All SEE in Tuscany

Piazza della Repubblica is one of the main squares of Florence, located in the historical center of the city, about 200 meters away from the Cathedral of Santa Maria del Fiore.   SHORT HISTORY Piazza della Repubblica was the center of the ancient city of Florence during the Roman times. Here, there was the Roman forum, which gathered the most important religious and civil buildings of that period. During the Middle Ages, Piazza della Repubblica was defined as a public space intended for trade, while the square of the Cathedral (Piazza del Duomo) was a place for politics, and Piazza della Signoria for civil affairs. In the 16th century, the square was renamed Mercato Vecchio (Old Market), due to the construction of Loggia del Mercato Nuovo near Ponte Vecchio. Here was also the Jewish Ghetto, where Cosimo I forced the local Jews to reside. The only evidence left of the Old Market square is Colonna della Dovizia (Column of Wealth), also known as Colonna dell’Abbondanza (Column of the Abundance). The current version of the column dates back to 1431 and has on top a statue representing the Abundance, made by Giovan Battista Foggini, who replaced the original by Donatello, irreparably Read more [...]

The Basilica di Santo Spirito (Basilica of the Holy Spirit) is a Renaissance-style church in Florence, located in the Oltrarno district, in Piazza Santo Spirito.   SHORT HISTORY In 1250, Spinello Accolti and Omodeo di Guido donated to the Augustinian friar Aldobrandino a house and two vineyards in the Oltrarno area for the construction of a church, which was originally dedicated, in 1252, to the Virgin Mary, to the Holy Spirit and to all the Saints. In 1269, a community of Augustinian friars settled permanently in Florence, and began on this site the construction of a church dedicated to the Holy Spirit. Starting with 1397, the Municipality provided funds for the construction of a new basilica, but the work began only in 1434, when the project was entrusted to Filippo Brunelleschi. After the death of Brunelleschi in 1446, the construction site passed into the hands of his three disciples, Antonio Manetti, Giovanni da Gaiole and Salvi d’Andrea. In 1471, a serious fire destroyed many works of art in the church. Salvi d’Andrea built the dome between 1479 and 1481, and the internal facade between 1483 and 1487. Consecrated in 1481, the basilica was completed in 1487. Giuliano da Sangallo’s sacristy Read more [...]

The Basilica of the Santissima Annunziata is a church in Florence, located in the homonymous square, in the northern part of the historical center of the city.   SHORT HISTORY According to tradition, a small oratory dedicated to the Virgin was built on this area in 1081. Around 1233, the abandoned oratory was taken over by the Servants of Mary. In 1250, the Servants of Mary laid the first stone for the construction of a larger basilica. The church and the adjoining convent were dedicated to Santa Maria dei Servi, from the name of the religious order. In 1252, according to legend, the Servants of Mary commissioned a painter called Bartolomeo to paint a fresco of the Annunciation. Despite several attempts, the painter could not paint the face of the Virgin. One day, Bartolomeo fell asleep, and when he woke up, by a miracle, the painting was completed. The fresco became the object of great veneration and deep devotion of the Florentines. Towards the end of the 13th century, the floor of the church was redone and the choir stalls were carved by master Guglielmo of Calabria. In the first half of the 14th century, various chapels and altars were Read more [...]

The Church of San Salvatore in Ognissanti, or simply the Church of Ognissanti (Church of All Saints), is a church in Florence, located in the homonymous square.   SHORT HISTORY In 1239, the Humiliati arrived in Florence, and settled outside the city. In 1251, they started a church as part of a larger conventual complex. In 1571, the order of the Humiliati was suppressed at the behest of Cosimo I, and the Franciscans replaced them in the convent. Renovation work began immediately. Two cloisters were built, and the church was rededicated in 1582 to San Salvatore. In 1627, the interior of the church was restructured to a design by the architect Matteo Segaloni, commissioned by Ferdinando II de’ Medici. New altars, paintings and sculptures embellished the church. In 1637, the facade in Baroque style was completed by Matteo Nigetti. In 1872, the facade was completely redone in travertine.   ART AND ARCHITECTURE The facade of the church develops on three levels. The lower one has a large portal in the center, flanked by two niches. The portal has a lunette with the Coronation of the Virgin and Saints by Benedetto Buglioni. The second order has a niche in the center Read more [...]

Palazzo Lenzi is a palace in Florence, located in Piazza Ognissanti, in the western part of the historical center of the city.   SHORT HISTORY The palace was built around the year 1470 by the Lenzi family on a design by an unknown architect. The Lenzi family resided in the palace until the middle of the 17th century, when the palace was bought by the Buini family, who modernized the interior. In 1765, the palace passed to the Quaratesi family. In the 19th century, Palazzo Lenzi was used as a hotel, under the name of Locanda di Russia. Around the middle of the 19th century, the whole area changed its appearance, with the construction of Palazzo Giuntini and the Hotel Excelsior. At the end of the 19th century, the palace was purchased by the antiquarian Luigi Pisani, who began a series of important restorations. The works were supervised by the architect Luigi Del Moro and the painter Pietro Baldancoli. After the restorations were completed, Luigi Pisani placed his art and antiques gallery in the palace. In 1908, the palace became the seat of the French Institute of the University of Grenoble. Then, in 1912, it became the seat of the Read more [...]

