as Basilica Maria Santissima dell’Elemosina, is a Baroque church in Catania, located along Via Etnea, a short distance from the Palace of the University.   SHORT HISTORY In the early Christian centuries, a small church dedicated to the Virgin Mary was built on the site of an ancient pagan temple dedicated to Proserpina. In the Byzantine era, the church was dedicated to Madonna dell’Elemosina. The church was rebuilt in the early 18th century, like most of the city of Catania, destroyed by the terrible earthquake of 1693. In 1896, Giuseppe Sciuti frescoed the vault and the dome of the church with various paintings of the Blessed Virgin Mary, angels and saints.   ART AND ARCHITECTURE The project of the church is attributed to Angelo Italia, an Italian architect who lived in the 17th century, who changed the orientation of the building, in order to have it facing Via Etnea. The facade, designed by Stefano Ittar, is a beautiful example of the Sicilian Baroque. The facade has two orders, with six stone columns on the first order, surmounted by a balustrade. On the second order, there is a central window and four large statues of Saint Read more [...]

The Church of San Placido is a church in Catania, located in the square of the same name, about 120 meters from the Cathedral of Sant’Agata.   SHORT HISTORY The original structure of the church dates back to 1409, and was built on the ruins of an ancient pagan temple dedicated to Bacchus. The church was razed to the ground by the catastrophic earthquake of 1693, which almost completely destroyed the city of Catania. On the initiative of three nuns who escaped the ruins of the church, the reconstruction, entrusted to the architect Stefano Ittar, began shortly after the earthquake. The new church was consecrated in 1723 and completed in 1769. In 1976, the church was closed due to structural problems and, after about three years of consolidation, it was reopened for worship in 1979.   ART AND ARCHITECTURE The facade of the church, in Sicilian Baroque style, is made of white Taormina stone. On each side of the portal, there are the statues of saints Placido and Benedetto, and above, on the second order, smaller, those of the saints Scolastica and Geltrude, work of the sculptor Carmelo Distefano. The facade, concave in the center, is enclosed by a convex Read more [...]

Buy tickets & tours:GetYourGuide The Cathedral of the Nativity of the Blessed Virgin Mary is the cathedral of Syracuse, located in Piazza Duomo, in the historical center of the city, on the Ortygia island. The cathedral incorporates parts of a Greek Doric temple dedicated to Athena, which was converted into a church with the advent of Christianity.   SHORT HISTORY During the 5th century BC, the first tyrant of Syracuse, Gelon, built on this site an imposing Doric temple dedicated to Athena, the ancient Greek goddess associated with wisdom and warfare. With the advent of Christianity, the temple became the first Christian church in western Europe in the 7th century AD. The Byzantines made significant changes to the Christian structure and, later, the Muslims, after their conquest of Syracuse, transformed it into the main place of Islamic worship in the area. The church became a mosque, undergoing the changes that the Islamic cult required. With the Normans, the city rediscovered Christianity and, therefore, the building resumed its main role as a Syracusan Catholic church. The Normans rebuild the church and gave it a majestic but austere facade. During the terrible earthquake of 1693, that razed to the ground several cities Read more [...]

The Church of Santissimo Salvatore (Most Holy Saviour) is a church in Noto, located between the Cathedral of San Nicolò and the Church of San Francesco d’Assisi all’Immacolata. The church is part of a larger complex, along with the Monastery of SS. Salvatore and the Episcopal Seminary.   SHORT HISTORY The construction of the church began in 1767 under the supervision of the architect priest Andrea Gigante, to replace an old church dating back to the beginning of the 18th century. At his death, with the church unfinished, the initial project was partially modified by D. Antonio Mazza, and the church was completed and consecrated in 1802.   ART AND ARCHITECTURE The decorative cycle of the interior is one of the most significant examples of the Sicilian cultural transition phase between the late Baroque and Neoclassicism. Began in 1794 and completed two years later, the interior is the result of the pictorial interventions of Ermenegildo Martorana from Palermo and those in stucco of Giovanni Gianforma. Among the frescoes, we can find the Pentecost, Saint Paul on the Road to Damascus and the Appearance of Three Mysterious Men to Abraham. The paintings found on the side altars are also of particular Read more [...]

The Church of San Domenico, known also as the Church of Santa Maria del Rosario, is a beautiful church in Modica, located near the Town Hall of the city, in Piazza Principe di Napoli. The church is one of the few buildings that remained intact after the earthquake of 1693, which caused over 60,000 deaths and destroyed almost completely nearby cities like Catania, Ragusa, Noto and Syracuse.   SHORT HISTORY A first church, with the adjacent Dominican convent, was built on this place in 1461, the year in which the Dominicans settled in Modica. The original church was destroyed by the earthquake of 1613 and was rebuilt in 1678, to survive a few years later the great earthquake of 1693. During the Inquisition, the convent was used as a court in which were judged the ones accused of heresy. Beginning with 1869, the convent became the seat of the Town Hall of Modica.   ARCHITECTURE The facade of the church has two orders. On the first order, we can find the portal surmounted by a large Dominican coat of arms, and two niches with as many statues. On the second order, there are also two niches housing two statues and Read more [...]

The Church of San Giovanni Evangelista is a church dedicated to Saint John the Evangelist, located in the upper part of Modica, at the top of the Pizzo Hill, in the highest point of the city.   SHORT HISTORY A first church was built on this place prior to the 7th century, and dedicated to Saint Peter. Some historical sources claim that the church was the first religious building in Modica. The decision to expand the church appears in a papal bull of Pope Eugene III, from 1150. The church and the adjacent Benedictine convent are also mentioned in a document dated March 1217. In 1454, the convent was demolished, leaving room for a larger church. Around the same time, due to the fact that another church dedicated to Saint Peter was built in the lower part of Modica – the current Duomo di San Pietro, the church on the Pizzo Hill was dedicated to Saint John the Evangelist. After the earthquake of 1542, the church was rebuilt to its current size. Then, after the earthquake of 1693, which seriously damaged the building, the church was rebuilt again, in Baroque style. The works lasted from the first decades of the Read more [...]

