All Churches

The Cathedral of San Lorenzo is a beautiful church in Genoa, located in the small square with the same name. The cathedral is dedicated to San Lawrence, one of the patron saints of Genoa, together with Saint George, Saint John the Baptist and Saint Sebastian.   SHORT HISTORY A first church was built on this place around the 5th or 6th century AD, and dedicated to the bishop of Genoa, San Siro (Saint Sirus). The first documents that attest the existence of a church dedicated to San Lorenzo date back to 878. In 1007, the ancient church of San Siro was given to the Benedictine monks and the episcopal seat was transferred to the Cathedral of San Lorenzo. Starting with 1098, the reconstruction of the church began and the project was entrusted to the Magistri Antelami, master architects, sculptors and carpenters of Romanesque tradition. The building was consecrated in 1118 by Pope Gelasio II. In the 13th century, the church was renovated in Gothic style. The first order of the facade, with its three Gothic portals, dates back to that period. After the fire of 1296, the building, very damaged, was rebuilt again. Between 1307 and 1312, the facade was Read more [...]

Basilica della Santissima Annunziata del Vastato is a beautiful church in Genoa, located in Piazza della Nunziata, in the Prè district. The building is one of the most representative churches of the Genoese art of the late Mannerism and early Baroque of the 17th century.   SHORT HISTORY In 1228, a community of Humiliati friars from Lombardy built on this place a convent and a small church dedicated to Santa Maria del Prato. In 1508, the convent and the church were assigned to the Conventual Franciscan friars from the Convent of San Francesco di Castelletto. The Franciscans started a new construction, better suited for their liturgical needs. Work began on July 20, 1520, when the first stone was laid. The church was built in late Gothic style to respect the artistic style of the mother church of the Franciscan Order, the Basilica of San Francesco d’Assisi. In 1537, the Conventuals left the church to return to the Convent of San Francesco di Castelletto, and the church passed to the Observant Franciscan friars, forced to leave the Convent of the Santissima Annunziata di Portoria. Following the dictates of the Council of Trent, the basilica was radically transformed beginning with 1591. The Read more [...]

The Church of Jesus and the Saints Ambrogio and Andrea is a Baroque church in Genoa, located in Piazza Matteotti, near the Palazzo Ducale and the Piazza De Ferrari. The church, belonging to the Jesuits from the 16th century, hosts works by the Flemish painter Peter Paul Rubens, the Italian artist Guido Reni and by the greatest authors of the Genoese Baroque.   SHORT HISTORY The primitive church of Sant’Ambrogio dates back to the 6th century, when the Milanese clergy fled to Genoa, following the Lombard persecutions. The Genoese captivity of the Milanese bishops lasted until the middle of the 7th century, when the bishop Giovanni Bono (John the Good) returned to Milan. Around 1522, the old church passed into the hands of the Jesuits. In 1589, the Jesuits rebuilt the church to its current form, on a project by the architect Giuseppe Valeriano. The facade of the church was completely rebuilt in the second half of the 19th century. Completed in 1894, the facade included two statues of Sant’Ambrogio and Sant’Andrea, by Michele Ramognino.   ART In the central nave and in the dome, we can find frescoes by the painter Giovanni Carlone and by his younger brother, Giovanni Read more [...]

The Church of Santa Chiara is a church located in Bogliasco, in Via Giuseppe Mazzini, dedicated to the Saint Clare of Assisi. Saint Clare of Assisi is one of the first followers of Saint Francis of Assisi. She founded the Order of Poor Ladies, known today as the Order of Poor Clares, a religious order for women, in the Franciscan tradition.   SHORT HISTORY The local confraternity, devoted to Santa Chiara, was founded in 1403. The existence and works of the congregation are mentioned in numerous documents dated back to the 16th century. In a document dated 1582, the visit of Monsignor Francesco Bossi is attested, where the condition of the church and its furnishings was verified. The church was completely rebuilt and enlarged in the first half of the 17th century.   ART Inside, we can find a wooden crucifix from 1712 by the sculptor Giovanni Battista Maragliano, son of the famous Baroque sculptor Anton Maria Maragliano. The crucifix was restored in 1988. Another interesting work of art is the large altarpiece depicting Saint Roch with Saint Pantaleone and Saint Firmina, dated 1759, of an unknown painter. Another valuable painting inside the church is the one depicting Saint Clare Read more [...]

The Church of the Nativity of the Blessed Virgin Mary (Chiesa della Natività di Maria Santissima) is a church located in Via Ammiraglio Giovanni Bettolo, in Bogliasco.   SHORT HISTORY A church dedicated to the Nativity of the Blessed Virgin Mary existed in Bogliasco Alto since the 12th century. The church was mentioned for the first time in a document dated December 3, 1182. The church was elevated to the title of parish in 1576. During the 17th century, various restoration works were carried out on the ancient religious building. The decision to build a new church in Bogliasco Basso was taken in the first half of the 18th century, and the design of the architect Giovanni Antonio Ricca was chosen. The works were started in 1731 and, by 1736, all the side altars were completed. One year later, in 1737, the entire building was finished. The church was consecrated on October 12, 1794, by the Archbishop of Genoa Giovanni Lercari. During the 19th century, the church underwent some restoration works, such as the frescoing of the vault in 1884 by the painter Virginio Grana and the changing of the wooden choir in 1742 by Andrea Bocciardo.   ART The Read more [...]

The Sanctuary of Nostra Signora delle Grazie is a small chapel located in Via Giuseppe Mazzini, in Bogliasco, dedicated to Our Lady of Grace.   SHORT HISTORY The chapel was probably built right after the terrible plague that struck the entire region of Liguria in 1657. A text from 1685 signed by a parish priest confirmed that the sanctuary already existed at that time. Following the construction of a new provincial road in the vicinity, the chapel was rebuilt in 1817 in its current position. On April 26, 1925, a new building was inaugurated here, on a project by the engineer Pietro Luxoro. On this occasion, a new altar donated by the Bigatti family was added in the chapel.   ART Inside, the sanctuary preserves a painting on wood of an unknown author depicting the Virgin Mary. The chapel also has a substantial collection of votive offerings donated by believers, including four paintings by Domenico Gavarrone, two by Berto Ferrari and one by Piero Bozzo.   HOW TO GET THERE The sanctuary is located about 700 meters away from the Bogliasco train station, or about 12 minutes on foot. To find the chapel easily, use the map below.