Palazzo Corsini al Parione is one of the most sumptuous private palaces in Florence, located on the homonymous Lungarno Corsini, halfway between Ponte Santa Trinita and Ponte alla Carraia.   SHORT HISTORY Until the 16th century, there were various buildings on this area, the most important of them being the Casino del Parione and the house of the lawyer Tommaso Compagni, decorated by a fresco with the Nine Muses by Bernardino Poccetti. The land was owned first by the Marquis of Marignano, then by Giovanni de’ Medici, son of Cosimo I and Eleonora degli Albizi. In 1621, the property passed to Cardinal Giovan Carlo de’ Medici, and in 1640 it was sold to Maddalena Machiavelli, mother of Bartolomeo Corsini. Bartolomeo Corsini began the construction of a new building in 1656, initially with the contribution of the architect Alfonso Parigi the Younger, who was succeeded later by Ferdinando Tacca, and by Pierfrancesco Silvani. After Silvani’s death in 1685, the work was continued by Antonio Maria Ferri, who gave the current appearance to the structure: the three bodies articulated around a central courtyard, the monumental staircase and the facade on Lungarno Corsini. Today, the palace is still partly inhabited by the descendants Read more [...]

Palazzo Gianfigliazzi Bonaparte is a palace in Florence, located on Lungarno Corsini, about 60 meters away from Ponte Santa Trinita.   SHORT HISTORY Until the end of the 18th century, Palazzo Gianfigliazzi Bonaparte was the property of the noble Gianfigliazzi family, who also owned the adjacent Palazzo Gianfigliazzi. In 1825, the palace was bought by Louis Bonaparte, the younger brother of Napoleon Bonaparte, and the former King of Holland in exile. Later, the palace was used as a hotel called Delle Quattro Nazioni (Of the Four Nations). In 1827, as a plaque on the facade recalls, the Italian writer and poet Alessandro Manzoni lived there for a month. Around the middle of the 19th century, the palace was owned by the Lamporecchi family, who sold it to the Belgian Van der Linden d’Hooghvorst. At that time, the building was restored by the architect Bartolommeo Silvestri, who rearranged the windows on the facade and closed the panoramic loggia on the top floor. Changes were also made to the interior, where the halls were renovated to host sumptuous receptions. At the end of the 19th century, Palazzo Gianfigliazzi Bonaparte was sold to the Cesaroni Venanzi family. Today, it belongs to the Campodonico Read more [...]

Palazzo Gianfigliazzi is a palace in Florence, located on Lungarno Corsini, about 50 meters away from Ponte Santa Trinita.   SHORT HISTORY The palace was built by the Ruggerini family in the 13th century, then passed to the Fastelli-Petribuoni family. At the beginning of the 15th century, it became the property of the Gianfigliazzi family. In the 17th century, the palace was renovated by the architect Gherardo Silvani. Towards the middle of the following century, it was rented to Princess Louise of Stolberg-Gedern, wife of Charles Edward Stuart, pretender to the English throne. In 1853, the building passed to the Masetti family, who enlarged it by one floor and changed the arrangement of the windows on the facade. Today, Palazzo Gianfigliazzi belongs to a real estate company, and houses the 4-Star hotel Palazzo Alfieri Residenza d’Epoca.   HOW TO GET THERE Palazzo Gianfigliazzi is located about 1 kilometer away from the Santa Maria Novella railway station. The closest bus stop is Frescobaldi, located in Piazza de’ Frescobaldi, about 180 meters away, on the bus Lines 11, C3 and C4.

Ponte Santa Trinita is a beautiful bridge in Florence, located on the Arno River, which connects Piazza Santa Trinita to Piazza de’ Frescobaldi.   SHORT HISTORY Ponte Santa Trinita was built in wood in 1252, thanks to Filippo Ugoni, Mayor of Florence, at the behest of the noble Frescobaldi family, and took the name of the nearby Basilica of Santa Trinita. In 1259, the bridge collapsed under the weight of the crowd watching a show on the Arno. It was rebuilt in stone, but was destroyed again by the great flood of 1333. The subsequent rebuilding lasted fifty years, and was completed in 1415. In 1557, Ponte Santa Trinita was again deteriorated by a flood, and Cosimo I commissioned Bartolomeo Ammannati to build a new bridge, based on a design by Michelangelo. The construction began in 1567, and the work was completed in 1571. The bridge was destroyed by the retreating Germans on August 4, 1944, at the end of the Second World War. In 1952, the architect Riccardo Gizdulich began to supervise the reconstruction works, together with the engineer Emilio Brizzi. The reconstructed bridge was inaugurated on March 16, 1958.   ART AND ARCHITECTURE The bridge is built in Read more [...]