The Church of San Pietro (Duomo di San Pietro) is a beautiful Baroque church in Modica, dedicated to Saint Peter.   SHORT HISTORY A first church was built on this place between 1301 and 1350, but the exact date remains unknown. A document from 1396 signed by the bishop of Syracuse attests its existence. The church was rebuilt starting with 1597 by the will of Pope Clement VIII, and two centuries later, in 1797, by the will of Charles III of Spain, King of Naples and Sicily. Around that time, despite the fact that the city already had a cathedral – the Duomo di San Giorgio, the Church of Saint Peter was declared also a cathedral, becoming the official church of the Counts of Modica. Damaged by the passing of the centuries and the frequent earthquakes in the area, the church was rebuilt several times. However, some parts of it resisted over time, surviving even the earthquake of 1693. One example is the Chapel of Immaculate Conception, which was built in 1620.   ART AND ARCHITECTURE A monumental staircase with the statues of the twelve apostles leads to the church. The facade is divided into two orders, and embellished by Read more [...]

The Cathedral of San Giorgio (Duomo di San Giorgio) is the cathedral of Modica, dedicated to Saint George. The church is included in the UNESCO World Heritage List and is one of the most prominent examples of the Sicilian Baroque.   SHORT HISTORY A first church in Modica dedicated to Saint George was probably built by Roger I of Sicily after the Norman conquest of Sicily, which took place in 1090. The first official document that certifies the presence of the church is a papal bull from 1150, issued by Pope Eugene III. However, the current church is the result of the reconstruction from the 17th century, which took place after the disastrous earthquakes that struck Modica in 1542, in 1613 and, probably the most destructive, in 1693. The structure was designed by the architect Marcello from Palermo, with the laying of the first stone in 1643. The master builder of the church was Carlo D’Amico, also a native of Palermo. The works for the reconstruction of the first order of the facade, which withstood the tremors of the 1693 earthquake, began in 1702 and were completed in 1738. In 1760, the architect Francesco Paolo Labisi from Noto designed the Read more [...]

The Church of San Giorgio, also known as the Duomo di San Giorgio, is a beautiful church in Ragusa Ibla – the ancient center of Ragusa, and one of the most important examples of Baroque architecture in Sicily.   SHORT HISTORY Before the earthquake of 1693, the Church of San Giorgio stood in the eastern part of Ragusa Ibla, near the Hyblean Garden. Today, the only thing left from the ancient church, demolished in 1718, is the Portal of San Giorgio. After the earthquake of 1693, which destroyed almost entirely the historical center of the town, it was decided to built a new church dedicated to Saint George on the place of the ancient Church of San Nicola. However, the building of Ragusa Superiore – the modern part of the city, developed faster, and the Cathedral of San Giovanni Battista, erected in 1694, became the main Catholic church of Ragusa, to the discontent of the inhabitants of Ragusa Ibla. The project of the Church of San Giorgio was commissioned in 1738 to Rosario Gagliardi, an architect of Noto. The first stone was laid on June 28, 1739, as a plaque on the right side of the staircase reminds us, and Read more [...]

The Church of the Santissimo Trovato is a church in Ragusa, located near the southern border of Ragusa Ibla, adjacent to the Byzantine wall of the ancient city. The church is very close to the Hyblean Garden and the Portal of San Giorgio.   SHORT HISTORY The church, relatively new, was built between 1801 and 1807 by the will of the local people, on the place where it was found the sacred ciborium stolen from the Church of Sant’Antonio. The ciborium (a covered cup designed to hold the consecrated Eucharistic bread in the Christian church) was stolen on March 1, 1801, by a certain Cassarà, who later was captured and imprisioned. The last restoration of the church dates back to 1988.   ARCHITECTURE The church, with a simple construction, has a portal delimited by pilasters that support a triangular pediment resting on a cornice. A second cornice, slightly higher, is the base of a large window also delimited by pilasters and volutes. The third level is represented by the bell gable. The interior has a single nave and does not offer visitors any particular work of art.   HOW TO GET THERE The Church of the Santissimo Trovato is located Read more [...]

The Church of San Vincenzo Ferreri, also known as the Church of the Madonna del Santissimo Rosario, is a deconsecrated church in Ragusa, located in Piazza Giovan Battista Hodierna, near the entrance of the Giardino Ibleo.   SHORT HISTORY The church was founded in 1509 by the friars of the Dominican Order, who also built, at the same time, an adjacent convent which no longer exists. After the earthquake of 1693, both the facade and the interior were rebuilt. Behind the apse of the church, an oratory used as the seat of the confraternity was also built. The church and the convent underwent major transformations during the 20th century. At the beginning of the century, the oratory was demolished to create the avenue inside the Hyblean Garden, which today connects the Church of San Vincenzo Ferreri to the Church of San Giacomo Apostolo. In 2004, restoration works of the interior and the facade were started. From December 2010, the building, with about 140 seats, was used as a public auditorium, for cultural events and conferences.   ARCHITECTURE It is not known whether the current facade was completely rebuilt after the earthquake of 1693 or the today’s facade is the original Read more [...]

The Church of San Giacomo Apostolo (Saint James the Apostle) is a church in Ragusa, located inside the Hyblean Garden (Giardino Ibleo), in the eastern part of Ragusa Ibla, the ancient center of the city.   SHORT HISTORY The church was built in the 13th or 14th century, probably between 1283 and 1392, by the will of the Chiaramonte family – the Aragonese eagle above the high altar indicates that period. The Confraternity of San Giacomo was associated with the church from the beginning, taking care of its services and functions. Before 1693, the church had three naves, but the earthquake of that year ruined it, and a few years later, the confraternity decided to rebuild it with only one nave. The roof of the church was added in 1705 and, between 1719 and 1720, the interior was decorated with several paintings by Giuseppe Pugliarello and Filippo De Stefano. In 1734, the master Simone Ventura of Chiaramonte was comissioned to realize the decoration of the wooden roof. The current facade was built in 1902 by Giuseppe Pinelli. Today, the church is administered by the same Confraternity of Saint James.   ART AND ARCHITECTURE The facade has three orders, of which Read more [...]

The Church of Santa Maria delle Scale (Saint Mary of the Steps) is another Baroque church in Ragusa, located at the border between the modern part of the town, Ragusa Superiore, and the ancient center of the city, Ragusa Ibla. The name of the church derives from its location, at the end of the 340 steps that link the two districts of the city.   SHORT HISTORY The church dates back to the Norman period, when it was called Santa Maria delle Cateratte, because it stood on the edge of a ravine. In the 14th century, it was rebuilt in Gothic style by the Cistercian monks of the Abbey of Santa Maria di Roccadia in Lentini and, after the earthquake of 1693, which caused the central and left aisles to collapse, it was rebuilt in Baroque style. After the earthquake, during the rebuilding, the orientation of the church was changed by 90 degrees, and the primitive apses were transformed into the current portals of the right aisle.   ART AND ARCHITECTURE The church has three naves and no apse, and the left side portal is actually the original main entrance. On the counterfacade, there is a fresco of San Biagio, Read more [...]