The Basilica of Santa Maria Gloriosa dei Frari is one of the largest churches in Venice, and one of Italy’s most important Franciscan sites. The church, commonly known as the Frari, is located in the homonymous Campo dei Frari, in the sestiere of San Polo.   SHORT HISTORY The first church built on this site dates back to the first half of the 13th century, when the Franciscan Order of Friars Minor received a piece of land in the area. Soon, the church proved too small and, in 1250, the papal legate, the cardinal Ottaviano Ubaldini, laid the first stone of a new larger church. Around the year 1330, the architect Jacopo Celega began working on a third church, which was completed in 1396 by his son, Pier Paolo. The bell tower of the church was built in 1936, the Chapel of San Marco was added in 1420, the Chapel of San Pietro in 1434, and the facade was finished in 1440. The church was consecrated in 1492, and the portal, surmounted by three statues, work of Lorenzo Bregno, was built in 1516. In the 19th century, the Franciscans were banished from the church, and they returned only in 1922. Read more [...]

The Church of the Abbey of Misericordia (Chiesa dell’Abbazia della Misericordia) is a church located in Venice, in the sestiere of Cannaregio, overlooking the small square with the same name.   SHORT HISTORY A first church was built on this place in 936. In the 13th century, the church was completely rebuilt, abandoning the Byzantine structure and acquiring a Gothic style. Starting with that moment, the building was linked to the history of the Moro family, who became protectors of the church. At first, the church was named Santa Maria di Val Verde and its history was connected to the nearby Scuola Grande of Santa Maria della Misericordia, which was built at the beginning of the 14th century. In 1659, the facade of the church was rebuilt, as it appears on a plate on the right, at the expense of the patrician and philosopher Gasparo Moro. In 1806, after the suppression of the Scuola della Misericordia, the church was turned into a military warehouse. Rescued from the demolition, it was renovated by the abbot Pietro Pianton between 1825 and 1864. After his death, everything was sold and the church was closed. In 1891, the church was assigned by the patriarch Read more [...]

The Church of the Madonna dell’Orto is a beautiful Gothic church in Venice, located in the sestiere (district) of Cannaregio, in the homonymous campo (square).   SHORT HISTORY OF THE CHURCH OF THE MADONNA DELL’ORTO The church was built by the religious congregation of Humiliati around the middle of the 14th century, and dedicated to God, to the Blessed Virgin Mary and to Saint Christopher, the patron saint of travelers. Because of its weak foundations, the church underwent important restoration works in 1399. In 1414, the Council of Ten, one of the highest governing bodies of the Republic of Venice, granted the church the name of Madonna dell’Orto, which was already popular among the locals. The name came from a miraculous statue of the Madonna, brought to the church from a nearby garden (orto meaning garden in Italian). In 1462, the Humiliati were expelled by a decree of the same council, and the church was assigned to the congregation of the Canons Regular of San Giorgio in Alga, which was suppressed in 1668. The convent of the Madonna dell’Orto passed in 1669 to the Congregation of the Cistercian Monks, and in 1787 came under public administration. In 1841, the Austrian Read more [...]

The Church of San Michele in Isola is a beautiful church dedicated to Saint Michael, located in Venice, on the island of San Michele, near the cemetery with the same name.   SHORT HISTORY A first church was built on this place in 1221, but was destroyed by a fire in 1453. The current church dates back to the second half of the 15th century. More precisely, the church was built between 1468 and 1479 by the great architect Mauro Codussi, the same architect of the Church of San Zaccaria, the Vendramin Calergi Palace and the Clock Tower from the San Marco Square. In 1530, the architect Guglielmo Bergamasco built a hexagonal chapel to the left of the church, known as Cappella Emiliani. In 1560, the famous sculptor and architect Jacopo Sansovino renovated the church and the chapel.   ARCHITECTURE The church has a tripartite facade divided by Ionic pilasters, with two superimposed levels. The lower one is characterized by a smooth ashlar, with a central portal with a triangular tympanum and two high arched windows in correspondence of the aisles. The upper level, included between the Ionic pilasters, has a large oculus, around which are arranged four polychrome marble Read more [...]

Founded in the 9th century, the Church of San Giacomo dall’Orio is one of the oldest churches in Venice. The church, located in the Santa Croce district, in the Campo San Giacomo dall’Orio, is part of the same parish with the Church of San Stae and the Church of San Zan Degolà.   SHORT HISTORY The church was erected in the 9th century and rebuilt in Byzantine style in 1225 by the noble families Badoer and Da Mula. Between the 15th and 16th centuries, the church was remodeled in Gothic style. From this church, the pilgrimages to Santiago di Compostela began, as evidenced by the image of a man carrying a shell placed on the bell tower. The tower dates back to 1225.   ART AND ARCHITECTURE The interior is characterized by the coexistence of various architectural styles: the bell tower and the basilica plan with three naves belong to the Byzantine style, while the roof is Gothic and the decorations of the main altar and the central nave are Lombard. On the counter-facade, we can find the organ and, underneath, three 16th-century paintings attributable to Andrea Schiavone: Appeal of the Apostles, Dispute of Jesus with the doctors of the Read more [...]

The Church of Sant’Alvise is a Gothic church in Venice, located in the Cannaregio district, overlooking the homonymous square. The church is dedicated to Saint Louis of Toulouse, a Neapolitan prince from the House of Anjou canonized in 1317, known in Venice as Sant’Alvise.   SHORT HISTORY The church of Sant’Alvise was built in 1383, together with the nearby convent, by the noblewoman Antonia Venier, after the saint appeared to her in a dream. Later, Antonia Venier retired in the monastery, following the Augustinian rule. At the beginning of the 16th century, other Augustinian nuns were welcomed here, after they escaped from the territories affected by the War of the League of Cambrai. The church underwent a major reconstruction in the 17th century, which largely changed the interior.   ART AND ARCHITECTURE The church is built in Gothic style, having a basilica plan. The facade, very simple, is delimited by six protruding pilasters, connected by ogival arches. The portal in Istrian stone is enriched by a statue of Sant’Alvise in marble, attributed to Bartolomeo Bon. The bell tower retained its original Gothic appearance of the 14th century. It was built in terracotta, with a pinecone cusp and spiers at the Read more [...]