Palazzo della Borsa is a large palace in Florence, located on Lungarno Diaz, about 100 meters away from the Uffizi Gallery.   SHORT HISTORY The area in which the palace currently stands was occupied until the mid-19th century by Tiratoio delle Grazie, an edifice belonging to the guild of Arte della Lana (Wool Art). When the ancient guilds were dissolved by the Grand Duke Pietro Leopoldo, the site was chosen for a large building suitable for housing the Chamber of Commerce, the Stock Exchange and the Tuscan National Bank. Palazzo della Borsa was built between 1858 and 1860 on a project by the young architect Michelangelo Maiorfi, reworked with significant changes by Emilio De Fabris. Around 1915, the entrance from Piazza dei Giudici was opened, and some internal works were carried out based on a project by the architect Ugo Giusti. An intervention by the architect Ezio Cerpi, which led to the raising of the entire attic, thus obtaining the second floor and bringing the structure to its current volume, is dated to 1931. The smooth plaster on the facade and the construction of a large hall in the eastern side of the palace, intended for the Stock Exchange, date Read more [...]

Palazzo Malenchini Alberti is a palace in Florence, located in Via dei Benci, at the intersection with Lungarno Generale Diaz.   SHORT HISTORY The noble family of Alberti di Catenaia settled in this area of Florence in the first half of the 13th century. The family purchased several properties and merged them to form a large structure in which they resided. Between 1760 and 1763, the fronts of the buildings were unified into a single facade, on the initiative of Giovan Vincenzo Alberti, Count of the Holy Roman Empire. Giovan Vincenzo’s son, Leon Battista, died without heirs in 1836, and the palace passed to a nephew belonging to the Mori Ubaldini family. Between 1838 and 1839, the new family renovated the palace, under the direction of the architect Vittorio Bellini. Other interventions took place between 1849 and 1851 by the architects Odoardo Razzi and Niccolò Salvi. The first created the Neo-Renaissance facade, inaugurated in 1850. The second took care of the loggia on the northern side of the palace’s garden. At the end of the 19th century, the palace was bought at auction by the Dukes of Chaulnes, distant descendants of the Alberti. In 1887, they left Florence, and the Read more [...]

Piazza Santa Croce is a beautiful square in Florence, located in the eastern part of the historical center of the city.   SHORT HISTORY On this area, in ancient times, there was an island formed by two arms of the Arno River. The Franciscans, who arrived in Florence around 1226, chose this isolated area for their settlement. Similarly to Piazza Santa Maria Novella, where the Dominicans settled, Piazza Santa Croce was born about a century later, to accommodate the crowds of faithful arriving on pilgrimage to the Basilica of Santa Croce. During the Renaissance, the rectangular shape of the square made it the ideal place for knightly jousting, games and popular competitions, such as Calcio Storico Fiorentino. In Piazza Santa Croce, took place the famous game of February 17, 1530, during the siege of the city. Around that time, the square was bordered by wooden barriers that permanently delimited the area destined for games. At the end of the 18th century, under the rule of Pietro Leopoldo, Grand Duke of Tuscany, the wooden barriers were replaced by stone pillars that can still be seen today.   ARCHITECTURE The most important building in Piazza Santa Croce is, without doubt, the Basilica Read more [...]

Palazzo delle Assicurazioni Generali, also known as Palazzo Lavison, is an imposing palace in Florence, located in Piazza della Signoria, across the square from Palazzo Vecchio.   SHORT HISTORY Around 1864, some buildings in the area, such as the ancient Tower of the Infangati (Torre degli Infangati), the Church of Santa Cecilia, the seat of Arte del Cambio and the Pisani Loggia (Loggia dei Pisani), were demolished. In 1871, the Baron Edoardo Lavison commissioned the architect Giovanni Carlo Landi to build a palace in their place. In 1872, on the corner with Via Vacchereccia, the Rivoire Café was opened by the chocolatier and pastry chef Enrico Rivoire, which became over time one of the most famous places in Florence. After it was owned by the Fenzi banking family, the palace was purchased at the beginning of the 20th century by the Assicurazioni Generali company. Between 2010 and 2011, the palace was the subject of a structural consolidation and rehabilitation intervention. It was inaugurated in January 2012, under the new name of Palazzo del Leone.   ARCHITECTURE The facade of the palace develops on four floors. On the ground floor, there are 9 arches occupied by large windows, except for the Read more [...]

