The Church of the Maestà delle Volte was a church in Perugia, from which today only the facade has remained. The church is now a clothing store on via Maestà delle Volte, but it still retains its architecture and some of the original frescoes. SHORT HISTORY In 1297, on the street that passes under the Palazzo del Podesta, was placed a fresco known as Maestà delle Volte, which most likely portrayed Madonna with the Child. An oratory was built in 1335 to house the fresco, that was replaced by a larger church, between 1440 and 1470. Probably, Agostino di Duccio decorated the church in 1475. The church was damaged in 1534, when Ridolfo Baglioni conquered Perugia and set fire to the adjacent palace. Restorations took place in 1538 and between 1557 and 1558. In 1566, when the church became part of the Episcopal Seminary, Bishop Fulvio della Corgna initiated further renovations. The church was a meeting place for the Compagnia della Morte until the end of the 16th century, after which it moved to its own church, Church of Compagnia della Buona Morte. At the end of the 16th century, the facade of the church was built after a Read more [...]
Italy has many churches, and all of them are beautiful and full of spectacular works of art. The main church of the city is referred as Il Duomo, but you will find churches that are named Basilica, Chiesa or Cattedrale, depending on their size and importance.
From the Italy’s most famous church, Cathedral of Santa Maria del Fiore, in Florence, to the Duomo di Milano, and further, to Basilica San Marco, in Venice, Duomo di Siena or Campo dei Miracoli, in Pisa, and up to Saint Peter’s Basilica, the Cathedral of Rome, the route of the most beautiful churches in Italy is assured, and if you are passionate about art and beauty, in general, you should follow it.
Basilica of San Domenico, one of the most important churches in Perugia, overlooks a small square, Piazza Giordano Bruno, and can be seen from all over the city, thanks to the 126 meters high tower. SHORT HISTORY The Dominicans arrived in Perugia around 1230 and, between 1231 and 1260, they built a primitive church where the Basilica of San Domenico stands today. In the years to come, the Dominican order will become important and, in 1304, the construction of a new, larger church will begin. The church will be consecrated by Pope Pio II Piccolomini in 1459. At the start of the 17th century, the nave collapsed and the church was entirely rebuilt following Carlo Maderno’s design, between 1629 and 1632. ARCHITECTURE The church has an impressive facade, which opens at the top to a stairway with a double ramp. Inside, it has the layout of a Latin cross and is characterised by simplicity. The austerity of the nave contrasts the Gothic style of the glass windows, dated from 1411 and signed by Bartolomeo di Pietro and by Mariotto di Nardo. The top window, 23 meters high, is the largest of the era after the Duomo of Milan. Read more [...]
The Cathedral of San Lorenzo, dedicated to Saint Lawrence, deacon in the service of Pope Sixtus II, martyred in Rome in the year 258, is part of an architectural complex that, taken as a whole, is called the island of San Lorenzo or the castle of San Lorenzo. SHORT HISTORY A church was initially built in the 9th century on the ancient forum of the Etruscan city. It was then rebuilt between the 11th and the 12th century, to house the remains of the bishop Ercolano, martyred at the time of the Ostrogoths invasion, in the 6th century. In 1300, the church was expanded, under the supervision of the benedictine monk Bevignate. A considerable time has passed between the planning and the completion of the work, two centuries later, in 1507. In the second half of the nineteenth century, by the will of Cardinal Gioacchino Pecci, then bishop of Perugia and future pontiff, the cathedral received a neo-gothic appearance – the structure preserved to this day. ARCHITECTURE The Cathedral, with its southern façade, serves as a background to Piazza Maggiore, today Piazza IV Novembre, which gathers in a single space, at the same time functional and symbolic, the Read more [...]
In the central square of Assisi, there is an old roman temple from the first century of our era, Temple of Minerva, that was dedicated to the goddess of wisdom and peace from the pagan age. Today, the temple houses the church called Santa Maria sopra Minerva. SHORT HISTORY Around the years 28-25 BC, in the time of Emperor Augustus, the Roman Forum in Assisi is structured, various temples rise and the city wall is completed. Abouth then, the Temple of Minerva is built. When the pagan cult ceased, the Temple of Minerva remained abandoned and silent for over a century, until the second half of the 5th century, when the Benedictine monks restored the building and used it. With an act of May 24, 1212, the Benedictines granted for rent, for a hundred years, all the rooms of the Temple to the city of Assisi. In 1539, Pope Paul III, visiting Assisi, ordered that the Temple of Minerva to be restored and dedicated to Saint Mary. The Temple takes the name of Santa Maria sopra Minerva. In 1613, the Bishop of Assisi, Marcello Crescenzi, also having the consent of the city council, donates the Temple to the Friars Read more [...]