The Church of Santa Maria di Nazareth, known locally as Chiesa degli Scalzi, is a wonderful church in Venice, overlooking the Grand Canal, located near the Santa Lucia railway station and the beautiful Ponte degli Scalzi. The church is the seat of the religious Order of the Discalced Carmelites (or the Barefoot Carmelites, scalzi meaning barefoot in Italian).   SHORT HISTORY After the Discalced Carmelites settled in Venice in 1633, they asked the architect Baldassare Longhena to build a church dedicated to the Virgin Mary. The construction of the edifice began in 1656, funded by the Venetian diplomat Girolamo Cavazza, and was completed in 1689 by Giuseppe Pozzo, seven years after Longhena’s death. The church was consecrated in 1705 and the Order of the Discalced Carmelites used it together with the adjacent convent until the beginning of the 19th century. In 1810, they left the church, returning 30 years later, in 1840. The church of Santa Maria di Nazareth was restored between 1853 and 1862, while only a few years later, with the appearance of the Santa Lucia railway station, the convent was demolished.   ART AND ARCHITECTURE The facade of the church was built in Baroque style between 1672 Read more [...]

The Church of San Rocco and San Francesco di Paola is a church in Pizzo, located at the northern limit of the historical center of the town.   SHORT HISTORY In 1578, the plague hit Pizzo and, to put an end to the epidemic, the local people prayed to Saint Roch. The saint answered their prayers and the city was saved. The following year, to please the saint, the locals decided to build a church in his honor. The adjacent convent was built at the same time for the monks belonging to the Order of Minims, founded by Saint Francis of Paola. At the end of the 18th century, the religious orders were suppressed throughout Italy by Napoleon Bonaparte, including the Order of Minims who resided in the convent. In 1905, another earthquake seriously damaged the church, and the reconstruction works were completed only in 1930. In 2013, the church was dedicated to Saint Francis of Paola.   ART AND ARCHITECTURE The facade of the church, painted in pale yellow, is 18 meters high, and is adjacent to a bell tower 23 meters high. The facade is decorated by a polychrome rosette, a tympanum and two niches in which are Read more [...]

The Chapel of Madonnina del Mare is a chapel built in a small cave in Via San Francesco da Paola, in Scilla. In the chapel, on a marble altar, there is a bronze sculpture of the Virgin and Child. Because is near the entrance to the Port of Scilla, the statue is also known as Madonnina del Porto.   SHORT HISTORY The cave in which the altar stands today is the result of the excavations carried out by the German troops during the Second World War, when the soldiers tried to create a shelter against bombing. The Via San Francesco da Paola was built around the middle of the 20th century, and the statue of the Virgin, work of the sculptor Monteleone, was placed in the cave in 1953. During the 1970s, the tunnel that surrounds the rock of Scilla, in which the chapel is found today, was also built.   HOW TO GET THERE The Chapel of Madonnina del Mare is located about 750 meters away from the Scilla train station. To find the chapel on foot, use the map below.

The Church of the Immaculate Conception (Chiesa dell’Immacolata) is a church in Scilla, located in the immediate vicinity of the Ruffo Castle.   SHORT HISTORY Ancient Greek parchments speak about the existence of a church on this place since the early centuries of Christianity, linked more or less to the fortress built nearby around the 5th century. During the Norman domination of the area, the church was dedicated to the Madonna dell’Itria, a title widely used by the Greek churches and imported later to the southern Italy. Following the earthquakes of 1509 and 1599, the church, badly damaged, was rebuilt and enlarged. This new church was dedicated to the Holy Virgin under the title of the Immaculate Conception. During the earthquake of February 5, 1783, the roof and the magnificent dome collapsed. Two days later, the whole central vault fell. The church was rebuilt in brick and stone between 1825 and 1875. In 1894, the church was damaged again, and extensive restorations became necessary. On this occasion, the bell towers were lowered and the brick vault was replaced by a wooden roof. At the beginning of 20th century, the interior of the church was beautifully frescoed, but it was destroyed Read more [...]

The Church of San Rocco is a relatively new church in Scilla, dedicated to Saint Roch, the patron saint of the town, located in the homonymous square, in Piazza San Rocco.   SHORT HISTORY The cult of San Rocco was probably born in Scilla in the 15th century, when the area was hit by a plague and the saint was credited for saving the locals. Around that time, Scilla had important commercial relations with Venice, where the relics of San Rocco were held. In the 16th century, one of the saint’s statues was transported from Venice to Scilla, and San Rocco became the patron saint of the town. The Church of San Rocco was built in 1738, on the site of a former church dedicated to St. George. The church was heavily hit by the earthquakes of 1783 and 1908, being rebuilt each time. The today’s church is the result of a rebuilding started in the 1970s and completed in August 1990. The rebuilding was made with the help of the local people, and it became necessary after the damage suffered by the building during the Second World War.   ART AND ARCHITECTURE The facade of the church, with two Read more [...]

The Church of Santa Maria di Porto Salvo is a 18th-century church located in a small square in the center of the Chianalea district, in Scilla.   SHORT HISTORY The church was built in 1700 by the Brotherhood of Santa Maria di Porto Salvo, in the beautiful Chianalea district. The church was damaged by the cataclysms of 1783 and 1908, but it was not completely destroyed. Each time, it was rebuilt at the expense of the inhabitants of the neighborhood.   ART AND ARCHITECTURE The church, with a rectangular plan and a single nave, is a beautiful example of the 18th-century architecture, for its harmonious and delicate style, both on the outside and inside. The facade, of a dirty white color, has four pilasters with a very high base, surmounted by a triangular body with a cross at the top. In the center of the frontispiece, there is a circular tondo representing Maria Santissima di Porto Salvo. Between the external and internal pilasters, there are two cornices with a rectangular shape and concave corners, while between the two central pilasters is the wooden portal from the 18th-century, divided into six squares surrounded by frames. Inside, there were five altars, all Read more [...]

The Church of San Giovanni Battista Decollato (Saint John the Baptist Beheaded), abbreviated in the Venetian dialect as San Zan Degolà, is a church located in the sestiere (district) of Santa Croce, in Venice.   SHORT HISTORY The church was probably founded in the 8th century, but the first documented information about the structure dates back to the beginning of the 11th century, when the church was rebuilt by the Venier family, residing in a palace nearby. In 1213, the church was renovated at the expense of the Pesaro family, and again in 1703, when the current facade and the bell tower were built. In 1807, the Napoleonic decrees suppressed the parish and led to the deconsecration of the church, which was transformed into a warehouse. In 1818, the church was reopened and assigned to the parish of San Giacomo dall’Orio, to which it still belongs as a vicarial church. Today, the church is the seat of the Russian Orthodox Christian community and the liturgies are held regularly every week.   ART AND ARCHITECTURE The church is one of the rare examples of Venetian-Byzantine architecture that remained fairly intact in its original conception up to the present day. Only the Read more [...]

