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Canal Grande di Murano (Grand Canal of Murano) is the main watercourse of Murano, which flows from east to west for about 1.3 kilometers, dividing the island in two.   DESCRIPTION From east to west, the canal has three distinctive parts: Canale San Giovanni, Canale Ponte Longo and Canale degli Angeli. The first part, Canale San Giovanni, flows from south to north, has a length of about 300 meters and a width of 60-70 meters. At one point, Canale San Giovanni intersects with Canale di San Donato, which flows to the northeast, and changes its course to the west, transforming into Canale Ponte Longo. The second part, Canale Ponte Longo, has a length of about 300 meters and a width of about 40 meters. It stretches from the intersection with Canale di San Donato up to Ponte Longo, the only bridge crossing the Grand Canal of Murano. After the bridge, to the west, there is the third part of Canal Grande di Murano: Canale degli Angeli. This part has a length of about 700 meters, and a width between 40 and 150 meters. It flows into the Venetian Lagoon, west of Murano.   ARCHITECTURE The only bridge over the Grand Read more [...]

Buy tickets & tours:GetYourGuide Teatro alla Scala, popularly known as La Scala, is the main opera house in Milan, and one of the most prestigious theaters in the world. The theater is located in the homonymous square, flanked to the west by the Ricordi Casino, home to the La Scala Theater Museum (Museo Teatrale alla Scala).   SHORT HISTORY After a fire destroyed the Royal Ducal Theater (Teatro Regio Ducale) on February 26, 1776, Empress Maria Theresa of Austria, at the request of Milanese patrician families, issued a decree for the construction of a new theater. The project was entrusted to the famous architect Giuseppe Piermarini. The theater was built on the site of the Church of Santa Maria alla Scala, named after its founder – Regina della Scala, member of the Della Scalla family, Lords of Verona. The demolition of the church began on August 5, 1776, and on May 28, 1778, the theater was completed. On August 3, the theater was inaugurated with Antonio Salieri’s opera Europa riconosciuta, in the presence of the governor of Milan, Archduke Ferdinand of Habsburg-Este, accompanied by Maria Beatrice d’Este, Count Carlo Giuseppe di Firmian and Duke Francesco III d’Este. During 1807, the Read more [...]

The Church of San Fedele is a church located in the heart of Milan, between Palazzo Marino and the Vittorio Emanuele II Gallery. The church was built in the 16th century by the will of the archbishop Carlo Borromeo, to house the Society of Jesus, and is dedicated to Saint Fidelis of Como.   SHORT HISTORY An ancient church located on this site and dedicated to Saint Fidelis of Como is mentioned in a bull of Pope Eugene III of 1147. In 1567, the structure was entrusted to the Jesuits, shortly after their arrival in Milan. The Jesuits started some restoration and enlargement works. In 1569, the archbishop Carlo Borromeo entrusted the construction of a new church to the architect Pellegrino Tibaldi, who completed the building in 1579. The consecration of the church took place in the same year. After the suppression of the Jesuit Order in 1773, the church was entrusted to the priests from the nearby Church of Santa Maria alla Scala. After the demolition of Santa Maria alla Scala in 1776 to make room for Teatro alla Scala, the Church of San Fedele took the title of Santa Maria alla Scala in San Fedele, and was enriched Read more [...]

The Church of Santa Maria Inviolata is a Baroque church in Riva del Garda, located in Largo Guglielmo Marconi. The church is the most important architectural monument in Riva del Garda, and one of the most beautiful churches in Trentino.   SHORT HISTORY The church was desired by Gianangelo Gaudenzio Madruzzo, governor of Riva and Arco, and by his wife, Alfonsina Gonzaga. The construction began in 1603 after a design by Pier Maria Bagnadore. The church was consecrated in 1636, and the works were completed in 1639. A few years after the construction of the church, a convent was built nearby, where the monks belonging to the Order of the Poor Hermits of San Girolamo lived. After the death of her husband, Alfonsina Gonzaga oversaw the completion of the decoration of the church and the construction of the convent.   ARCHITECTURE The Church of Santa Maria Inviolata has a square-plan and an octagonal upper part, with a slightly detached bell-tower. The entire structure is austere and dominated by rectilinear geometric lines. The church has three classical portals with architraves, with columns placed to support the triangular pediments, each surmounted by a circular window. In the upper part, there are eight Read more [...]

Rocca di Riva is a medieval fortress located in Riva del Garda, on an artificial island, on the shore of Lake Garda. Today, Rocca di Riva is one of the two locations of the MAG Alto Garda Museum.   SHORT HISTORY Rocca di Riva was built in 1124 at the behest of Altemanno, prince-bishop of Trento, to defend the port of the town, a strategic point for trade in Trentino. In the 14th century, after the conquest of the town by the Della Scala family, lords of Verona, the fortress was renovated and enlarged. The structure could be accessed directly from the water, and was isolated from mainland by moats. In the following century, the fortress was disputed between Venice and the Visconti family of Milan, and was plundered several times. In 1516, Riva del Garda was conquered by the emperor Maximilian I of Habsburg. With the return under the Austrian domination, the military importance of the fortress diminished and it was used as the seat of the court of the bishopric of Trento. In the 19th century, the fortress was transformed into an army barracks, as part of the project to strengthen the border between the Austrian Empire and Read more [...]