The Church of the Holy Souls in Purgatory (Chiesa delle Santissime Anime del Purgatorio) is a Baroque church located in Ragusa Ibla, the historical center of Ragusa.   SHORT HISTORY The church was built on the initiative of the Mazza family in the second half of the 17th century, dedicated to all the Saints and the Souls of Purgatory, and opened for worship on May 6, 1658. It was one of the few churches in Ragusa to withstand the earthquake of 1693, an event which caused around 5,000 deaths and destroyed almost entirely the ancient center of the city. In 1729, the church and the whole neighborhood came under the jurisdiction of the Church of San Giorgio. The bell tower was built in the first quarter of the 18th century, separated from the church, and placed above a stretch of the ancient Byzantine walls of Ragusa. In 1740, due to its small size, the church was rebuilt with a basilica plan with three naves, two chapels and a large presbytery with an apse. In 1757, the facade was finished, but the church was reopened for worship only in 1787, after the completion of the works in the presbytery area.   Read more [...]

The Cathedral of San Giovanni Battista is the main catholic church in Ragusa, dedicated to Saint John the Baptist. The church is located in the modern part of the town, known as Ragusa Superiore.   SHORT HISTORY A church dedicated to Saint John the Baptist, which stood on the western part of Ragusa Ibla, the ancient town of Ragusa, was seriously damaged by the earthquake of 1693. One year later, on April 15, 1694, the church was rebuilt in the center of Ragusa Superiore, the new town of Ragusa. On August 16, the same year, the church was opened for worship. The short time in which the church was built indicates that the first building was small and inadequate for the needs of the new expanding city district. Therefore, in 1718, a new larger church was begun, under the direction of two architects from Acireale, Giuseppe Recupero and Giovanni Arcidiacono. The new church was solemnly consecrated on May 31, 1778, a ceremony led by the bishop of Syracuse, Giovanni Battista Alagona. In 1783, the dome was built, and covered on the outside with copper foils at the beginning of the 20th century. In 1848, the paving was renewed with stone Read more [...]

The Church of Santa Maria Assunta is a beautiful church in Positano, famous for the 12th century Byzantine icon known as the Madonna di Positano.   SHORT HISTORY The history of the Church of Santa Maria Assunta is linked to that of the Benedictine Monastery of Santa Maria, which according to tradition was built in the 12th century, on the occasion of the arrival in Positano of the Byzantine icon of the Madonna. However, the monastery was founded earlier, in the second half of the 10th century, and was mentioned for the first time in a manuscript dated back to the end of the 11th century. The monastery was renowed until the middle of the 15th century, when the monks, perhaps frightened by the raids of the pirates from Cilento, abandoned it. After a few years, the church was entrusted to the commendatory abbot Nicola Miroballi, later elected archbishop of Amalfi. With some exceptions, the period of the commendatory abbots was disastrous for the church. The architectural traces of the monastery were gradually lost, while the church deteriorated profoundly. In the early years of the 17th century, the church was subjected to a reconstruction comissioned by the abbot Pirro Giovanni Read more [...]

The Cathedral of San Lorenzo is a beautiful church in Genoa, located in the small square with the same name. The cathedral is dedicated to San Lawrence, one of the patron saints of Genoa, together with Saint George, Saint John the Baptist and Saint Sebastian.   SHORT HISTORY A first church was built on this place around the 5th or 6th century AD, and dedicated to the bishop of Genoa, San Siro (Saint Sirus). The first documents that attest the existence of a church dedicated to San Lorenzo date back to 878. In 1007, the ancient church of San Siro was given to the Benedictine monks and the episcopal seat was transferred to the Cathedral of San Lorenzo. Starting with 1098, the reconstruction of the church began and the project was entrusted to the Magistri Antelami, master architects, sculptors and carpenters of Romanesque tradition. The building was consecrated in 1118 by Pope Gelasio II. In the 13th century, the church was renovated in Gothic style. The first order of the facade, with its three Gothic portals, dates back to that period. After the fire of 1296, the building, very damaged, was rebuilt again. Between 1307 and 1312, the facade was Read more [...]

Basilica della Santissima Annunziata del Vastato is a beautiful church in Genoa, located in Piazza della Nunziata, in the Prè district. The building is one of the most representative churches of the Genoese art of the late Mannerism and early Baroque of the 17th century.   SHORT HISTORY In 1228, a community of Humiliati friars from Lombardy built on this place a convent and a small church dedicated to Santa Maria del Prato. In 1508, the convent and the church were assigned to the Conventual Franciscan friars from the Convent of San Francesco di Castelletto. The Franciscans started a new construction, better suited for their liturgical needs. Work began on July 20, 1520, when the first stone was laid. The church was built in late Gothic style to respect the artistic style of the mother church of the Franciscan Order, the Basilica of San Francesco d’Assisi. In 1537, the Conventuals left the church to return to the Convent of San Francesco di Castelletto, and the church passed to the Observant Franciscan friars, forced to leave the Convent of the Santissima Annunziata di Portoria. Following the dictates of the Council of Trent, the basilica was radically transformed beginning with 1591. The Read more [...]

The Church of Jesus and the Saints Ambrogio and Andrea is a Baroque church in Genoa, located in Piazza Matteotti, near the Palazzo Ducale and the Piazza De Ferrari. The church, belonging to the Jesuits from the 16th century, hosts works by the Flemish painter Peter Paul Rubens, the Italian artist Guido Reni and by the greatest authors of the Genoese Baroque.   SHORT HISTORY The primitive church of Sant’Ambrogio dates back to the 6th century, when the Milanese clergy fled to Genoa, following the Lombard persecutions. The Genoese captivity of the Milanese bishops lasted until the middle of the 7th century, when the bishop Giovanni Bono (John the Good) returned to Milan. Around 1522, the old church passed into the hands of the Jesuits. In 1589, the Jesuits rebuilt the church to its current form, on a project by the architect Giuseppe Valeriano. The facade of the church was completely rebuilt in the second half of the 19th century. Completed in 1894, the facade included two statues of Sant’Ambrogio and Sant’Andrea, by Michele Ramognino.   ART In the central nave and in the dome, we can find frescoes by the painter Giovanni Carlone and by his younger brother, Giovanni Read more [...]