The Church of San Giovanni in Bragora is a church in Venice, located in Campo Bandiera e Moro, in the Castello district (sestiere).   SHORT HISTORY Although the first document mentioning the church dates back to 1090, it seems that the structure was built earlier, in 829. The church was rebuilt in the 10th century, under Doge Pietro III Candiano, to house some presumed relics of Saint John the Baptist, to which is dedicated, and again in 1178. In 1464, when Pietro Barbo became Pope Paul II, the church was restructured according to a late Gothic style by the architect Sebastiano Mariani, taking its current form. The works lasted thirty years, from 1475 to 1505, at the end of which it was reconsecrated, as it is shown on the facade, on the lintel above the entrance, under the lunette. In 1481, the chapel dedicated to Saint John the Merciful was built, which houses the precious relics of the saint since 1249. Over time, the bell tower of the church collapsed several times. The first structure, from the 9th century, underwent a major renovation between 1475 and 1498, only to be demolished in 1567 due to its precarious condition. Rebuilt in Read more [...]

The Church of San Marcuola is a church dedicated to Saints Hermagoras and Fortunatus, located in the sestiere of Cannaregio, in Venice. The church is situated across the Grand Canal from the Fondaco dei Turchi. The name Marcuola comes from the Venetian pronunciation for Hermagoras.   SHORT HISTORY The current church was built in the 12th century on the site of an ancient church from the 9th century, thanks to the contributions of the Memmo family, owners of the island of San Giorgio Maggiore. In 1663, minor changes were made to the structure. Later, the architect Antonio Gaspari presented a new renovation project, but the works were started only after his death, under the direction of the architect Giorgio Massari. In 1736, Giorgio Massari managed to complete the interior of the church, but the facade remained unfinished. In 1779, the church was consecrated for the last time by the Patriarch Federico Maria Giovanelli.   ART AND ARCHITECTURE The church has a single nave with a square plan, covered by a barrel vault. The presbytery was created from a semicircular apse, and is practically the vestibule of the beautiful rectangular main chapel, surmounted by an oval dome, supported by four columns. Read more [...]

The Church of Spirito Santo (Church of the Holy Spirit) is a church located on the Zattere promenade, in the sestiere of Dorsoduro, in Venice.   SHORT HISTORY In 1483, the monastery of the Augustinian nuns of the Holy Spirit was founded on this place, with a church enclosed within its walls. From the beginning, the monastery distinguished itself by scandals caused by the nuns, documented by the archives of the time. In the first decades of the 16th century, when the foundations of the Zattere were settled on the Giudecca Canal, the monastery was restructured in a radical way. The old church was demolished to make room for the cloister and, in 1506, the construction of the current church began, with the facade oriented towards the Giudecca Canal. At the same time, near the church, separated from it by the Calle Larga della Chiesa, the building of the School of the Holy Spirit was also started.   ARCHITECTURE The facade of the church has a poorly proportioned structure: the portal and the two side windows on the ground floor apparently denote an initial project focused more on the width of the building than on its height, while the second Read more [...]

The Church of Santa Fosca is a church dedicated to Saint Fusca of Ravenna, located on the island of Torcello, in the Venetian Lagoon, part of the complex of the Cathedral of Santa Maria Assunta. Saint Fusca of Ravenna was a child martyr killed along her nurse, Maura, around 250 AD, in Ravenna, under the persecutions of the Roman Emperor Decius.   SHORT HISTORY OF THE CHURCH OF SANTA FOSCA It seems that a church dedicated to Santa Fosca existed on this site since the first half of the 9th century. Around the year 1000, the building was part of the larger project promoted by the Bishop Orso Orseolo, for the reconstruction of the entire complex of the Cathedral. The building received its current appearance around the 12th century, when it was rebuilt to house the relics of the christian martyrs Fosca and Maura, brought from Sabratha, in Africa.   ARCHITECTURE OF THE CHURCH OF SANTA FOSCA The church, with a circular plan, is an example of the Venetian-Byzantine style. It stands outside the remains of the ancient city square, next to the Cathedral of Santa Maria Assunta and the remains of the ancient baptistery. The church is surrounded on Read more [...]

The Church of Santa Maria del Rosario, commonly known as I Gesuati (the Jesuates), is a church in Venice, located on the Fondamenta delle Zattere, in the sestiere of Dorsoduro. The Gesuati name comes from the religious order of the Jesuates, suppressed in 1668, which owned a large convent in the area, later bought by the Dominicans.   SHORT HISTORY OF THE CHURCH OF SANTA MARIA DEL ROSARIO Compagnia dei Poveri Gesuati (Company of the Poor Jesuates) was formed at the end of the 14th century. In 1432, the institution began the construction of the nearby Church of Santa Maria della Visitazione, and of the adjacent convent. With the dissolution of the order, the complex passed to the Dominicans, who shortly after began the construction of a new larger church further along the Zattere. The church was built between 1726 and 1735 by the architect Giorgio Massari, with the collaboration of Giambattista Tiepolo and Gian Maria Morlaiter, and was consecrated on September 29, 1743, by the Patriarch Alvise Foscari. With the suppression of the religious orders of 1810, the church became a parish church.   ART AND ARCHITECTURE OF THE CHURCH OF SANTA MARIA DEL ROSARIO The facade of the Read more [...]

The Church of San Pietro di Castello is a church in Venice, which, until 1807, it was the city’s cathedral. The church is located on the northeastern area of Venice, in the Castello district (sestiere), not far from the Arsenale.   SHORT HISTORY As reported by the chronicler Giovanni Diacono, the building of the Church of San Pietro began around 822, and was completed nine years later, probably in 831. In 1120, a fire devastated the church, and a new larger structure was built, with a baptistery next to it dedicated to San Giovanni Battista (Saint John the Baptist), now lost. In 1451, with the suppression of the Patriarchate of Grado and the constitution of the Diocese of Castello of the Patriarchate of Venice, by the bull of Pope Nicholas V, the Church of Saint Peter became the new Cathedral of Venice. Between 1508 and 1524, the Patriarch Antonio Contarini decided to carry out restoration works on the ceiling, the vaults and the floor of the church. Between 1512 and 1526, the minor chapels were rebuilt and the decorations were redone. In 1558, the Patriarch Vienzo Diedo commissioned Andrea Palladio to rebuilt the facade and the interior of church. However, Read more [...]