Torre Apponale is a medieval tower in Riva del Garda, located in the historical center of the town, in Piazza III Novembre. The name of the tower comes from the ancient road that connected the Ponale creek with Monte Brione.   SHORT HISTORY Torre Apponale was built in the 13th century by the noble Bonvicini family, with a defensive function, to protect the historical center of Riva del Garda and the town’s port. Federico Vanga, the prince-bishop of Trento, was against the construction of the tower, and ordered its demolition, but after some negotiations, the Bonvicinis ceded the property to Vanga and kept the feudal benefit. In the 16th century, the tower was raised to its current height, and became a prison. In the 1920s, Torre Apponale underwent major restorations and modifications, one of the most important being the removal of the onion-shaped roof and its replacing with a four-pitched roof. A new cycle of restorations was carried out in 2002, and since then the internal staircase of 165 steps became accessible again for tourists.   ARCHITECTURE Torre Apponale has a height of 34 meters. The tower has a beautiful clock and a bronze bell which rings only on special Read more [...]

Palazzo Trautmannsdorf, also known as Palazzo Salvadori, is a Renaissance-style palace in Trento, overlooking Piazza Raffaello Sanzio, between Via del Suffragio and Piazza della Mostra, not far from Castello del Buonconsiglio.   SHORT HISTORY The structure was built at the beginning of the 16th century, and it belonged to the noble Particella family. During the first phase of the Council of Trent, the palace hosted Cardinal Pedro Pacheco, head of the Spanish Delegation. In the 17th century, Palazzo Trautmannsdorf was aquired by the Tyrolean counts of Trautmannsdorf. The current appearance of the palace dates back to the same century, when its facades were embellished with imposing portals, and its internal spaces were reorganised around an inner courtyard with vaulted corridors. After the Trautmannsdorf counts, the palace passed to the Salvadori barons. Today, the building is the seat of the Trentino Wine Institute (Istituto Tutela Grappa del Trentino).   ARCHITECTURE Palazzo Trautmannsdorf is a typical example of a Renaissance-style palace in Trento. Its facades feature distinctive decorations, including the grotesque large masks embellishing its windows, and the octagonal oeil-de-boeuf windows on the top floor.   HOW TO GET THERE Palazzo Trautmannsdorf is located about 550 meters away from the Trento railway Read more [...]

The Church of San Francesco Saverio is a Baroque church in Trento, located in Via Roma, about 300 meters away from Piazza del Duomo and the Cathedral of San Vigilio.   SHORT HISTORY The church was built by the Society of Jesus (Compagnia di Gesù) between 1708 and 1711. The structure incorporated previous buildings, such as Palazzo delle Costede, of which the remains are still visible on the left side of the main facade, and a medieval tower. After the suppression of the Society of Jesus in 1773, the church was left in a state of neglect, until the French troops of Napoleon Bonaparte transformed it into a powder magazine. The church underwent a first restoration in 1895, long after the rehabilitation of the order. The work was commissioned to Hans Rabensteiner.   ART AND ARCHITECTURE The facade is characterised by a large arched window, on the sides of which, separated by two orders of pilasters in red marble, are the statues of the Jesuit Saints Francis Borgia (bottom left), Francis Regis (top left), Aloysius Gonzaga (top right), Ignatius of Loyola (bottom right) and Saint Francis Xavier (on the main portal’s tympanum). The church has a rectangular plan with a Read more [...]

The Cathedral of San Vigilio is the Cathedral of Trento, located in Piazza del Duomo, adjacent to Palazzo Pretorio. The church is dedicated to Saint Vigilius, the first bishop of Trento and the patron saint of the town.   SHORT HISTORY The Cathedral was built over the remains of a 4th-century Christian Basilica dedicated to San Vigilio, where the Saint was buried at the beginning of the 5th century. In the 11th century, the prince-bishop Uldaric II began the rebuilding of the Cathedral, completed at the beginning of the 12th century by the bishop Altemanno. At the beginning of the 13th century, the bishop Federico Vanga decided to completely rebuild the Cathedral in Romanesque style, and commissioned the master builder Adamo d’Arogno with the construction of the church. The construction began in 1212, but the works were stopped in 1218, on Vanga’s death. In 1236, Adamo d’Arogno died, and the works were continued by his son, Enrico di Fono d’Arogno. Between 1305 and 1307, Egidio da Campione directed the works by creating the southern side of the Cathedral and the lower part of the bell towers. In 1321, Egidio’s son, Bonino da Campione, built the rose window on the main Read more [...]