Piazza Santa Maria Novella is a beautiful square in Florence, located in the western part of the historical center of the city.   SHORT HISTORY The square was built starting with 1287 on the initiative of the Municipality of Florence, and completed around 1325. Later, the square became, thanks to its size, the setting for competitions such as Palio dei Cocchi (a race with carriages), established by Cosimo I in 1563. The two marble obelisks, works of Bartolomeo Ammannati, were erected around the same time. Closed to traffic in the late 1980s, the square was recently restylized, and a new pavement was added.   ARCHITECTURE The facade of the Basilica of Santa Maria Novella dominates the square. Completed in Renaissance style by Leon Battista Alberti in 1470, at the behest of the wealthy merchant Giovanni Rucellai, the beautiful facade of the church can be admired from any point in the square. On the southern side of Piazza Santa Maria Novella, there is the loggia of the Hospital of Saint Paul (Ospedale di San Paolo), founded in the 13th century and enlarged in the 15th century, with the addition of a portico. Today, the building houses Museo Novecento, dedicated to the Read more [...]

The Cathedral of Santi Pietro e Donato is the Cathedral of Arezzo, located in Piazza del Duomo, on top of the San Pietro Hill.   SHORT HISTORY An important event, which contributed to the construction of the Cathedral, was the visit to Arezzo of Pope Gregorio X, which took place on December 20, 1275, on his return from the Council of Lyon. The Pope, seriously ill, died in Arezzo on January 10, leaving the sum of thirty gold florins for the building of the new Cathedral. In 1277, the decree of bishop Guglielmo degli Ubertini was promulgated, which stated the desire to build a church “to the honor of God, of the Blessed Virgin and of the patron Saint Donatus”. In 1289, the year of the Battle of Campaldino, the church, already consecrated, presented a fully built apse and the first two bays. In 1384, when Arezzo was annexed to the Tuscan state dominated by Florence, the construction of the Cathedral was stopped. The works were resumed only in 1471, and were completed in 1511. In the early 17th century, following the new rules of the Council of Trent, a modernization operation was carried out, with the renewal of the Read more [...]

Palazzo della Fraternita dei Laici is a 14th-century palace in Arezzo, located in the beautiful Piazza Grande. The palace houses the organization of Fraternita dei Laici, an institution founded in 1262, still active today and very involved in projects of social and cultural interest.   SHORT HISTORY The palace, started in 1375, was completed only in the second half of the 16th century. Between 1550 and 1560, the facade was finished with the construction of the balcony and the lunar phases of the Aristotelian-Ptolemaic clock, built in 1552 by Felice di Salvatore Vannucci. The part of the palace towards the apse of the Church of Santa Maria della Pieve was completed in the second half of the 16th century, following a project by Giorgio Vasari. The renovation of Palazzo della Fraternita in 1781, supported by the Grand Duke Pietro Leopoldo di Lorena, led to the opening of the Library to the public. Today, the palace houses the Fraternita dei Laici Museum, reopened in 2010.   ART AND ARCHITECTURE The original painting of Christ from the external lunette of the central portal, work of Spinello Aretino, was replaced by a copy at the end of the 1970s, and is now in Read more [...]

Palazzo delle Logge, also known as Logge Vasari, is a large Renaissance-style palace in Arezzo, located in the beautiful Piazza Grande.   SHORT HISTORY In 1384, Arezzo was annexed to the Tuscan state dominated by Florence, and during the following centuries the Florentine influence became visible in the architecture of the city. In 1560, Piazza Grande changed radically, at the behest of Cosimo I de’ Medici. As a demonstration of the strength of the Florentine lordship, he demolished Palazzo del Popolo, Palazzo del Comune and other buildings located in the northern part of the square. The new layout of the square was designed by Giorgio Vasari, who started Palazzo delle Logge in 1573, one year before his death. The palace was completed in 1595 by the architect Alfonso Parigi.   ARCHITECTURE Palazzo delle Logge has a bright, yellow facade, on which the profiles of the architectural elements – pillars, arches, cornices, and windows with low arched tympanum, stand out. The palace has a long portico under which the entrances of the ancient shops, with the characteristic parapets, open. In the center of the loggia, a short staircase connects Piazza Grande with Piazza del Praticino, located higher on the San Pietro Read more [...]

The Church of Santa Maria della Pieve is a Romanesque church in Arezzo, located in Corso Italia, with the apse facing Piazza Grande.   SHORT HISTORY The first documented information about a church in this area dates back to the year 1008. However, the current structure was begun in the 12th century, thanks to the funds provided by the Municipality of Arezzo. In the 13th century, a new facade was built, while the high bell-tower was completed only in 1330. During the 16th century and later, the interior of the church was modified with stucco and Baroque-style decorations. In the 19th century, a renovation eliminated all the Baroque decorations, with the aim of restoring the church to its original Romanesque appearance.   ARCHITECTURE The facade overlooking Corso Italia, rebuilt in the 13th century, has three loggias supported by small columns. The two lower loggias are arched, and the third is surmounted by an architrave. The apse overlooking Piazza Grande is divided vertically into three superimposed orders – the first is made up of blind arches, while the second and the third of loggias. The church has four portals, three on the main facade, separated by blind arches, and one on Read more [...]