The Church of Santa Maria della Stella is a church in Ostuni, located in an interruption of the northern walls of the city.   SHORT HISTORY In the first half of the 16th century, a poor widow, mother of three girls, took care every day, for a month, of an image of the Madonna painted in a niche in the wall of the city, located near a small gate called Porticella. Her gesture was gratified daily by a gift she found in the niche, a coin and a loaf of bread. The place soon became a destination for pilgrimages, and it was decided to build a small chapel in which to place the image of the Virgin. The structure was named, at first, Santa Maria della Porticella. In the last decades of the 16th century, the structure was expanded, and the new church changed its name to Santa Maria della Stella (Saint Mary of the Star). The local bourgeoisie was responsible for the decoration of the interior and for the private chapels of the church. Probably damaged by the earthquake of 1743, despite some interventions made in 1812, the church was closed for worship in 1835 and soon collapsed. Between Read more [...]

The Church of Santa Maria Vergine del Monte Carmelo, or shorter the Church of Carmine, is a beautiful church in Ostuni, located near the southeastern border of the historical center of the city.   SHORT HISTORY The Carmelite Convent in Ostuni, dedicated to Santa Maria della Misericordia, was built in the second half of the 15th century outside the city walls. The convent had a simple, square-shaped form, with a garden in the middle. The adjacent church was built between 1590 and 1593 by the master masons Nicola Francesco de Marseglia and Matteo de Molendinis, assuming the title of Santa Maria del Monte Carmelo. Around the middle of the 17th century, the church had twelve chapels decorated by wealthy citizens, but in 1775 the chapels were reduced to six, plus two minor ones. In the first half of the 18th century, some renovation works were carried out by the architect Giuseppe Fasano, especially in the presbytery area and in the side chapels. In 1810, following the suppression of the Carmelite order in the Kingdom of Naples, the church was entrusted to the care of the Carmine confraternity, active since the 16th century. In 1819, the Carmelites returned to their home Read more [...]

The Cathedral of Ostuni, dedicated to the Assumption of the Virgin Mary, is a beautiful church located on the highest hill of the city, right in the middle of the old town, in Piazza Beato Giovanni Paolo II. The Cathedral of Santa Maria Assunta, built in the 15th century, was declared a national monument in 1902.   SHORT HISTORY Between 1228 and 1229, Frederick II of Swabia built here a Romanesque church, on the ruins of an Orthodox church erected prior to the year 1000. The construction of the Cathedral began after the earthquake of 1456, during the Episcopate of Nicola Arpone, and was completed in 1495. The church was radically transformed twice: in 1750, by the will of the Bishop Francesco Antonio Scoppa, and in 1898, on the behest of the Bishop Salvatore Palmieri.   ART AND ARCHITECTURE The facade of the church, facing west, with Gothic elements, is divided into three parts by thin pilasters. The facade has its fulcrum in the large central rosette, in which the Christ is surrounded by seven cherubs. On the lunettes of the side entrances are the bas-reliefs of San Giovanni Battista, on the right, and of San Biagio, on the left. Read more [...]

The Sanctuary of the Madonna della Grata is a small church that stands in a prominent position outside the historical center of Ostuni, surrounded by gardens, in a rural area known as Contrada Rosara.   SHORT HISTORY The first documented information about a church in this place dates back to the beginning of the 18th century. The current church was built between 1896 and 1910 by the architect Gaetano Jurleo, who was also responsible for the facade of the Church of San Francesco d’Assisi. The sanctuary was solemnly consecrated by the Archbishop Tommaso Valeri on August 18, 1912. The old church was then demolished.   ART AND ARCHITECTURE The Sanctuary of the Madonna della Grata was built on a natural cistern destined since ancient times to store water necessary for the irrigation of the nearby gardens. To date, this cistern is full of water, causing considerable damage to the church above. The symmetrical facade of the church is made up of two main parts: the base, characterized by the entrance portal and a plinth on which four Corinthian pilasters and four niches are set, and the upper part, characterized by a central semicircular window surmounted by the emblem with the Read more [...]

The Church of San Francesco d’Assisi is a beautiful church located in the main square of Ostuni, Piazza della Libertà, adjacent to the Palazzo di Città (Palace of the City).   SHORT HISTORY The church was founded in 1304 by the Order of the Minor Friars, on a land donated by Philip I, Prince of Taranto. The friars took care of it for the next five centuries, and after the suppression of the religious orders in 1813, the church was given to the Archconfraternity of the Immaculate, which still manages it. In 1615, the Church of San Francesco d’Assisi underwent major transformations, being largely rebuilt. In the second half of the 18th century, the church was renovated under the direction of the master mason and sculptor Giuseppe Fasano, assisted by his son Carlo and by Nicolantonio Maldarella. The facade was designed in 1883 by the architect Gaetano Jurleo, to harmonize it with the adjacent facade of the Palazzo di Città, which today hosts the Town Hall.   ARCHITECTURE The facade of the church is divided into two orders by a cornice. On the upper order, there is an atypical window of Romanesque inspiration. In the lower part, near the door, Read more [...]

The Church of San Biagio is a small church located on the homonymous street, at the nortwest limit of the Sasso Barisano, in Matera.   SHORT HISTORY The church was built in 1642 and linked to the healing virtues of Saint Blaise, the Armenian saint martyred in 316 AD. The church is closed all year, but it opens on February 3, on the occasion of the Feast of San Biagio, whose cult in Matera could be related to the Armenian community gathered around the Benedictine Monastery of Santa Maria de Armenis.   ARCHITECTURE The church is characterized by a very simple facade, which has two dome-shaped bell gables and a square window in the center, divided by a column. On both sides of the entrance door, there are two niches with the statues of Sant’Agata and Santa Lucia.   TIP: In 2019, Matera will be the European Capital of Culture, and if you have not visited the city until now, the moment has come. To gain access to all events in the Matera 2019 official programme, don’t forget to buy the Matera 2019 Passport. HOW TO GET THERE The Church of San Biagio is located about 650 meters away from Read more [...]