Castello del Buonconsiglio is a magnificent castle in Trento, the most important monumental complex of the Trentino-Alto Adige region. The castle was the residence of the prince-bishops of Trento between the 13th century and the end of the 18th century, and gathers a series of buildings from different periods, enclosed within a walled area, in an elevated position.   SHORT HISTORY The castle was built in the 13th century on the site of a Roman castrum (fort). At the beginning, it was named the Malconsey Castle, after the hill it was built on. In the 14th century, the name of the castle became Buonconsiglio (Good Advice). The oldest part of the castle is represented by the 13th-century nucleus of Castelvecchio (rebuilt later, in 1440) and the large circular Tower of Augustus (Torre d’Augusto). Between the end of the 14th century and the beginning of the 15th century, the structure was profoundly modified by the prince-bishops George of Liechtenstein and John IV Hinderbach. In 1500, Cardinal Bernardo Clesio, engaged in a project of restructuring and urban redevelopment of the town, built Magno Palazzo, a Renaissance building to the south of the complex, the new residence of the bishops. Near the end Read more [...]

Torre Vanga is a medieval tower in Trento, located on the outskirts of the historical center of the town, about 350 meters away from Piazza del Duomo and the Cathedral of San Vigilio.   SHORT HISTORY Torre Vanga was built on a pre-existing fortification by the prince-bishop Federico Vanga, in the first years of his episcopate (1209-1218). The crenellated adjacent structure, with triple lancet windows, is a later extension of the tower. A covered wooden bridge connected the structure to the opposite bank of the river, where the Abbey of San Lorenzo was located. During the revolt of 1407, the prince-bishop George of Liechtenstein was imprisoned in the tower. In the following centuries, Torre Vanga was used as a prison. The square windows date back to this period. Today, the tower is used as an exhibition venue by the MART (Museum of Modern and Contemporary Art of Trento and Roveto) and by the Superintendence for the Historical and Artistic Heritage of the Autonomous Province of Trento. Torre Vanga is also the temporary seat of the National Historical Museum of the Alpine Soldiers (Museo Storico degli Alpini). The museum introduces the visitors to the fascinating history of the elite mountain corps Read more [...]

Palazzo Pretorio, also known as Palazzo Vescovile (Episcopal Palace), is a palace in Romanesque style in Trento, located in Piazza del Duomo, adjacent to the Cathedral of San Vigilio. Palazzo Pretorio is the current seat of the Tridentine Diocesan Museum (Museo Diocesano Tridentino).   SHORT HISTORY Between the 9th and 13th centuries, Palazzo Pretorio was the residence of the Tridentine bishops. In 1071, it was mentioned for the first time as the Episcopal Palace. The palace took the name of Palazzo Pretorio during the 11th century, when the Court of Justice and the Praetor established their headquarters in the building. The bishop’s residence was transferred in 1255 to the Buonconsiglio Castle by the bishop Egnone of Appiano, causing the progressive abandonment of the ancient palace. In 1533, the charitable institution Monte di Pietà was located here, at the behest of Cristoforo Madruzzo, prince-bishop of Trento. At the same time, the palace hosted the consuls of the city and the College of Doctors. The palace was restored in 1676 on the initiative of Sigismondo Alfonso Thun. The works radically changed the original Romanesque facade of the building. In the 1950s, the facade of the palace was restored again in Romanesque style. Read more [...]

Casa Cazuffi is a 16th-century palace in Trento, located in Piazza del Duomo, adjacent to Casa Rella. Casa Cazuffi and Casa Rella are two of the most important examples of frescoed palazzi in Trento.   SHORT HISTORY The facade of the building facing the square is adorned with frescoes attributed to Marcello Fogolino, who painted them between 1531 and 1536.   ARCHITECTURE The palace has four floors. The ground floor is preceded by a corner portico with three arches. Each of the upper floors have four arched windows. The first and the last window on the third floor are embellished by a small balcony, one in stone with small columns and the other in wrought iron.   ART The frescoes of Casa Cazuffi are arranged on three bands, corresponding to the three upper floors of the building. Fogolino painted on the fresh plaster, making sure that the color was incorporated during the drying process. He made the white-gray figures with the chiaroscuro technique (the use of strong contrasts between light and dark), and for the background he used azurite, a cheap mineral which tends to disappear over time, and therefore is not suitable for frescoes. In fact, the blue background Read more [...]

The Church of Santa Maria Maggiore is a church in Trento, located about 200 meters away from Piazza del Duomo and the Cathedral of San Vigilio.   SHORT HISTORY A first church was built on this site in the second half of the 5th century. The church remained in use until the 11th century, when the need for a new church appeared. The new church, smaller than the previous one, was characterised by a semicircular apse. For the construction of the church, the old one was demolished and reused as bulding material. After 1290, a third church was erected in place of the previous one, this time characterized by only two naves ending in as many symmetrical apses. In 1520, by the will of the cardinal Bernardo Clesio, one of the most important historical figures on a political and religious level of the 16th century, the current church was finally started, on a project by the architect Antonio Medaglia. On December 12, 1545, the church hosted the first solemn procession of the Council of Trent. Between 1899 and 1901, the church was restored, and the Renaissance facade was modified. After extensive archaeological excavations and restorations, the church was reopened to Read more [...]