Palazzo Sansedoni is a medieval palace located on the northern side of Piazza del Campo, in Siena. Today, the palace houses the Monte dei Paschi di Siena Foundation.   SHORT HISTORY The palace takes its name from the noble Sansedoni family, one of the most powerful families of Siena during the Middle Ages. Palazzo Sansedoni was built at the beginning of the 13th century, by joining several ancient buildings. In 1339, the architect Agostino di Giovanni oversaw the reconstruction and expansion of the palace. The majestic brick facade of the palace facing the square dates back to an 18th-century renovation in Gothic style by the architect Ferdinando Ruggieri.   ART AND ARCHITECTURE The concave facade of Palazzo Sansedoni, which follows the curvature of the square, is composed of four orders, three of them with trifore mullioned windows. The facade is topped by battlements above a frieze of round arches. The tower of the palace, positioned asymmetrically to the left of the building, was truncated in 1760, because Torre del Mangia, located nearby, had to be the tallest building in the square. Inside, various rooms have 18th-century decorations, work of Francesco Melani, Giuseppe Melani and Gian Domenico Ferretti. Anton Domenico Gabbiani Read more [...]

The Basilica of San Francesco is a Romanesque church in Siena, located in the homonymous square. Dedicated to Saint Francis of Assisi, the church is officiated by the Order of Friars Minor Conventual.   SHORT HISTORY The Franciscans arrived in Siena shortly after the death of Saint Francis in 1226. Between 1228 and 1255, a first church was erected on this site. The current church was built between 1326 and 1475 in Gothic style, enlarging the pre-existing church. In 1655, a fire damaged the church, leaving it in ruins for over two centuries. Between 1763 and 1765, the current bell tower was built, based on a project by Paolo Posi. In 1855, following the suppression of religious orders carried out by Napoleon, the convent became the property of the Archdiocese of Siena, which made it the seat of the Archiepiscopal Seminary. The church was restored in Neo-Gothic style at the end of the 19th century. The works were entrusted to Giuseppe Partini for the interior, and to Vittorio Mariani and Gaetano Ceccarelli for the exterior. In 1968, the ancient Convent adjacent to the Basilica was purchased by the University of Siena, where the Department of Economics, Politics and Statistics is Read more [...]

Fontebranda is a medieval fountain in Siena, located near Porta di Fontebranda, one of the remaining gates of the ancient city walls.   SHORT HISTORY The first mention of Fontebranda dates back to the year 1081. The fountain was enlarged in 1193, and rebuilt in bricks and travertine in 1246 by Giovanni di Stefano, for the Wool Guild, who needed a permanent source of water. Saint Catherine of Siena was born and lived near the fountain, and that is why she is also known as the Saint of Fontebranda.   ARCHITECTURE The fountain is characterized by three large ogival Gothic arches surmounted by merlons and a row of blind arches with triangular motifs. The front is adorned with four lion-shaped gushes, with the emblem of Siena in the center. Beyond the water tank, there are more than 25 kilometers of conduits, partly excavated and partly inside the walls, whose medium height is about 1.75 meters, with a width of about 0.90 meters. Today, you can walk through this tunnels, where rainwater, collected in a small channel carved in the walkway, flows with an inclination of one meter per kilometer, from the springs located in the Sienese countryside. These pipelines, in Read more [...]

The Basilica of San Domenico, also known as Basilica Cateriniana, is a Gothic church in Siena, located in Piazza San Domenico. The church contains the head-relic of Saint Catherine of Siena, placed in a splendid Renaissance chapel.   SHORT HISTORY The Dominicans arrived in Siena in 1220, a year before the death of their founder, Dominic de Guzmán. In 1225, they received a piece of land on the Camporegio Hill, and built a church there between 1226 and 1265. In the 14th century, the complex was enlarged in Gothic style, and took its current appearance. During the 17th and 18th centuries, the church underwent numerous alterations in Baroque style, such as the reconstruction of the side altars. After the earthquake of 1798, the bell tower, already in ruins, was truncated to its present level, and equipped with the current crenellated crowning. The last intervention dates back to 1941, when the Baroque decorations were removed, the ancient Gothic forms were partially restored, and the stained glass windows with the Stories of Saint Catherine by Bruno Cassinari were added.   ARCHITECTURE The basilica has a simple but massive appearance, typical of the mendicant orders. Suggestive is the view of the rear side Read more [...]