The Church of Santa Maria di Idris is a rupestrian church in Matera, located near the Church of San Pietro Caveoso, dug in the large limestone rock of Monterrone, dominating from its height the entire Sasso Caveoso.   SHORT HISTORY The church was built between the 14th and 15th centuries. The facade, made of tuff in the 15th century, was rebuilt following a collapse occurred in the same century.   ART AND ARCHITECTURE The church presents an irregular plan, composed of a part carved into the rock and another one built. Next to the facade, there is a small bell gable. The interior of the church is completely different from the original structure, because of the continuous restorations made over the centuries due to the humidity. Numerous frescoes were detached to be subsequently restored, and today they are conserved at the Superintendence for the Historical and Artistic Heritage of Matera. On the 19th-century altar, built in 1807, there is a Madonna with Child painted in tempera, dating back to the 17th century. On the right, is the Conversion of Sant’Eustachio, the Holy Family and Sant’Antonio, all from the 17th century, and a Crucifixion with the city of Matera as a Read more [...]

The Church of Sant’Agostino is a church dedicated to Saint Augustine, in Matera. The church and the adjacent convent dominate the Sasso Barisano from a rocky spur.   SHORT HISTORY The convent was built in 1592 by the monks belonging to the Order of Hermits of Saint Augustine on an ancient hypogeum dedicated to Saint William of Vercelli. The church, dedicated to Santa Maria delle Grazie, was built two years later, in 1594. In 1734, the entire complex was destroyed by an earthquake. Once restored, in 1747, the convent and the church became the General Chapter of the Augustinian Order. The church was consecrated in 1750 by the Archbishop Antonio Antinori. Over time, the convent was suppressed, and it was used as an army shelter, before becoming a prison and later a care home for the elderly. Today, is houses the Superintendence for Architectural and Environmental Heritage.   ART AND ARCHITECTURE The facade of the church is dominated by the central portal, surmounted by a niche with the statue of Sant’Agostino. Above the cornice, there is a niche containing a statue of a bishop and, on both sides, the statues of San Paolo and San Pietro. Between the church and Read more [...]

The Church of San Francesco d’Assisi is a church built in Baroque style in the San Francesco Square, in Matera. The church is dedicated to Saint Francis of Assisi, after the saint visited Matera in 1218.   SHORT HISTORY The current church was built in the first half of the 13th century on the place of a hypogean church dedicated to Saints Peter and Paul. The ancient church can still be accessed today through a trap door from the third chapel on the left. In the church can be found a fresco depicting the visit of Pope Urban II to Matera from 1093. The church was enlarged in the 15th century, and many transformations were subsequently made until the 18th century, when it assumed its current state, with the construction of the Baroque facade by the architects Vito Valentino and Tommaso Pennetta.   ART AND ARCHITECTURE The Baroque facade houses three statues in the upper part, with the Virgin Mary in the center, and Saint Francis of Assisi and Saint Anthony of Padua on the sides. The interior consists of a single nave, with side chapels and a beautiful painted ceiling. The nave ends with the quadrangular apse, introduced by Read more [...]

The Cathedral of San Sabino is the cathedral of Bari, dedicated to Saint Sabinus of Canosa, whose relics were brought to the city in the 9th century.   SHORT HISTORY In the first half of the 11th century, the Archbishop Bisanzio built a church on this ground, later completed by his successors Nicola I and Andrea II. This church was later destroyed by William I, called the Bad, during the destruction of the city from 1156. The current church, which dates back to the 12th and 13th centuries, was built by Archbishop Rainaldo on the ruins of the Byzantine cathedral, inspired by the style of the Basilica of San Nicola. For the work, materials from the previous church and from other destroyed buildings were used. The cathedral was consecrated on October 4, 1292. Starting with the 18th century, the building underwent a series of renovations, demolitions and additions. During those times, the facade, the interior of the naves, the interior of the ancient baptistery and the crypt were rebuilt in baroque forms on a design by Domenico Antonio Vaccaro.   ARCHITECTURE The church is an important example of Apulian-Romanesque architecture. The simple facade is divided by two pilasters in three Read more [...]

Basilica di San Nicola (Basilica of San Nicholas) is a beautiful church located in the historical center of Bari, one of the most significant examples of the Apulian-Romanesque architecture.   SHORT HISTORY The church was built in Romanesque style between 1087 and 1103, during the Norman domination of Apulia, to host the relics of Saint Nicholas, translated from Myra, Lycia, to Bari, on May 9, 1087. The relics were temporarily housed in the Monastery of St. Benedict. On October 1, 1089, the relics were transferred to the crypt of the unfinished basilica by Pope Urban II, who came to Bari specifically for this. The construction of the basilica was completed in 1103.   ART AND ARCHITECTURE The simple and majestic facade of the basilica is divided in three parts by pilasters, crowned with small arches, has mullioned windows at the top and three portals at the bottom. Two bell towers of different styles flank the facade. The sides are characterized by deep blind arches and rich doors. Blind arches at the bottom and mullioned windows at the top animate the transept and the apse wall, decorated in the middle by a large window. The interior is divided in three naves Read more [...]

The Church of Our Lady of Remedies (Chiesa della Madonna dei Rimedi) and the Convent of the Discalced Carmelites (Carmelitani Scalzi) is a religious complex built in Baroque style, located in Piazza dell’Indipendenza, in Palermo.   SHORT HISTORY During the campaign of the Norman reconquest of Sicily, held between 1064 and 1072, the lighting of fires, suggested in a dream by the Virgin, proved to be an excellent remedy to drive away the annoying insects that weakened the troops. In 1072, after the conquest of Palermo, Roger I of Sicily, nicknamed The Great Count, as a sign of gratitude for the victory, built a primitive church dedicated to Santa Maria dei Rimedi. The current structure was born five centuries later, in 1609, after the arrival of Father Domenico, called to Palermo by the Viceroy of Sicily Juan Manuel Fernández Pacheco and Zúñiga, Marquis of Vigliena. The Convent of the Order of the Discalced Carmelites was built around the same time, under the title of Santa Maria dei Rimedi, one of the first Carmelite institutions of Palermo, and today one of the most important convents of the Discalced Carmelites in Italy. The construction of the complex continued with the help of Read more [...]