The Church of Santa Chiara (Chiesa di Santa Chiara) is an important religious and historical building located in Via Giuseppe Mazzini in Bogliasco. Dedicated to Saint Clare of Assisi, the church represents a centuries-old center of devotion closely connected to Franciscan spirituality and to the confraternal traditions that have shaped religious life in Bogliasco since the late Middle Ages. Although modest in size, the Church of Santa Chiara preserves a remarkable artistic and spiritual heritage. Its history is deeply intertwined with that of the local confraternity dedicated to Saint Clare, whose activities are documented over several centuries. The church also houses significant artworks, including sculptures, paintings, and liturgical furnishings dating from the 17th and 18th centuries, making it a valuable testimony to the religious art of Liguria. Saint Clare of Assisi was one of the earliest and most devoted followers of Saint Francis of Assisi. Inspired by Francis’s ideals of poverty, humility, and devotion, she founded the Order of Poor Clares, originally known as the Order of Poor Ladies. This religious order, rooted in the Franciscan tradition, was dedicated to a life of strict poverty, prayer, and contemplation. The dedication of the Bogliasco church to Saint Clare reflects the diffusion Read more [...]

The Church of the Nativity of the Blessed Virgin Mary (Italian: Chiesa della Natività di Maria Santissima) is one of the most significant religious and historical landmarks in Bogliasco, a seaside town located along the eastern Riviera of Liguria, not far from Genoa. The church stands in Via Ammiraglio Giovanni Bettolo, in the lower part of the town (Bogliasco Basso), and represents the spiritual, artistic, and architectural heart of the local community. Dedicated to the Nativity of the Blessed Virgin Mary, the church reflects centuries of devotion, transformation, and artistic enrichment. Its current Baroque structure is the result of a long historical process that began in the Middle Ages and culminated in the monumental church visible today. Through documented restorations, commissions by renowned artists, and liturgical updates, the Church of the Nativity of the Blessed Virgin Mary has remained a living testimony to the religious and cultural history of Bogliasco.   Short History of the Church of the Nativity of the Blessed Virgin Mary The origins of the Church of the Nativity of the Blessed Virgin Mary date back to the 12th century, when a church dedicated to the Virgin Mary already existed in the upper part of the town, Read more [...]

The Sanctuary of Nostra Signora delle Grazie (Santuario di Nostra Signora delle Grazie) is a small yet deeply significant Marian place of worship located in Via Giuseppe Mazzini in Bogliasco. Dedicated to Our Lady of Grace, the sanctuary represents an enduring expression of popular devotion, gratitude, and faith rooted in the historical experiences of the local community. Although modest in architectural scale, the Sanctuary of Nostra Signora delle Grazie holds substantial historical, religious, and cultural value. Its origins are closely linked to one of the most traumatic events in Ligurian history – the devastating plague of the 17th century – and its subsequent transformations reflect both changes in urban development and the persistent Marian devotion of the faithful. The sanctuary also preserves a noteworthy collection of votive offerings, making it an important testimony to centuries of lived religious experience in Bogliasco.   Powered by GetYourGuide   Short History of the Sanctuary of Nostra Signora delle Grazie The origins of the Sanctuary of Nostra Signora delle Grazie are traditionally associated with the aftermath of the plague of 1657, one of the most catastrophic epidemics to strike the region of Liguria. This outbreak caused widespread mortality and profoundly affected coastal and inland Read more [...]

Buy tickets & tours:GetYourGuide The Basilica of Santa Maria Gloriosa dei Frari is one of the largest churches in Venice, and one of Italy’s most important Franciscan sites. The church, commonly known as the Frari, is located in the homonymous Campo dei Frari, in the sestiere of San Polo.   SHORT HISTORY The first church built on this site dates back to the first half of the 13th century, when the Franciscan Order of Friars Minor received a piece of land in the area. Soon, the church proved too small and, in 1250, the papal legate, the cardinal Ottaviano Ubaldini, laid the first stone of a new larger church. Around the year 1330, the architect Jacopo Celega began working on a third church, which was completed in 1396 by his son, Pier Paolo. The bell tower of the church was built in 1936, the Chapel of San Marco was added in 1420, the Chapel of San Pietro in 1434, and the facade was finished in 1440. The church was consecrated in 1492, and the portal, surmounted by three statues, work of Lorenzo Bregno, was built in 1516. In the 19th century, the Franciscans were banished from the church, and they Read more [...]

The Church of the Abbey of Misericordia (Chiesa dell’Abbazia della Misericordia) is a church located in Venice, in the sestiere of Cannaregio, overlooking the small square with the same name.   SHORT HISTORY A first church was built on this place in 936. In the 13th century, the church was completely rebuilt, abandoning the Byzantine structure and acquiring a Gothic style. Starting with that moment, the building was linked to the history of the Moro family, who became protectors of the church. At first, the church was named Santa Maria di Val Verde and its history was connected to the nearby Scuola Grande of Santa Maria della Misericordia, which was built at the beginning of the 14th century. In 1659, the facade of the church was rebuilt, as it appears on a plate on the right, at the expense of the patrician and philosopher Gasparo Moro. In 1806, after the suppression of the Scuola della Misericordia, the church was turned into a military warehouse. Rescued from the demolition, it was renovated by the abbot Pietro Pianton between 1825 and 1864. After his death, everything was sold and the church was closed. In 1891, the church was assigned by the patriarch Read more [...]

The Church of the Madonna dell’Orto is a beautiful Gothic church in Venice, located in the sestiere (district) of Cannaregio, in the homonymous campo (square).   SHORT HISTORY OF THE CHURCH OF THE MADONNA DELL’ORTO The church was built by the religious congregation of Humiliati around the middle of the 14th century, and dedicated to God, to the Blessed Virgin Mary and to Saint Christopher, the patron saint of travelers. Because of its weak foundations, the church underwent important restoration works in 1399. In 1414, the Council of Ten, one of the highest governing bodies of the Republic of Venice, granted the church the name of Madonna dell’Orto, which was already popular among the locals. The name came from a miraculous statue of the Madonna, brought to the church from a nearby garden (orto meaning garden in Italian). In 1462, the Humiliati were expelled by a decree of the same council, and the church was assigned to the congregation of the Canons Regular of San Giorgio in Alga, which was suppressed in 1668. The convent of the Madonna dell’Orto passed in 1669 to the Congregation of the Cistercian Monks, and in 1787 came under public administration. In 1841, the Austrian Read more [...]