Palazzo delle Albere (Palace of the Trees) is a Renaissance fortified palace, located in Via Roberto da Sanseverino, in Trento.   SHORT HISTORY The palace was built in the 16th century, by the Madruzzo family, the prince-bishops of Trento. The year of the construction is uncertain – the palace was built either in 1530, commissioned by Giovanni Gaudenzio Madruzzo, or in 1550, at the behest of his son, Cristoforo Madruzzo. On June 7, 1551, the palace hosted Philip II of Spain, son of Charles V, accompanied by Emanuele Filiberto I of Savoy and other nobles, who arrived in Trento on the occasion of the Council of Trent. In 1658, after the death of Carlo Emanuele Madruzzo, the palace became the property of the bishopric of Trento. Soon, Palazzo delle Albere decayed. The walls were partially demolished, and part of the frescoes were destroyed. In September 1796, shortly after the occupation of Trento by Napoleon Bonaparte, the palace was sacked by the French soldiers. In November of the same year, the city was taken over by the Austrians, who used the villa as a prison and hospital. On Christmas night of the same year, the building caught fire and was seriously Read more [...]

Piazza del Duomo is the main square of Trento, located in the historical center of the town. Over time, the square was named Piazza Grande, Piazza Comune, Piazza Italiana, Piazza Vittorio Emanuele III, and Piazza Cesare Battisti.   SHORT HISTORY The square appeared in medieval times, as an open area north of the Cathedral of San Vigilio. Until the 1970s, the transit of vehicles was allowed in the square, as well as parking. The area was subsequently pedestrianized. The lime tree near the Civic Tower, the only tree in the square, has a particular history. According to tradition, a first tree was planted at the beginning of the 19th century during the Napoleonic government of Trentino, inspired by the tree of freedom. At a certain point, the tree aged, and another was planted in its place. The current lime tree replaced the second tree in 1982.   ARCHITECTURE The square has a quadrangular shape, and is bounded to the south by the Cathedral of San Vigilio. The Cathedral, in Romanesque style, was buit starting with the 13th century on the ruins of an ancient Christian basilica. The eastern side of the square is formed by Palazzo Pretorio, currently housing the Read more [...]

The Port of Malcesine is a small picturesque port on the shore of Lake Garda, located in Piazza Guglielmo Marconi, in Malcesine. The port is surrounded by many restaurants, bars and cafes, where you can relax and admire the lake. There are also several hotels in the area. From the Port of Malcesine, you can take boat trips on the lake, to other towns located on its shores.   HOW TO GET THERE On foot, the Port of Malcesine is located about 240 meters away from the Malcesine bus station. From there, you can take the ATV bus Line 484 to Garda, and then one of the buses 162, 163, 164, 165 to Verona.

The Church of the Madonna della Fontana is a church in Malcesine, located in Via Gardesana, about 1 kilometer away from Castello Scaligero. The church is called della Fontana (of the Fountain), because of a spring located nearby.   SHORT HISTORY In 1532, a small oratory dedicated to the Virgin was built on this site by the Municipality of Malcesine. At the beginning of the 17th century, the need for a larger church appeared. The new church was completed and opened for worship in 1626. On July 25, 1797, the French of Napoleon Bonaparte closed the church, removed the registers and confiscated all the assets. In a state of neglect, the church was used as a warehouse during the First and the Second World War. After it was restored in 1959, the church was reopened for worship, and today is used only on specific holydays.   ARCHITECTURE The facade of the church is plain, covered with yellow plaster. In the lower part of the facade, delimited from the upper one by a stone strip, there is a beautiful Baroque portal, surmounted by a tympanum and a coat of arms, flanked on the sides by two rectangular windows. In the upper Read more [...]

Perched dramatically on a rocky promontory at the edge of Lake Garda, Castello Scaligero stands as the defining symbol of the town of Malcesine. The fortress – with its towers, lakeside walls and history-laden corridors – dominates both the skyline of the town and the panorama of the lake. Over centuries, it has witnessed invasions, political turnover, architectural renewals, and now serves as a window into the layered history of the Garda region. For visitors to Malcesine, Castello Scaligero is not only a monument – it is a journey through time, tracing Lombard origins, medieval power struggles, Venetian rule, Austrian fortifications – and ultimately a cherished heritage site offering stunning views over lake and mountains.   Short History of Castello Scaligero The location of Castello Scaligero has been significant for centuries. Archaeological evidence suggests that the rocky hill where it stands was in use since ancient times, possibly as early as the late 1st millennium B.C. – even before Roman dominion. However, the fortress as it began to take recognizable shape was constructed by the Lombards (Longobardi) in the early Middle Ages, around the 5th–6th century A.D. Subsequently, in the year 590, the castle suffered destruction at the hands of Read more [...]

Palazzo Mocenigo is a palace in Venice, located on the Giudecca island, in the Dorsoduro district (sestiere), not far from the Church of Santa Maria della Presentazione.   SHORT HISTORY Palazzo Mocenigo was built in the 16th century for the Mocenigo family, as a summer residence, in a time when the island of Giudecca was an area of gardens and places to relax. The palace was the favorite summer residence of the doge Alvise Mocenigo. Between the 17th and 19th centuries, the palace was remodeled, losing many characteristic elements. Today, the interior is heavily modified, and the palace houses numerous mini-apartments.   ARCHITECTURE Palazzo Mocenigo is a two-storey building, with a long rusticated facade in Istrian stone. The ground floor has a series of small quadrangular windows, and a small portal in the center. The noble floor (piano nobile) is characterized by eight arched single-light windows, each equipped with a wrought iron railing and a keystone mask on top. The attic has eight oculi added in the 19th century, corresponding to the windows below. In a central position, on the roof, there is a 19th-century dormer window with three openings. The southern facade is well preserved and overlooks the private Read more [...]