The Church of San Salvatore al Monte is a Catholic church in Florence, located on the hill known as Monte delle Croci, not far from the Basilica of San Miniato al Monte.   SHORT HISTORY At the beginning of the 15th century, on this site was a Franciscan chapel. The chapel was enlarged in the first half of the century, and the works were completed around 1442. In the last decades of the 15th century, the church was renovated by the architect Simone del Pollaiolo, also known as Il Cronaca, by the will of the rich merchant Castello Quaratesi. The renovation started in 1499, and was completed in 1504. During the Siege of 1529, the church was badly damaged, and throughout the 16th century was left in a state of neglect. In 1665, the friars definitively left San Salvatore al Monte. In 1875, Piazzale Michelangelo was built nearby.   ART AND ARCHITECTURE The facade of the church, very simple and framed by the typical Tuscan cypresses, has plastered surfaces interrupted only by the portal and the gable windows. Inside, the church has a single nave with five chapels on each side, marked by a double order of stone pilasters in Read more [...]

Piazza della Signoria is the main square of Florence, located in the historical center of the city, about 400 meters away from the Cathedral of Santa Maria del Fiore.   SHORT HISTORY It appears that the area of the square was populated since the Neolithic, and it constituted an important fulcrum of the city of Florentia during the Roman times. In the 4th century, a large Christian basilica was built here, which remained in use until the 7th century. In the 8th century, the basilica was replaced with a church dedicated to Santa Cecilia. The square began to take its present shape around the year 1268, when the houses of the Ghibellines that resided in the area were demolished by the Guelphs who won the Battle of Benevento. Only in 1385, the square was paved for the first time. During the same 14th century, Palazzo Vecchio and Loggia della Signoria were built, and the square became the center of the political life of the city. The interventions in the following centuries mainly concerned the sculptural decoration of the square, and culminated during the Grand Ducal period with the transformation of Loggia della Signoria into an open-air museum. The construction of Read more [...]

The Basilica of San Lorenzo is a beautiful church in Florence, located in the historical center of the city, in Piazza di San Lorenzo.   SHORT HISTORY According to tradition, the church was built during the 4th century outside the walls of the ancient city. In 393, it was consecrated to the martyr Lawrence, in the presence of Saint Ambrose and Saint Zenobius. For the next 300 years, San Lorenzo was the Cathedral of Florence, before giving up the status to the Church of Santa Reparata, where the remains of San Zanobi, the first bishop of Florence, were solemnly transferred. In 1059, the church was enlarged and rededicated, on the initiative of the bishop Gherardo di Borgogna, when he became pope under the name of Niccolò II. In 1418, the abbot Matteo Dolfini obtained permission to demolish some houses to enlarge the transept of the church. Giovanni di Bicci de’ Medici, a wealthy banker, financed the construction and named Filippo Brunelleschi to direct the works. The sacristy was finished in 1428, but then the works were stopped. After 1441, Cosimo de’ Medici, Giovanni’s son, assumed the entire burden of the construction, and the direction of the works passed to Michelozzo, Read more [...]

Fonte Gaia is a monumental fountain in Siena, located in the historical center of the city, in Piazza del Campo.   SHORT HISTORY The fountain was inaugurated in 1346, and was met with much joy, hence the name Gaia (joyous). The fountain was supplied with water by a hydraulic system consisting of a tunnel about 30 kilometers long and a large cistern, strengthened during the 15th century by Francesco di Giorgio. The fountain was decorated with a series of sculptural reliefs commissioned in 1409 to Jacopo della Quercia, and completed ten years later, in 1419. The weak local marble used for the construction of the fountain contributed, over time, to the material degradation of the monument. In 1859, it was decided to replace Jacopo’s fountain with a copy made of the more durable Carrara marble, commissioned to the Sienese sculptor Tito Sarrocchi. The new fountain was completed only ten years later. On that same occasion, Fonte Gaia was moved to a more central position in the square, and was protected by a gate, work by the architect Giuseppe Partini. The original reliefs, very damaged, were restored and are now in the Museum of Santa Maria della Scala, after being exhibited Read more [...]

Palazzo Chigi Zondadari is an 18th-century palace in Siena, located on the northeast side of Piazza del Campo, adjacent to Palazzo Sansedoni.   SHORT HISTORY The palace, which dates back to the 14th century, was rebuilt starting with 1724 on a project by Antonio Valeri, comissioned by Cardinal Antonio Felice Zondadari. Although the cardinal lived in Rome, he would often return to Siena to rest in his palace. Zondadari is typically a Sienese surname, and it comes from the ancient Zendadari, sellers of zendadi (silk fabrics).   ART The interior rooms were frescoed by various artists, including Marco Benefial, Placido Costanzi and Giuseppe Colignon, while some paintings are the work of Giambattista Marchetti, Roman painter comissioned by Giuseppe Flavio Chigi Zondadari. Inside, there is also a bust of Alessandro VII Chigi, the work of the famous sculptor and architect Gian Lorenzo Bernini.   HOW TO GET THERE Palazzo Chigi Zondadari is located about 1.9 kilometers away from the Siena railway station. The closest bus stop is Logge Del Papa Bibo, located about 60 meters away, on the bus Line 590.