The Church of San Michele in Isola is a beautiful church dedicated to Saint Michael, located in Venice, on the island of San Michele, near the cemetery with the same name.   SHORT HISTORY A first church was built on this place in 1221, but was destroyed by a fire in 1453. The current church dates back to the second half of the 15th century. More precisely, the church was built between 1468 and 1479 by the great architect Mauro Codussi, the same architect of the Church of San Zaccaria, the Vendramin Calergi Palace and the Clock Tower from the San Marco Square. In 1530, the architect Guglielmo Bergamasco built a hexagonal chapel to the left of the church, known as Cappella Emiliani. In 1560, the famous sculptor and architect Jacopo Sansovino renovated the church and the chapel.   ARCHITECTURE The church has a tripartite facade divided by Ionic pilasters, with two superimposed levels. The lower one is characterized by a smooth ashlar, with a central portal with a triangular tympanum and two high arched windows in correspondence of the aisles. The upper level, included between the Ionic pilasters, has a large oculus, around which are arranged four polychrome marble Read more [...]

Founded in the 9th century, the Church of San Giacomo dall’Orio is one of the oldest churches in Venice. The church, located in the Santa Croce district, in the Campo San Giacomo dall’Orio, is part of the same parish with the Church of San Stae and the Church of San Zan Degolà.   SHORT HISTORY The church was erected in the 9th century and rebuilt in Byzantine style in 1225 by the noble families Badoer and Da Mula. Between the 15th and 16th centuries, the church was remodeled in Gothic style. From this church, the pilgrimages to Santiago di Compostela began, as evidenced by the image of a man carrying a shell placed on the bell tower. The tower dates back to 1225.   ART AND ARCHITECTURE The interior is characterized by the coexistence of various architectural styles: the bell tower and the basilica plan with three naves belong to the Byzantine style, while the roof is Gothic and the decorations of the main altar and the central nave are Lombard. On the counter-facade, we can find the organ and, underneath, three 16th-century paintings attributable to Andrea Schiavone: Appeal of the Apostles, Dispute of Jesus with the doctors of the Read more [...]

The Church of Sant’Alvise is a Gothic church in Venice, located in the Cannaregio district, overlooking the homonymous square. The church is dedicated to Saint Louis of Toulouse, a Neapolitan prince from the House of Anjou canonized in 1317, known in Venice as Sant’Alvise.   SHORT HISTORY The church of Sant’Alvise was built in 1383, together with the nearby convent, by the noblewoman Antonia Venier, after the saint appeared to her in a dream. Later, Antonia Venier retired in the monastery, following the Augustinian rule. At the beginning of the 16th century, other Augustinian nuns were welcomed here, after they escaped from the territories affected by the War of the League of Cambrai. The church underwent a major reconstruction in the 17th century, which largely changed the interior.   ART AND ARCHITECTURE The church is built in Gothic style, having a basilica plan. The facade, very simple, is delimited by six protruding pilasters, connected by ogival arches. The portal in Istrian stone is enriched by a statue of Sant’Alvise in marble, attributed to Bartolomeo Bon. The bell tower retained its original Gothic appearance of the 14th century. It was built in terracotta, with a pinecone cusp and spiers at the Read more [...]

The Church of Santa Maria di Nazareth, known locally as Chiesa degli Scalzi, is a wonderful church in Venice, overlooking the Grand Canal, located near the Santa Lucia railway station and the beautiful Ponte degli Scalzi. The church is the seat of the religious Order of the Discalced Carmelites (or the Barefoot Carmelites, scalzi meaning barefoot in Italian).   SHORT HISTORY After the Discalced Carmelites settled in Venice in 1633, they asked the architect Baldassare Longhena to build a church dedicated to the Virgin Mary. The construction of the edifice began in 1656, funded by the Venetian diplomat Girolamo Cavazza, and was completed in 1689 by Giuseppe Pozzo, seven years after Longhena’s death. The church was consecrated in 1705 and the Order of the Discalced Carmelites used it together with the adjacent convent until the beginning of the 19th century. In 1810, they left the church, returning 30 years later, in 1840. The church of Santa Maria di Nazareth was restored between 1853 and 1862, while only a few years later, with the appearance of the Santa Lucia railway station, the convent was demolished.   ART AND ARCHITECTURE The facade of the church was built in Baroque style between 1672 Read more [...]

The Church of San Rocco and San Francesco di Paola is a historic sanctuary in Pizzo, located near the northern edge of the town’s historical center. It stands close to the Church of Purgatory and preserves one of the most important religious traditions of the local community. The sanctuary is dedicated to San Rocco, traditionally invoked against plague and contagious diseases, and to San Francesco di Paola, the Calabrian saint who founded the Order of Minims. The double dedication reflects both the origins of the church and the history of the adjacent convent. Originally, the church was dedicated only to San Rocco. Over time, because the convent beside it belonged to the Minims, the people of Pizzo also associated the complex with San Francesco di Paola. This popular dedication was later recognized officially. Today, the Church of San Rocco and San Francesco di Paola is one of the most meaningful religious landmarks in Pizzo. Its history includes plague, monastic life, suppression of religious orders, earthquake damage, reconstruction, and modern recognition of its double dedication.   Powered by GetYourGuide   Short History of the Church of San Rocco and San Francesco di Paola The history of the church begins in 1578, Read more [...]

The Church of the Immaculate Conception is one of the most important religious landmarks in Scilla. Known in Italian as Chiesa dell’Immacolata, the church stands near the famous Ruffo Castle, overlooking the Strait of Messina. The Church of the Immaculate Conception represents an important part of the religious and historical heritage of Scilla. Over the centuries, it was repeatedly damaged by earthquakes and rebuilt several times. Today, the building combines historical architectural elements with modern reconstruction works completed during the 20th century.   Short History of the Church of the Immaculate Conception Early Christian Origins Ancient Greek parchments confirm the presence of a religious building on this site since the first centuries of Christianity. The church was closely connected to the nearby defensive fortress constructed around the 5th century. The strategic position of the church near the castle highlights its importance for the local community. The area represented both a military and spiritual center overlooking the Tyrrhenian coast of Calabria.   Norman Period and the Madonna dell’Itria During the Norman domination of southern Italy, the church was dedicated to the Madonna dell’Itria. This Marian devotion originated in the Greek religious tradition and later spread widely throughout southern Italy. The title Read more [...]