Canale di Cannaregio is one of the most important waterways in Venice. It connects the Grand Canal with the northern lagoon by crossing the western area of the Cannaregio district (sestiere), between Fondamenta di San Giobbe and Fondamenta di Cannaregio.   DESCRIPTION Canale di Cannaregio has a minimum width of 22 meters as it passes under Ponte delle Guglie, a maximum width of 27 meters in front of the Ca’ Foscari University Campus, and is about 800 meters long. Due to its size, the canal allows crossing not only for small boats, but also for the ACTV waterbuses.   ARCHITECTURE Two bridges cross the canal – Ponte delle Guglie (Bridge of Spires), dating back to the 16th century, the only one in Venice adorned with pinnacles, and Ponte dei Tre Archi (Bridge of the Three Arches), the only example of a multi-arched bridge in the city. At the intersection with the Grand Canal, there is the Church of San Geremia e Santa Lucia, built starting with 1753. The two facades of the church were built in the second half of the 18th century, one facing Campo San Geremia, and the other overlooking the Cannaregio Canal. Next, on the western bank Read more [...]

Scuola Grande di San Marco is a Renaissance building in Venice, located in the sestiere (district) of Castello, in Campo Santi Giovanni e Paolo, adjacent to Basilica dei Santi Giovanni e Paolo.   SHORT HISTORY OF SCUOLA GRANDE DI SAN MARCO The edifice was built in 1260 in the area of today’s Papadopoli Gardens as the seat of the Confraternity of San Marco. In 1437, the Dominicans of Basilica dei Santi Giovanni e Paolo granted an adjacent area for the construction of a new structure, which in 1485 was devastated by fire. Within the next years, the structure was rebuilt on a design by Pietro Lombardo and Giovanni Buora. In 1490, the works were entrusted to Mauro Codussi, who completed the facade and built the internal staircase. In the 16th century, the facade towards Rio dei Mendicanti was built, apparently with the contribution of Jacopo Sansovino. In 1807, under the Napoleonic rule, the Confraternity of San Marco was suppressed, and the building became the seat of the Austrian military hospital. Later, it was transformed into a civil hospital.   ART AND ARCHITECTURE OF SCUOLA GRANDE DI SAN MARCO The facade, a delicate composition of aedicules, Corinthian pilasters and statues in Read more [...]

Ca’ Giustinian is a palace in Venice, located in the sestiere (district) of San Marco, overlooking the Grand Canal, in front of Punta della Dogana.   SHORT HISTORY The palace was commissioned by the Giustinian family, one of the most illustrious families of the Venetian patriciate, in the second half of the 15th century, in place of a pre-existing building, in which Lorenzo Giustinian, the first patriarch of Venice, lived in the first half of the century. In the 17th century, the palace passed to the Morosini family. In 1820, the structure was transformed into Albergo all’Europa, which hosted, among others, famous people like Théophile Gautier, Marcel Proust and Giuseppe Verdi. On October 19, 1866, in a room of the Hotel Europa, the French plenipotentiary general Edmond Le Bœuf signed the transfer of the Veneto region to the Kingdom of Italy. After being purchased by the Municipality of Venice, the building was completely restored, and today houses the offices of the Venice Biennale.   ARCHITECTURE The large facade of the palace consists of four floors divided by string courses in Gothic style. Most of the openings are single-lancet windows with white stone frames on the brick surface. On the ground Read more [...]

Palazzo Treves de Bonfili, also known as Palazzo Barozzi Emo Treves de Bonfili, is a palace in Venice, located in the San Marco district (sestiere), overlooking the Grand Canal, near Rio di San Moisè.   SHORT HISTORY In the 12th century, a palace was built on this site by the Barozzi family. The crenellated palace was enriched by a loggia, a portico and two large square towers. In the 18th century, the building underwent massive renovations, which were however interrupted with the transfer of ownership to the noble Emo family. In 1827, the entire complex was purchased by the bankers of the Treves family, barons of Bonfili. They enriched the interior with many works of art, without altering the unfinished facade. The palace, which was in a precarious state, was recently renovated, and its exterior was painted pink.   ARCHITECTURE The main facade of the palace is the one facing Rio di San Moise, not the one overlooking the Grand Canal. It was the decision of Bartolomeo Manopola, the architect who oversaw the restoration of the 18th century. The facade on the Grand Canal is divided into two sectors – the one on the left, simpler, is a remnant of Read more [...]