Dama Ignuda (Naked Lady) is a beautiful sculpture located in Via dei Rossi, in Siena.   SHORT HISTORY The sculpture was comissioned by the Contrada del Bruco to the sculptor Pier Luigi Olla, and placed on the wall of the building in Via dei Rossi in 1995. Pier Luigi Olla was born in Pistoia in 1939, but he lives in Siena since 1946, where he alternates his work as a teacher with sculpture. He is a contemporary artist, who carries forward the ancient tradition of Sienese sculpture. Pier Luigi Olla worked for the Palio di Siena, making costumes, flags, heraldic symbols, as well as the banner for the Palio of 1976. Contrada del Bruco (Contrada of the Caterpillar) is one of the 17 contrade (districts) of the city, which competes every year in the Palio di Siena.   DESCRIPTION The sculpture depicts a naked young woman partially hidden behind curtains. The work of Pier Luigi Olla looks like another window on the wall, and you can easily pass it without noticing it.   HOW TO GET THERE Dama Ignuda is located about 1.6 kilometers away from the Siena railway station. The closest bus stop, Porta Ovile, is located about 260 Read more [...]

Palazzo delle Poste is a palace located in the historical center of Siena, in Piazza Giacomo Matteotti. The palace houses the local headquarters of the Italian Post (Italy’s national postal service provider).   SHORT HISTORY At the beginning of the 20th century, the ancient Church of Sant’Egidio and the former Capuchin convent located in Piazza Umberto I, today Piazza Giacomo Matteotti, were demolished, and the entire area was restructured. On September 18, 1910, the first stone of the new Palazzo delle Poste was laid. The works, entrusted to the architect Vittorio Mariani and carried out by the Sienese construction company of Pietro Ciabattini, lasted exactly two years. The new Palazzo delle Poste e Telecomunicazioni was inaugurated on September 20, 1912.   HOW TO GET THERE Palazzo delle Poste is located about 1.5 kilometers away from the Siena railway station. The closest bus stop is located in Viale Federico Tozzi, about 140 meters away, on the bus Lines 0S1, 0S3, 0S6, 501, 506, 616, 640 and S18.

Palazzo Salimbeni, also known as Rocca Salimbeni, is a palace located in the historical center of Siena, in Piazza Salimbeni. The palace houses the headquarters of the Monte dei Paschi di Siena Bank.   SHORT HISTORY Palazzo Salimbeni was built in the 14th century, by expanding a pre-existing castle from the 12th century belonging to the Salimbeni family. The rear of the palace shows signs of its previous medieval construction. In 1419, the palace was confiscated by the Sienese Republic and partly used as the headquarters of the Salt Customs House. The institution Monte di Pietà (Mount of Piety) was also located here since 1472. In 1866, the building was bought by Monte dei Paschi di Siena. The palace was restored and remodeled in Neo-Gothic style starting with 1877, by the architect Giuseppe Partini. Another restoration was carried out at the beginning of the 20th century by Carlo Ariotti and Vittorio Mariani. At the same time, the other buildings located in the square were also remodeled.   ARCHITECTURE Palazzo Salimbeni has a facade in Sienese Gothic style. The restorations of the 19th and 20th centuries in Neo-Gothic style tried to reproduce the architecture of Siena from the 14th century, with Read more [...]

Camposanto Monumentale is a monumental cemetery in Pisa, located in Piazza dei Miracoli, near the Cathedral of Santa Maria Assunta.   SHORT HISTORY According to tradition, the Archbishop Ubaldo Lanfranchi filled the interior of Campo Santo (Holy Field) with soil from Golgotha, brought by Pisan ships returning from the fourth crusade. In reality, the cemetery was created to collect various burials and sarcophagi spread around the Cathedral. Camposanto Monumentale was built starting with 1277 by Giovanni di Simone. After the death of the architect and the crisis caused by the Pisan defeat in the battle of Meloria of 1284, the works were slowed down. Starting with 1360, the walls were decorated with frescoes with subjects related to the theme of life and death. During this period, Buonamico Buffalmacco painted the Triumph of Death, and Francesco Traini the Crucifixion. Shortly afterwards, Giovanni Scorcialupi painted the frescoes with the Stories of Christ, while Stefano da Firenze painted an Assumption above the eastern door. The cycle was continued a few decades later by Andrea Bonaiuti, Antonio Veneziano and Spinello Aretino. Near the end of the 14th century, Taddeo Gaddi painted Stories of Job, and Piero di Puccio painted Stories of the Old Testament. Read more [...]