The Church of San Rocco is one of the most important religious landmarks in Scilla, a historic coastal town in southern Calabria. Dedicated to Saint Roch (San Rocco), the patron saint of Scilla, the church stands in Piazza San Rocco, overlooking part of the town. Although the current building is relatively recent, the history of the church and the devotion to its patron saint date back several centuries and are deeply connected to the identity of the local community.   Powered by GetYourGuide   San Rocco Saint Roch, known in Italian as San Rocco, is one of the most venerated saints in Europe and has long been associated with protection against plague and contagious diseases. Born in Montpellier, France, during the 14th century, he dedicated his life to helping the sick and the poor. According to tradition, he travelled through several Italian cities, caring for plague victims and performing miraculous healings. The iconography of San Rocco is easily recognizable. He is usually depicted as a pilgrim carrying a staff and showing a wound on his leg, a reference to the illness he contracted while assisting plague victims. A dog often appears beside him, recalling the legend according to which an Read more [...]

The Church of Santa Maria di Porto Salvo stands in the heart of Chianalea, the historic fishermen’s quarter of Scilla. Located in a small square overlooking the narrow streets of the village, the Church of Santa Maria di Porto Salvo represents an important religious, artistic, and cultural landmark closely connected to the maritime identity of the community. For centuries, the people of Chianalea have relied on the sea for their livelihood. As a result, devotion to the Virgin Mary under the title of Porto Salvo (Safe Harbor) became deeply rooted among local fishermen and sailors who sought divine protection before embarking on dangerous voyages through the waters of the Strait of Messina. Today, the church remains one of the most recognizable monuments in Chianalea. Its elegant façade, historic artworks, surviving eighteenth-century furnishings, and strong connection to local traditions make it an essential stop for visitors exploring Scilla’s historic center.   Powered by GetYourGuide   Short History of the Church of Santa Maria di Porto Salvo The origins of the Church of Santa Maria di Porto Salvo date back to the early eighteenth century, when the Brotherhood of Santa Maria di Porto Salvo commissioned the construction of a new place of Read more [...]

The Church of San Giovanni Battista Decollato (Saint John the Baptist Beheaded), abbreviated in the Venetian dialect as San Zan Degolà, is a church located in the sestiere (district) of Santa Croce, in Venice.   SHORT HISTORY The church was probably founded in the 8th century, but the first documented information about the structure dates back to the beginning of the 11th century, when the church was rebuilt by the Venier family, residing in a palace nearby. In 1213, the church was renovated at the expense of the Pesaro family, and again in 1703, when the current facade and the bell tower were built. In 1807, the Napoleonic decrees suppressed the parish and led to the deconsecration of the church, which was transformed into a warehouse. In 1818, the church was reopened and assigned to the parish of San Giacomo dall’Orio, to which it still belongs as a vicarial church. Today, the church is the seat of the Russian Orthodox Christian community and the liturgies are held regularly every week.   ART AND ARCHITECTURE The church is one of the rare examples of Venetian-Byzantine architecture that remained fairly intact in its original conception up to the present day. Only the Read more [...]

The Church of San Giovanni in Bragora is a church in Venice, located in Campo Bandiera e Moro, in the Castello district (sestiere).   SHORT HISTORY Although the first document mentioning the church dates back to 1090, it seems that the structure was built earlier, in 829. The church was rebuilt in the 10th century, under Doge Pietro III Candiano, to house some presumed relics of Saint John the Baptist, to which is dedicated, and again in 1178. In 1464, when Pietro Barbo became Pope Paul II, the church was restructured according to a late Gothic style by the architect Sebastiano Mariani, taking its current form. The works lasted thirty years, from 1475 to 1505, at the end of which it was reconsecrated, as it is shown on the facade, on the lintel above the entrance, under the lunette. In 1481, the chapel dedicated to Saint John the Merciful was built, which houses the precious relics of the saint since 1249. Over time, the bell tower of the church collapsed several times. The first structure, from the 9th century, underwent a major renovation between 1475 and 1498, only to be demolished in 1567 due to its precarious condition. Rebuilt in Read more [...]

The Church of San Marcuola is a church dedicated to Saints Hermagoras and Fortunatus, located in the sestiere of Cannaregio, in Venice. The church is situated across the Grand Canal from the Fondaco dei Turchi. The name Marcuola comes from the Venetian pronunciation for Hermagoras.   SHORT HISTORY The current church was built in the 12th century on the site of an ancient church from the 9th century, thanks to the contributions of the Memmo family, owners of the island of San Giorgio Maggiore. In 1663, minor changes were made to the structure. Later, the architect Antonio Gaspari presented a new renovation project, but the works were started only after his death, under the direction of the architect Giorgio Massari. In 1736, Giorgio Massari managed to complete the interior of the church, but the facade remained unfinished. In 1779, the church was consecrated for the last time by the Patriarch Federico Maria Giovanelli.   ART AND ARCHITECTURE The church has a single nave with a square plan, covered by a barrel vault. The presbytery was created from a semicircular apse, and is practically the vestibule of the beautiful rectangular main chapel, surmounted by an oval dome, supported by four columns. Read more [...]

The Church of Spirito Santo (Church of the Holy Spirit) is a church located on the Zattere promenade, in the sestiere of Dorsoduro, in Venice.   SHORT HISTORY In 1483, the monastery of the Augustinian nuns of the Holy Spirit was founded on this place, with a church enclosed within its walls. From the beginning, the monastery distinguished itself by scandals caused by the nuns, documented by the archives of the time. In the first decades of the 16th century, when the foundations of the Zattere were settled on the Giudecca Canal, the monastery was restructured in a radical way. The old church was demolished to make room for the cloister and, in 1506, the construction of the current church began, with the facade oriented towards the Giudecca Canal. At the same time, near the church, separated from it by the Calle Larga della Chiesa, the building of the School of the Holy Spirit was also started.   ARCHITECTURE The facade of the church has a poorly proportioned structure: the portal and the two side windows on the ground floor apparently denote an initial project focused more on the width of the building than on its height, while the second Read more [...]

The Church of Santa Fosca is a church dedicated to Saint Fusca of Ravenna, located on the island of Torcello, in the Venetian Lagoon, part of the complex of the Cathedral of Santa Maria Assunta. Saint Fusca of Ravenna was a child martyr killed along her nurse, Maura, around 250 AD, in Ravenna, under the persecutions of the Roman Emperor Decius.   SHORT HISTORY OF THE CHURCH OF SANTA FOSCA It seems that a church dedicated to Santa Fosca existed on this site since the first half of the 9th century. Around the year 1000, the building was part of the larger project promoted by the Bishop Orso Orseolo, for the reconstruction of the entire complex of the Cathedral. The building received its current appearance around the 12th century, when it was rebuilt to house the relics of the christian martyrs Fosca and Maura, brought from Sabratha, in Africa.   ARCHITECTURE OF THE CHURCH OF SANTA FOSCA The church, with a circular plan, is an example of the Venetian-Byzantine style. It stands outside the remains of the ancient city square, next to the Cathedral of Santa Maria Assunta and the remains of the ancient baptistery. The church is surrounded on Read more [...]