The Abbey of Saint Peter (Chiesa di San Pietro) is a church inhabited today by a community of monks from the Benedictine Cassinese Congregation, near the entrance in Assisi. SHORT HISTORY The Abbey of Saint Peter was built at the end of the 10th century, outside the city walls of Assisi, near an ancient Roman necropolis. The presence of the monastery has been documented since 1029, through a manuscript preserved in the Archives of San Rufino. In the first half of the thirteenth century, the history of the community of St. Peter is intertwined with that of St. Francis. The blessed Peter, abbot of Assisi, whose name is mentioned in a document from 1209, gave to Saint Francis the silver chalice which is still preserved in the Chapel of the Relics of the Sacred Convent. Around 1252, after they lived in the monastery for over two centuries, the Benedictines abandoned the place, and in their place came the Cistercians, who completed the construction of the abbey and the church, which was consecrated in 1254 by Innocenzo IV. On the same occasion, the pontiff consecrated the Cathedral of San Rufino and the Basilica of San Francesco. In 1316, following the Read more [...]
The Basilica of Sant’Eufemia rises inside the Archbishop’s Palace, near the Piazza del Duomo, on a place that was once occupied by the palace of the Lombard Dukes of Spoleto. SHORT HISTORY The first information about the monastery and the church of S. Eufemia dates back to the 10th century, when the Benedictine monk Giovanni Cassinese wrote about the life of S. Giovanni, Archbishop of Spoleto. In the 12th century, the church was encompassed by the Palazzo Vescovile (the Archbishop’s Palace). At the end of the 14th century, a painter was commissioned to paint the complex of the palace. At the middle of the 15th century, the Spoleto diocese was run by the Patriarch of Alexandria, the venetian Marco Condulmer, and the church seems to have changed its title from S. Eufemia to S. Lucia. HOW TO GET THERE After you visit the Cathedral of the Assumption of Saint Mary, in Piazza del Duomo, you can easily get to the Church of Sant’Eufemia, only 100 meters away. If you need precise directions from anywhere in the city, use the map below.
Basilica of Saint Mary of the Angels (Basilica di Santa Maria degli Angeli) is a papal church in Assisi, outside city walls, about 4 kilometers from the historic centre. The Basilica shelters the Porziuncola, a small church where the Franciscan movement started and, at the same time, the most sacred place for the Franciscan order. SHORT HISTORY Basilica of Saint Mary of the Angels was built between 1565 and 1685, after a project by Galeazzo Alessi, an italian architect from Perugia. The construction has taken a long time due to constant lack of money, because the church was financed only from donations. After an earthquake on 15 March 1832, the church suffered major damage. The reconstruction of the basilica started in 1836 and was finished 4 years later, in 1840. The architect in charge for the reconstruction was Luigi Poletti. During reconstruction, the façade of the church was remodeled in a neoclassical style, but the architect Cesare Bazzani gave back, between 1924 and 1930, its original form. ART AND ARCHITECTURE The basilica was built in a Mannerist style and has a latin cross structure, 126 meters in lenght and 65 meters wide. The interior has three naves and Read more [...]
The Basilica of the Most Holy Savior and of the Saints John the Baptist and Evangelist in the Lateran, commonly called Basilica of St. John Lateran, is the mother church of all the Catholic churches in Rome and the entire world. It is the highest ranking of the four papal major basilicas, receiving the title of archbasilica. SHORT HISTORY Basilica di San Giovanni in Laterano was consecrated in 324 by Pope Sylvester I, and dedicated to the Most Holy Savior. In the ninth century, Pope Sergio III dedicated it to St. John the Baptist, while in the twelfth century, Pope Lucio II dedicated it to St. John the Evangelist. At the end of the 13th century, great works were undertaken under Bonifacio VIII, with the frescoes by Giotto and by Cimabue, today lost. In the 14th century, with the shift of papal power from Rome to Avignon, the church will be abandoned, and after the return of the papacy to Rome, due to the poor condition of the Basilica, the popes will prefer the Vatican. In the 18th century, the facade of the Basilica was finally completed with the new prospect of Alessandro Galilei. On the occasion of the Read more [...]