Palazzo Emo Diedo is a Neoclassical palace in Venice, located in the Santa Croce district (sestiere), overlooking the Grand Canal, not far from the Church of San Simeone Piccolo.   SHORT HISTORY Palazzo Emo Diedo was built towards the end of the 17th century. The palace is an unfinished project by the architect Andrea Tirali. Built for the Emo family, the palace passed later to the Diedo family, hence the name. Today, Palazzo Emo Diedo belongs to the Congregation of the Sisters of Charity of Saints Bartolomea Capitanio and Vincenza Gerosa, and is in excellent condition.   ARCHITECTURE The Neoclassical facade consists of a ground floor, a noble floor (piano nobile) and an attic, for a total of three floors and twenty openings. On the ground floor, the portal is flanked by two quadrangular windows, inside a rusticated surface surmounted by a balustrade. The balustrade corresponds to a balcony with a round three-light window surmounted by a large tympanum. The rest of the facade is simple and without decorations.   HOW TO GET THERE On foot, Palazzo Emo Diedo is located about 300 meters away from the Santa Lucia railway station. The closest vaporetto stop is Piazzale Roma, about 250 Read more [...]

Basilica dei Santi Giovanni e Paolo (Basilica of Saints John and Paul), known in the Venetian dialect as San Zanipolo, is the largest church in Venice. The church is located in the homonymous square (Campo Santi Giovanni e Paolo), in the Castello district (sestiere).   SHORT HISTORY OF BASILICA DEI SANTI GIOVANNI E PAOLO According to legend, the origins of the basilica are connected to a vision of doge Jacopo Tiepolo, who, in 1234, donated a piece of land to the Dominican friars, on which the structure was later built. The church was immediately erected, and dedicated to the Roman martyrs of the fourth century, John and Paul. The Basilica was enlarged in the 14th century by two Dominican friars, Benvenuto of Bologna and Nicolò of Imola. The structure was completed in 1368, but it was solemnly cosecrated only on November 14, 1430. In 1807, during the Napoleonic era, the Dominicans were removed from their convent, which was transformed into a hospital, and the church was deprived of numerous works of art.   ARCHITECTURE OF THE BASILICA OF SAN ZANIPOLO The church has a salient facade in Gothic style, characterised by a large central rose window and two smaller lateral Read more [...]

The Church of Santa Maria Formosa, formally known as the Church of the Purification of Mary, is a church in Venice, located in the sestiere of Castello, in Campo Santa Maria Formosa.   SHORT HISTORY According to legend, a first structure on this site was built in 639 by San Magno of Oderzo, to whom the Virgin appeared, asking him to build a church dedicated to her. However, the oldest written documentation about the church dates back to 1060. The ancient church was renovated in 864 and, after it was damaged by a fire, again in 1106. After a long period of neglect, in 1492, the church was rebuilt in Renaissance style by Mauro Codussi. The architect died in 1504, without finishing his work. Later, starting with 1542, the Cappello family financed the construction of both facades. The first, overlooking Rio del Mondo Novo, is in Classical style, while the second, facing the square, is in Baroque style. During the 17th century, following the damage caused by an earthquake, the Piedmontese merchant Turin Tonon financed a restoration of the church. In addition to the reinforcement of the facades, the restoration included works on the dome and the decoration of the Read more [...]

Campo Santa Maria Formosa is one of the largest squares (campo) in Venice, located in the Castello district (sestiere). The name of the square comes from the Church of Santa Maria Formosa.   ARCHITECTURE The square is delimited by three canals – Santa Maria Formosa, Pestrin and Mondo Novo. In the square, there are many buildings of historical and architectural importance. In the northern part of the square, there is the Priuli Ruzzini Palace, built as the residence of the noble Ruzzini family in the late 16th century, on a project attributed to Bartolomeo Manopola. The palace, which was in a state of profound neglect at the beginning of the 21st century, was completely renovated and currently houses a hotel. Next, to the northeast, there is Palazzo Morosini del Pestrin, built in the 17th century at the behest of the patrician family of Morosini del Pestrin. Between 2001 and 2009, the second floor of the palace housed the Honorary Consulate of France and the Cultural Delegation of the French Embassy in Venice. To the east, we have the Donà Palaces (Palazzi Donà), three noble residences built between the 15th and 16th centuries for the Donà family. Currently, the buildings are Read more [...]

The Church of San Simeone Profeta is a church in Venice, located in the sestiere (district) of Santa Croce. The church is also known as San Simeone Grande (large), to distinguish it from the nearby Church of San Simeone Piccolo (small), which before the 18th-century reconstruction was smaller.   SHORT HISTORY The church was built in 967 at the behest of the Ghisi, Adoldi and Briosi families. Originally, it must have been a very modest structure, built of straw and wood. After a disastrous fire, it was rebuilt in stone in 1150, and made the parish church. Between 1807 and 1810, under the Napoleonic rule, the church joined the parish of the nearby San Simeon Piccolo.   ART AND ARCHITECTURE It is believed that the facade of the church was designed in Neoclassical style by the Venetian architect Giorgio Massari in 1756. The facade is simple, with two columns in Composite order dividing the central part of the structure from the two short lateral bodies, surmounted by two volutes that accompany the slope of the roof. At the center of the facade, the portal opens between two pillars, with two large windows above and a dedication plaque between them. At Read more [...]