The Church of Santa Maria del Rosario, commonly known as I Gesuati (the Jesuates), is a church in Venice, located on the Fondamenta delle Zattere, in the sestiere of Dorsoduro. The Gesuati name comes from the religious order of the Jesuates, suppressed in 1668, which owned a large convent in the area, later bought by the Dominicans.   SHORT HISTORY OF THE CHURCH OF SANTA MARIA DEL ROSARIO Compagnia dei Poveri Gesuati (Company of the Poor Jesuates) was formed at the end of the 14th century. In 1432, the institution began the construction of the nearby Church of Santa Maria della Visitazione, and of the adjacent convent. With the dissolution of the order, the complex passed to the Dominicans, who shortly after began the construction of a new larger church further along the Zattere. The church was built between 1726 and 1735 by the architect Giorgio Massari, with the collaboration of Giambattista Tiepolo and Gian Maria Morlaiter, and was consecrated on September 29, 1743, by the Patriarch Alvise Foscari. With the suppression of the religious orders of 1810, the church became a parish church.   ART AND ARCHITECTURE OF THE CHURCH OF SANTA MARIA DEL ROSARIO The facade of the Read more [...]

The Church of San Pietro di Castello is a church in Venice, which, until 1807, it was the city’s cathedral. The church is located on the northeastern area of Venice, in the Castello district (sestiere), not far from the Arsenale.   SHORT HISTORY As reported by the chronicler Giovanni Diacono, the building of the Church of San Pietro began around 822, and was completed nine years later, probably in 831. In 1120, a fire devastated the church, and a new larger structure was built, with a baptistery next to it dedicated to San Giovanni Battista (Saint John the Baptist), now lost. In 1451, with the suppression of the Patriarchate of Grado and the constitution of the Diocese of Castello of the Patriarchate of Venice, by the bull of Pope Nicholas V, the Church of Saint Peter became the new Cathedral of Venice. Between 1508 and 1524, the Patriarch Antonio Contarini decided to carry out restoration works on the ceiling, the vaults and the floor of the church. Between 1512 and 1526, the minor chapels were rebuilt and the decorations were redone. In 1558, the Patriarch Vienzo Diedo commissioned Andrea Palladio to rebuilt the facade and the interior of church. However, Read more [...]

The Church of Santa Maria della Stella is a church in Ostuni, located in an interruption of the northern walls of the city.   SHORT HISTORY In the first half of the 16th century, a poor widow, mother of three girls, took care every day, for a month, of an image of the Madonna painted in a niche in the wall of the city, located near a small gate called Porticella. Her gesture was gratified daily by a gift she found in the niche, a coin and a loaf of bread. The place soon became a destination for pilgrimages, and it was decided to build a small chapel in which to place the image of the Virgin. The structure was named, at first, Santa Maria della Porticella. In the last decades of the 16th century, the structure was expanded, and the new church changed its name to Santa Maria della Stella (Saint Mary of the Star). The local bourgeoisie was responsible for the decoration of the interior and for the private chapels of the church. Probably damaged by the earthquake of 1743, despite some interventions made in 1812, the church was closed for worship in 1835 and soon collapsed. Between Read more [...]

The Church of Santa Maria Vergine del Monte Carmelo, or shorter the Church of Carmine, is a beautiful church in Ostuni, located near the southeastern border of the historical center of the city.   SHORT HISTORY The Carmelite Convent in Ostuni, dedicated to Santa Maria della Misericordia, was built in the second half of the 15th century outside the city walls. The convent had a simple, square-shaped form, with a garden in the middle. The adjacent church was built between 1590 and 1593 by the master masons Nicola Francesco de Marseglia and Matteo de Molendinis, assuming the title of Santa Maria del Monte Carmelo. Around the middle of the 17th century, the church had twelve chapels decorated by wealthy citizens, but in 1775 the chapels were reduced to six, plus two minor ones. In the first half of the 18th century, some renovation works were carried out by the architect Giuseppe Fasano, especially in the presbytery area and in the side chapels. In 1810, following the suppression of the Carmelite order in the Kingdom of Naples, the church was entrusted to the care of the Carmine confraternity, active since the 16th century. In 1819, the Carmelites returned to their home Read more [...]

The Cathedral of Ostuni, dedicated to the Assumption of the Virgin Mary, is a beautiful church located on the highest hill of the city, right in the middle of the old town, in Piazza Beato Giovanni Paolo II. The Cathedral of Santa Maria Assunta, built in the 15th century, was declared a national monument in 1902.   SHORT HISTORY Between 1228 and 1229, Frederick II of Swabia built here a Romanesque church, on the ruins of an Orthodox church erected prior to the year 1000. The construction of the Cathedral began after the earthquake of 1456, during the Episcopate of Nicola Arpone, and was completed in 1495. The church was radically transformed twice: in 1750, by the will of the Bishop Francesco Antonio Scoppa, and in 1898, on the behest of the Bishop Salvatore Palmieri.   ART AND ARCHITECTURE The facade of the church, facing west, with Gothic elements, is divided into three parts by thin pilasters. The facade has its fulcrum in the large central rosette, in which the Christ is surrounded by seven cherubs. On the lunettes of the side entrances are the bas-reliefs of San Giovanni Battista, on the right, and of San Biagio, on the left. Read more [...]

The Sanctuary of the Madonna della Grata is a small church that stands in a prominent position outside the historical center of Ostuni, surrounded by gardens, in a rural area known as Contrada Rosara.   SHORT HISTORY The first documented information about a church in this place dates back to the beginning of the 18th century. The current church was built between 1896 and 1910 by the architect Gaetano Jurleo, who was also responsible for the facade of the Church of San Francesco d’Assisi. The sanctuary was solemnly consecrated by the Archbishop Tommaso Valeri on August 18, 1912. The old church was then demolished.   ART AND ARCHITECTURE The Sanctuary of the Madonna della Grata was built on a natural cistern destined since ancient times to store water necessary for the irrigation of the nearby gardens. To date, this cistern is full of water, causing considerable damage to the church above. The symmetrical facade of the church is made up of two main parts: the base, characterized by the entrance portal and a plinth on which four Corinthian pilasters and four niches are set, and the upper part, characterized by a central semicircular window surmounted by the emblem with the Read more [...]