The Church of San Paolo a Ripa d’Arno (Saint Paul on the Bank of the Arno), is a Romanesque-style church in Pisa, located on the Lungarno Sidney Sonnino, in the homonymous square.   SHORT HISTORY The church was built around the year 925, and is attested in documents dating back to 1032. The associated convent was documented since 1147. The church and the monastery belonged to the Benedictine monks until 1092, when it was given to the Vallumbrosan monks. In the mid-12th century, it was enlarged in similar forms to the contemporary Cathedral of Santa Maria Assunta. Later, the church and the monastery were entrusted to the cardinal Landolfo Marramauro and, in the 16th century, it was assigned to the Order of the Knights of Saint Stephen. After the suppression of the order, the church became a parish. In the 19th century, several restorations were made, but the building suffered some damage during the Second World War and was therefore restored again between 1949 and 1952. Just as a result of the post-war interventions, most of the buildings adjacent to the church were demolished. In 2012, it was closed due to precarious conditions. Restoration started in October 2016, thanks to Read more [...]

The Church of Santa Maria della Spina is a small Gothic church in Pisa, located on the southern bank of the river Arno. The title della Spina (of the Thorn) comes from a thorn of the crown placed on Christ during his Crucifixion, which was brought to the church in 1333, but is kept in the Church of Santa Chiara since the 19th century.   SHORT HISTORY The church was built in 1230 by the Gualandi family, and it was originally called Santa Maria di Pontenovo, because of a nearby bridge across the Arno River that connected Via Sant’Antonio to Via Santa Maria, collapsed in the 15th century. Between 1323 and 1376, enlargement works were made, probably under the direction of the architect Lupo di Francesco. Starting with the 5th decade of the 15th century, the works were supervised by the architect Andrea Pisano and his son, Nino. After the unification of Italy, the city council and a commission formed by members of the Academy of Fine Arts decided to dismantle and rebuild the church on a higher ground. The works, led by the architect Vincenzo Micheli, started in 1871 and were completed in 1875. This intervention moved the building Read more [...]

Piazza dei Cavalieri is, after the more famous Piazza dei Miracoli, the second most important square of the city of Pisa. In ancient times, the square represented the center of civil power, while starting from the second half of the 16th century it became the headquarters of the Order of the Knights of Saint Stephen, commissioned by the Grand Duke Cosimo I de’ Medici.   SHORT HISTORY Starting with 1140, Piazza dei Cavalieri became the heart of Pisa, with buildings and churches used by the different magistrates of the city. After the seizure of power by the Pisan people in 1254, Palazzo degli Anziani (Palace of the Elders), today Palazzo della Carovana, was built by merging pre-existing buildings. The Captain of the People (Capitano del Popolo) resided in the nearby Palazzo dell’Orologio, which belonged to the Gualandi family and incorporated the famous Tower of Muda or Della Fame, where in 1289 the Count Ugolino died. The works for the complete transformation of the square began in 1558, after Cosimo I decided to dedicate it to the Order of the Knights of Saint Stephen, founded with papal approval in 1562. Giorgio Vasari was comissioned to transform the square. The first reconstruction Read more [...]

Palazzo dell’Orologio (Palace of the Clock) is a palace in Pisa, located in Piazza dei Cavalieri, near the more famous Palazzo della Carovana and about 100 meters away from the Church of Santo Stefano dei Cavaleri.   SHORT HISTORY Palazzo dell’Orologio is an ancient medieval building, where the Captain of the People (Capitano del Popolo) resided from 1357, when the palace already belonged to the Gualandi family. When the palace was built, it incorporated the famous Torre della Muda (or della Fame – Tower of Hunger), where in 1289 the Count Ugolino Della Gherardesca, along with his sons and grandchildren, died of hunger. The profile of the tower is still recognizable to the left of the central arch, where the 20th-century four-light window opens today. Starting with 1566, the palace housed the infirmary of the Order of the Knights of Saint Stephen. The health manager was called Bonomo, and for this reason the palace is also known as Palazzo del Bonomo. The current appearance of the palace dates back to 1605-1608, when two neighboring buildings were joined through an arch with a clock, according to a project of Giorgio Vasari from 1554. Between 1607 and 1609, Giovanni Stefano Marucelli and Read more [...]

The Church of Santo Stefano dei Cavalieri is a church dedicated to Saint Stephen, first martyr of Christianity, located in the historical center of Pisa, in Piazza dei Cavalieri, near the beautiful Palazzo della Carovana.   SHORT HISTORY The first stone of the church was laid on April 17, 1565, by Cosimo I de’ Medici. The church was built for the Order of the Knights of Saint Stephen, founded by the Grand Duke to combat Saracen piracy in the Mediterranean. Designed by Giorgio Vasari, with the works being supervised by David Fortini, the church was built on the site of the old Church of San Sebastiano alle Fabbriche Maggiori, documented since 1074. The construction was completed in August 1567, and the church was consecrated on December 1569. The bell tower, added between 1570 and 1572, was erected by Giovanni Fancelli based on a design by Vasari. In the following century, the church was decorated with most of the paintings that are still on display, painted by the greatest Florentine masters of the 17th century. The altar and the nave were designed by Pier Francesco Silvani. Between 1683 and 1691, the two side bodies were built, used as dressing rooms and Read more [...]