The Church of the Madonna dell’Indirizzo is a Neoclassical church in Acireale, located in the northern part of the town, in Via Cervo, close to Villa Belvedere.   SHORT HISTORY The church was built in 1709 at the behest of the Nicolosi family. The current Neoclassical facade with a semicircular pronaos was built in 1812 on a design by Sebastiano Ittar, who was also responsible for Villa Nicolosi, which stands on a small hill to the left of the church.   ART Inside the church, we can find the beautiful painting Santa Venera and Sant’Agata by Giacinto Platania. Platania was the greatest painter of Acireale during the 17th century.   HOW TO GET THERE The Church of the Madonna dell’Indirizzo is located about 3 kilometers away from the Acireale railway station. The closest bus stop is in Piazza Indirizzo, about 100 meters away, on the bus Lines 1, 2, 3 and 4. However, the buses have a very low frequency in Acireale, it’s difficult to find the timetables and often there are delays and sudden cancellations of journeys, so the best solution to get to the railway station is a taxi.

The Cathedral of Maria Santissima Annunziata is the Cathedral of Acireale, located in the beautiful Piazza del Duomo, next to the Basilica of Santi Pietro e Paolo. The church is dedicated to the Annunciation of the Blessed Virgin Mary, but also to Santa Venera, patron saint of Acireale. The relics of the Saint are kept in a magnificent chapel of the right transept.   SHORT HISTORY A first structure on this site was built during the 15th century, and it consisted of a single chapel with three walls, where a painting of the Annunciation was venerated. In the 16th century, the chapel was demolished, and a new, larger church was built, with aisles and a bell tower. The construction of the current Cathedral was approved by the Municipality of Acireale on October 8, 1597, and the work started the following year. The whole complex undergone continuous extensions and modifications since 1598, until it reached its present appearance in 1889. In 1693, during the earthquake of Val di Noto, the structure suffered significant damage. The vaults of the transept collapsed, the entire roof was compromised, the dome cracked, and the bell tower damaged.   ART AND ARCHITECTURE The facade of the Read more [...]

The Church of Santa Maria del Carmelo is a church in Acireale, located at the crossroads of Corso Vittorio Emanuele II and Via Galatea, close to the historical center of the town.   SHORT HISTORY The church was built before 1554. The date was deduced after the discovery of a plaque with the sepulchral inscription of Petra Castagna, nephew of Pope Urban VII, who died on September 1, 1554, and was buried there. During the pontificate of Clement VIII, the convent was closed. In 1621, during the pontificate of Gregory XV, after the Carmelites of Catania began the reform of the Carmelite Order, the convent and the church were renovated and reopened. The earthquake of January 11, 1693, caused the partial collapse of the structures. The terrible event was followed by the reconstruction of the convent and the enlargement of the church.   ART AND ARCHITECTURE The church has a Baroque facade completed in 1786, bordered by pilasters for the entire height of the structure, decorated with columns and divided into three superimposed orders of decreasing dimensions. In the first order, a pair of Ionic columns with Corinthian capitals support a massive architrave that surmounts the only portal of the Read more [...]

Villa Belvedere, officially known as Giardino Vittorio Emanuele III, is the largest public garden of Acireale, located in the northern part of the town, in Piazza Indirizzo, at the end of Corso Italia.   SHORT HISTORY Villa Belvedere was built in 1848, and took the name of Belvedere for the splendid panorama we can admire from its large balcony, located at the end of the main avenue.   ARCHITECTURE From the balcony, the main attraction of the garden, we can see in front, below, the Timpa, the terrace of lava origin on which Acireale was built. To the left, we can observe the eastern coast of Sicily up to Taormina, and even Calabria during the clear days. To the right, we can see the same coast of Sicily, but this time to the south, up to the hills of Augusta. On the left side of the garden, there is a gazebo which, in the summer, is used for musical events. Further on, there is a small sports field recently built. On the right side of the garden, there is the basin with the marble sculptural group of Aci and Galatea, inspired by a work of art now found in the Read more [...]

The Collegiate Basilica of San Sebastiano is a Baroque church in Acireale, dedicated to Saint Sebastian, located in Via Vittorio Emanuele II, about 100 meters away from Piazza del Duomo and the Cathedral of Maria Santissima Annunziata.   SHORT HISTORY During the Aragonese period, the ancient Church of San Sebastiano, built after the plague epidemic of 1466, was the main place of worship in the area. Between 1609 and 1644, from public funds provided by the Municipality and donations from the faithful, a new church was built about 150 meters further north, on the same Via Vittorio Emanuele II, and dedicated to the same Saint Sebastian. On July 13, 1652, the old Church of San Sebastiano, following an agreement between the Confraternity of San Sebastiano and the Confraternity of Sant’Antonio, changed its dedication to Saint Anthony of Padua. In 1693, the terrible earthquake of Val di Noto damaged the church. The Basilica was extensively renovated between 1699 and 1705, receving its current appearance. The church was elevated to a collegiate church by the papal bull of November 20, 1924. In December 1990, Pope John Paul II elevated it to the dignity of a minor basilica.   ARCHITECTURE The structure is Read more [...]