The Church of San Francesco d’Assisi is a beautiful church located in the main square of Ostuni, Piazza della Libertà, adjacent to the Palazzo di Città (Palace of the City).   SHORT HISTORY The church was founded in 1304 by the Order of the Minor Friars, on a land donated by Philip I, Prince of Taranto. The friars took care of it for the next five centuries, and after the suppression of the religious orders in 1813, the church was given to the Archconfraternity of the Immaculate, which still manages it. In 1615, the Church of San Francesco d’Assisi underwent major transformations, being largely rebuilt. In the second half of the 18th century, the church was renovated under the direction of the master mason and sculptor Giuseppe Fasano, assisted by his son Carlo and by Nicolantonio Maldarella. The facade was designed in 1883 by the architect Gaetano Jurleo, to harmonize it with the adjacent facade of the Palazzo di Città, which today hosts the Town Hall.   ARCHITECTURE The facade of the church is divided into two orders by a cornice. On the upper order, there is an atypical window of Romanesque inspiration. In the lower part, near the door, Read more [...]

The Church of Santa Maria di Idris is a rupestrian church in Matera, located near the Church of San Pietro Caveoso, dug in the large limestone rock of Monterrone, dominating from its height the entire Sasso Caveoso.   SHORT HISTORY OF THE CHURCH OF SANTA MARIA DI IDRIS The church was built between the 14th and 15th centuries. The facade, made of tuff in the 15th century, was rebuilt following a collapse occurred in the same century.   ART AND ARCHITECTURE OF THE CHURCH OF SANTA MARIA DI IDRIS The church presents an irregular plan, composed of a part carved into the rock and another one built. Next to the facade, there is a small bell gable. The interior of the church is completely different from the original structure, because of the continuous restorations made over the centuries due to the humidity. Numerous frescoes were detached to be subsequently restored, and today they are conserved at the Superintendence for the Historical and Artistic Heritage of Matera. On the 19th-century altar, built in 1807, there is a Madonna with Child painted in tempera, dating back to the 17th century. On the right, is the Conversion of Sant’Eustachio, the Holy Family and Read more [...]

The Church of Sant’Agostino is a church in Matera dedicated to Saint Augustine. The church and the adjacent convent dominates Sasso Barisano from a rocky spur.   SHORT HISTORY OF THE CHURCH OF SANT’AGOSTINO The convent was built in 1592 by the monks belonging to the Order of Hermits of Saint Augustine on an ancient hypogeum dedicated to Saint William of Vercelli. The church, dedicated to Santa Maria delle Grazie, was built two years later, in 1594. In 1734, the entire complex was destroyed by an earthquake. Once restored, in 1747, the convent and the church became the General Chapter of the Augustinian Order. The church was consecrated in 1750 by the Archbishop Antonio Antinori. Over time, the convent was suppressed, and it was used as an army shelter, before becoming a prison and later a care home for the elderly. Today, it houses the Superintendence for Architectural and Environmental Heritage.   ART AND ARCHITECTURE OF THE CHURCH OF SANT’AGOSTINO The facade of the church is dominated by the central portal, surmounted by a niche with the statue of Sant’Agostino. Above the cornice, there is a niche containing a statue of a bishop and, on both sides, the statues of Read more [...]

The Cathedral of San Sabino is the cathedral of Bari, dedicated to Saint Sabinus of Canosa, whose relics were brought to the city in the 9th century.   SHORT HISTORY In the first half of the 11th century, the Archbishop Bisanzio built a church on this ground, later completed by his successors Nicola I and Andrea II. This church was later destroyed by William I, called the Bad, during the destruction of the city from 1156. The current church, which dates back to the 12th and 13th centuries, was built by Archbishop Rainaldo on the ruins of the Byzantine cathedral, inspired by the style of the Basilica of San Nicola. For the work, materials from the previous church and from other destroyed buildings were used. The cathedral was consecrated on October 4, 1292. Starting with the 18th century, the building underwent a series of renovations, demolitions and additions. During those times, the facade, the interior of the naves, the interior of the ancient baptistery and the crypt were rebuilt in baroque forms on a design by Domenico Antonio Vaccaro.   ARCHITECTURE The church is an important example of Apulian-Romanesque architecture. The simple facade is divided by two pilasters in three Read more [...]

Buy tickets & tours:GetYourGuide Basilica di San Nicola (Basilica of San Nicholas) is a beautiful church located in the historical center of Bari, one of the most significant examples of the Apulian-Romanesque architecture.   SHORT HISTORY The church was built in Romanesque style between 1087 and 1103, during the Norman domination of Apulia, to host the relics of Saint Nicholas, translated from Myra, Lycia, to Bari, on May 9, 1087. The relics were temporarily housed in the Monastery of St. Benedict. On October 1, 1089, the relics were transferred to the crypt of the unfinished basilica by Pope Urban II, who came to Bari specifically for this. The construction of the basilica was completed in 1103.   ART AND ARCHITECTURE The simple and majestic facade of the basilica is divided in three parts by pilasters, crowned with small arches, has mullioned windows at the top and three portals at the bottom. Two bell towers of different styles flank the facade. The sides are characterized by deep blind arches and rich doors. Blind arches at the bottom and mullioned windows at the top animate the transept and the apse wall, decorated in the middle by a large window. The interior is Read more [...]

The Church of Our Lady of Remedies (Chiesa della Madonna dei Rimedi) and the Convent of the Discalced Carmelites (Carmelitani Scalzi) is a religious complex built in Baroque style, located in Piazza dell’Indipendenza, in Palermo.   SHORT HISTORY During the campaign of the Norman reconquest of Sicily, held between 1064 and 1072, the lighting of fires, suggested in a dream by the Virgin, proved to be an excellent remedy to drive away the annoying insects that weakened the troops. In 1072, after the conquest of Palermo, Roger I of Sicily, nicknamed The Great Count, as a sign of gratitude for the victory, built a primitive church dedicated to Santa Maria dei Rimedi. The current structure was born five centuries later, in 1609, after the arrival of Father Domenico, called to Palermo by the Viceroy of Sicily Juan Manuel Fernández Pacheco and Zúñiga, Marquis of Vigliena. The Convent of the Order of the Discalced Carmelites was built around the same time, under the title of Santa Maria dei Rimedi, one of the first Carmelite institutions of Palermo, and today one of the most important convents of the Discalced Carmelites in Italy. The construction of the complex continued with the help of Read more [...]