The Cathedral of Palermo is a magnificent church dedicated to the Assumption of the Virgin Mary, located in the historical center of Palermo. Since July 3, 2015, the Cathedral is a UNESCO World heritage site, part of the Norman Palermo and the Cathedral Churches of Cefalù and Monreale, a series of nine structures dating from the era of the Norman Kingdom of Sicily.   SHORT HISTORY A first church was built in the area in the fourth century. The building is mentioned in a papal bull of Pope Leo the Great in 444 and in a letter to the Sicilian clergy of 447. In 592, the Bishop Vittore demolishes the church and promotes its reconstruction according to the Byzantine canons. A second church dedicated to the Assumption of the Virgin Mary is built on the ruins of the previous one in 604. Between 831 and 1072, during the Arab domination of Palermo, the church was transformed into a mosque. Following the Norman conquest of the city, in 1072, the mosque was converted back to a Christian church. The earthquake of February 4, 1169, seriously damaged the bell tower and the upper part of the facade. Interpreted as a divine punishment Read more [...]

The Church of San Paolo a Ripa d’Arno (Saint Paul on the Bank of the Arno), is a Romanesque-style church in Pisa, located on the Lungarno Sidney Sonnino, in the homonymous square.   SHORT HISTORY The church was built around the year 925, and is attested in documents dating back to 1032. The associated convent was documented since 1147. The church and the monastery belonged to the Benedictine monks until 1092, when it was given to the Vallumbrosan monks. In the mid-12th century, it was enlarged in similar forms to the contemporary Cathedral of Santa Maria Assunta. Later, the church and the monastery were entrusted to the cardinal Landolfo Marramauro and, in the 16th century, it was assigned to the Order of the Knights of Saint Stephen. After the suppression of the order, the church became a parish. In the 19th century, several restorations were made, but the building suffered some damage during the Second World War and was therefore restored again between 1949 and 1952. Just as a result of the post-war interventions, most of the buildings adjacent to the church were demolished. In 2012, it was closed due to precarious conditions. Restoration started in October 2016, thanks to Read more [...]

The Church of Santa Maria della Spina is a small Gothic church in Pisa, located on the southern bank of the river Arno. The title della Spina (of the Thorn) comes from a thorn of the crown placed on Christ during his Crucifixion, which was brought to the church in 1333, but is kept in the Church of Santa Chiara since the 19th century.   SHORT HISTORY The church was built in 1230 by the Gualandi family, and it was originally called Santa Maria di Pontenovo, because of a nearby bridge across the Arno River that connected Via Sant’Antonio to Via Santa Maria, collapsed in the 15th century. Between 1323 and 1376, enlargement works were made, probably under the direction of the architect Lupo di Francesco. Starting with the 5th decade of the 15th century, the works were supervised by the architect Andrea Pisano and his son, Nino. After the unification of Italy, the city council and a commission formed by members of the Academy of Fine Arts decided to dismantle and rebuild the church on a higher ground. The works, led by the architect Vincenzo Micheli, started in 1871 and were completed in 1875. This intervention moved the building Read more [...]

The Church of Santo Stefano dei Cavalieri is a church dedicated to Saint Stephen, first martyr of Christianity, located in the historical center of Pisa, in Piazza dei Cavalieri, near the beautiful Palazzo della Carovana.   SHORT HISTORY The first stone of the church was laid on April 17, 1565, by Cosimo I de’ Medici. The church was built for the Order of the Knights of Saint Stephen, founded by the Grand Duke to combat Saracen piracy in the Mediterranean. Designed by Giorgio Vasari, with the works being supervised by David Fortini, the church was built on the site of the old Church of San Sebastiano alle Fabbriche Maggiori, documented since 1074. The construction was completed in August 1567, and the church was consecrated on December 1569. The bell tower, added between 1570 and 1572, was erected by Giovanni Fancelli based on a design by Vasari. In the following century, the church was decorated with most of the paintings that are still on display, painted by the greatest Florentine masters of the 17th century. The altar and the nave were designed by Pier Francesco Silvani. Between 1683 and 1691, the two side bodies were built, used as dressing rooms and Read more [...]

The Oratory of San Rocco and San Sebastiano (Oratory of Saint Roch and Saint Sebastian) is a small place of worship located in the beautiful seaside village of Riomaggiore. The oratory is built in a panoramic position next to the Castle of Riomaggiore, on the ridge that separates the Rio Maggiore valley, where the village rises.   SHORT HISTORY According to some people, the Oratory of San Rocco was built in 1480 as a sign of gratitude for the end of the plague that killed almost half the population of the village. According to others, the oratory was built almost a century later.   ART AND ARCHITECTURE The small building, with very simple architectural forms, is preceded by a portico. The interior, consisting of a single room covered by a lowered barrel vault and decorated with devotional frescoes, takes light from small windows splayed in the thickness of the walls. On the Baroque altar there is a triptych with the Virgin and Child between Saint Roch and Saint Sebastian.   HOW TO GET THERE The Oratory of San Rocco is located about 450 meters away from the Riomaggiore railway station, or about 8-10 minutes on foot. Depending on the route Read more [...]

The Church of San Pietro is an ancient church dedicated to Saint Peter, built on a rocky edge in Portovenere, facing the beautiful Gulf of Poets.   SHORT HISTORY The original church was founded on the ancient remains of a pagan temple dedicated to the goddess Venus Erycina, and was consecrated in 1198. The black and white bands on the walls were added by the Genoese in the 13th century, presumably between 1256 and 1277. The church lost its parochial title at the end of the 14th century, in favor of the Church of San Lorenzo, and was officiated by the secular clergy until 1798. In 1494, the church was affected by the attacks of the Aragonese, and later, during the Napoleonic era, was used as a battery to defend the Gulf of La Spezia. The church underwent a significant restoration work between 1929 and 1934.   ARCHITECTURE The original church is a work in the Syriac tradition of the 5th century, with a rectangular plan and a semicircular apse. Two round arches connect this space with the newer church. The latter has a structural wooden roof and the presbytery is divided into three chapels, covered with ogival and cross Read more [...]

The Church of San Lorenzo is a religious building dedicated to Saint Lawrence, located in a dominant position on a hill overlooking the village of Portovenere, close to the Castello Doria. The church is also known today as the Sanctuary of the White Madonna (Santuario della Madonna Bianca), the White Madonna being the patron saint of Portovenere.   SHORT HISTORY According to some historical sources, a first church was erected here in Romanesque style starting with 1098, on a place where, in ancient times, there was probably a temple dedicated to Jupiter. The church was consecrated in 1130 by Pope Innocent II. At the end of the 14th century, the Church of San Lorenzo inherited the parochial title from the Church of San Pietro. In 1340, a fire damaged the church and, in 1494, the building was partially destroyed by the incursion of the Aragonese. For these reasons, the church underwent restoration works between 1494 and 1582. These interventions consisted in the replacement of the black Portoro marble columns with white marble columns, the demolition of the presbytery’s nave tower and its replacement with an octagonal dome, the reconstruction of the bell tower next to the apse and the replacement Read more [...]

The Church of the Immaculate Conception (Chiesa dell’Immacolata Concezione) is a beautiful church in Sestri Levante, located on an elevated position to the east of Baia del Silenzio.   SHORT HISTORY The first Capuchin friars arrived in the village in 1609, and settled right in the center of Sestri Levante. In 1640, they built a church with a conventual structure attached, the today’s complex of the Church of San Pietro in Vincoli. The urbanization of the town in the following years, which no longer allowed the friars proper isolation from the population, led them to choose a more isolated location on the hill located east of the Bay of Silence. The construction of the new complex began in 1683 and ended in 1688, the year of the transfer of the order to the new convent. The former complex was sold in 1686 to the Secular Priests of San Pietro in Vincoli. In the agreement signed with the Seculars, it was agreed that any work of art and furnishings should remain the property of the Capuchins. The property of the convent was managed directly by the friars until 1866 when, for unknown reasons, the church and the convent were sold to Read more [...]

The Church of Santa Maria di Nazareth is a beautiful church in Sestri Levante, located in Piazza Giacomo Matteotti, near the wonderful Baia del Silenzio.   SHORT HISTORY The presence of a small chapel dedicated to Saint Mary of Nazareth is attested on this place as early as 1368. In 1604, the building of a new church began, supervised by the architect Gio Batta Carbone, who will finish the work almost 12 years later, in 1616. The church inherited the title of co-cathedral of the diocese of Brugnato from the pre-existing Church of San Nicolò, and was the residence of the bishops of the diocese from the 16th to the 18th century. In the first half of the 19th century, Giambattista Prato restructured the facade of the church, also adding a neoclassical pronaos.   ART AND ARCHITECTURE The interior has a structure with three naves divided by square pillars with pilasters on which rounded arches rest. The decorations are dated between the 18th and 19th centuries. The central nave has a barrel vault with lunettes, a raised presbytery and a semicircular apse. In the side aisles there are several side chapels with small cross vaults. The high altar with polychrome Read more [...]

The Church of San Giovanni Battista (Church of St. John the Baptist) is one of the most important churches in Matera, located outside the walls of the historical center of the city, in Piazza San Giovanni.   SHORT HISTORY A church was documented on this place since 1204, under the title of Santa Maria Nuova. The church belonged to the Benedictine monks, who abandoned it in 1212. Between 1230 and 1233, the Archbishop Andrea built a new church for the Augustinian nuns arrived in Matera from Palestine in 1198, and hosted for a while in the rupestrian Monastery of Madonna delle Virtù. After 1412, the nuns left the rule of St. Augustine to take that of St. Dominic, and the convent changed its title to Santa Maria dell’Annunziata. The church was abandoned in 1480, during the War of Otranto, because its position outside the city walls was too risky for the nuns. In 1610, the main facade of the church was incorporated into the adjacent hospital building, and the current facade is, actually, its right side. The church was reopened as a place of worship in 1695 by the Spanish Archbishop Antonio De Los Ryos y Colminarez, and dedicated to Read more [...]

The Church of San Pietro Caveoso, also known as the Church of Saints Peter and Paul (Chiesa dei Santi Pietro e Paolo), is a Baroque church in Matera, located in Sasso Caveoso, the southern ancient district of the city.   SHORT HISTORY The church was built in 1218, but undergone numerous changes and renovations over the centuries, and many of its original features were lost in time. In the 17th century, the church was completely renovated and the current facade was built. At the same time, the bell tower was raised and the interior of the church was enlarged, with the addition of the side chapels. In 1706, the church was re-consecrated, as indicated on a plaque, and new improvements were made. The cusp was added on the bell tower, the interior was covered with stucco and decorations, and a wooden false ceiling was placed under the tufa roof.   ART AND ARCHITECTURE The Baroque facade presents, in the lower part, three portals with a simple frame. Above each of them, there are semi-circular niches containing statues. Above the central portal, there is the Madonna of Mercy, Saint Paul the Apostle above the portal on the right and Saint Peter Read more [...]

The Church of San Giuseppe is a beautiful church in Taormina, dedicated to Saint Joseph. The church, built in Baroque style in the second half of the 17th century, stands near the famous Torre dell’Orologio, dominating the main square of the town, Piazza IX Aprile.   SHORT HISTORY The church was built after 1650 as the seat of the Confraternity of the Souls in Purgatory. On the facade of the church and also inside, there are numerous references to the confraternity: inscriptions, coats of arms, details of sculptures, bas-reliefs, mottos and allegorical figures. In 1919, the church was given to the Fathers of the Salesian Order, present in Taormina since 1911. The order enriched the church with new sculptures and thematic frescoes. In Autumn 2015, water infiltrations and humidity caused by heavy rain determined the collapse of the ceiling, and the church was closed for consolidation and restoration works. After the restoration, the church was reopened for worship.   ARCHITECTURE A majestic double staircase leads to the church, and both the stairs and the porch in front of the building are fenced with a magnificent stone balustrade. The facade has a large central portal that leads into the church, and Read more [...]

The Church of the Holy Spirit (Chiesa dello Spirito Santo) is a Baroque church located on the seafront of the Ortygia island, in Syracuse.   SHORT HISTORY The church was built in 1727, during the Spanish domination of Sicily, by the architect Pompeo Picherali. The church stands on the site of the ancient First Church of Syracuse, built in the 4th century by the Bishop Germano and damaged by the earthquakes of 1542 and 1693.   ARCHITECTURE The facade of the church, built in Baroque style, has three orders separated by scrolls and marked by pilasters, surmounted by a three-eyed bell-gable. The whole facade from white limestone is a continuous play of shapes, rich in decorations, with Corinthian elements. The church is the only one in Syracuse with an external dome. The dome has a diameter of 8 meters and is also in Baroque style The interior of the church has a Latin cross plan with three aisles. The vaults are decorated with frescoes and stucco. Unfortunately, today, the church is in poor condition, due to the numerous water infiltrations from the roof. The majestic pipe organ is in complete abandon and the stuccos and frescoes on the roof are Read more [...]