Palazzo Municipale (Municipal Palace), also known as Loggia Giuratoria or Palazzo della Città (City Palace), is a Baroque palace in Acireale, located across Piazza del Duomo from the Cathedral of Maria Santissima Annunziata, next to the Basilica of Saints Peter and Paul. Palazzo Municipale houses the seat of the Municipality of Acireale.   SHORT HISTORY Begun in 1659, Palazzo Municipale was badly damaged in 1693 by the terrible earthquake of Val di Noto. The reconstruction, based on a design by the architect Constantino Larcidiacon, lasted throughout the 18th century. Damaged again by the earthquakes of 1783 and 1818, the palace was restored in 1908, undergoing profound structural changes.   ART AND ARCHITECTURE The main facade overlooking Piazza del Duomo, built in late Baroque style, is punctuated by elegant ashlar pilasters. On the ground floor, there is a long balustrade interrupted only by the entrance portal. On the first floor, the balconies, with wrought iron railings, are supported by Baroque masks. Other things worth mentioning regarding the design of the palace are the municipal coat of arms, placed above the portal, the epigraphs of the atrium, which constitute a sort of secular marble newspaper of the city, and the fresco Italy, Read more [...]

Basilica of Santi Pietro e Paolo is a Baroque church in Acireale, located in Piazza del Duomo, near the Cathedral of Maria Santissima Annunziata. The church is dedicated to Saints Peter and Paul.   SHORT HISTORY A first church on this site dates back to the 16th century. At the beginning of the 17th century, the idea of building a new, larger church, appeared. The new church, with a single nave, a large sacristy and a side chapel, was completed in 1635. During the terrible earthquake of Val di Noto of 1693, the church was badly damaged. The chapel, the sacristy and the adjacent Chapel of Jesus and Mary collapsed. The reconstruction began in 1740, on a design by Pietro Paolo Vasta. In 1765, the facade was completed by Paolo Guarrera. In 1790, under the direction of Francesco Di Paola Patanè, the interior was renovated, replacing the wooden roof with a stone masonry vault. The church was transformed into a collegiate church in 1924, and was elevated to the rank of a minor pontifical basilica in 1933, by Pope Pius XI.   ART AND ARCHITECTURE The church has an elegant facade in white stone from Syracuse, characterized by the superimposition Read more [...]

Piazza del Duomo is the main square of Acireale, located at the intersection of three important streets – Via Ruggero Settimo, Corso Umberto and Corso Savoia.   SHORT HISTORY In the 14th century, some families from the Aci Castello area moved further north, where the village of Acireale was born. The place where the people settled is the current Piazza del Duomo. In 1596, the square was enlarged, and some buildings were demolished. Several shops were built around the square, and Piazza del Duomo also became the central market of the town. The pavement of the square was changed in 2009. The work was entrusted to the architects Paolo Portoghesi and Vito Messina, and to the engineer Aldo Scaccianoce.   ARCHITECTURE The flooring of the square has a well-defined geometry, with concentric circles divided into 12 sectors for the first two rings and 24 sectors for the remaining ones. In the center of the square, there are six circles intertwined with each other according to a hexagonal geometry, with the coat of arms of Acireale in the center. To the north of the square, we can find the Cathedral of Acireale, dedicated to the Annunciation of the Blessed Virgin Mary. Read more [...]

Via Etnea is the main street of the historical center of Catania, which runs in the south-north direction for about 2.8 kilometers, from Piazza del Duomo to Tondo Gioeni. Via Etnea is the shopping street of Catania, and one of the busiest streets in the city, both during the day and at night.   SHORT HISTORY Via Etnea was built at the end of the 17th century, following the disastrous earthquake of January 11, 1693, which almost destroyed the city of Catania. The Duke of Camastra, sent by the Viceroy of Sicily to oversee the reconstruction of the city, decided to trace new roads according to orthogonal directions, and started right from the Cathedral of Sant’Agata. A road was thus created that led from the Cathedral towards Etna. The street was initially called Via Duke of Uzeda, in honor of the viceroy of the time. Later, the street changed its name to Via Stesicorea, and finally to the current Via Etnea. The road was about 700 meters long, and ended in the current Piazza Stesicoro, where one of the gates of Catania was located. During the 20th century, the street developed further north, to Piazza Cavour, and then to Tondo Read more [...]

The Church of San Francesco d’Assisi all’Immacolata is a church in Catania, located in Piazza San Francesco d’Assisi, about 300 meters away from the Cathedral of Sant’Agata.   SHORT HISTORY In ancient times, this site housed a pagan temple dedicated to the goddess Minerva. In 1254, the Franciscan Order settled in Catania, near the Church of San Michele, adjacent to the Ursino Castle. In 1260, the Franciscan friars moved to the current place, where the old Church of Speranza stood. In 1329, Eleanor of Anjou, Queen of Sicily and the wife of King Frederick II of Aragon, promoted the construction of a convent and church dedicated to Saint Francis of Assisi. Eleanor of Anjou was buried here in 1343. In 1693, the terrible eartquake of Val di Noto destroyed the church almost completely, and the structure was rebuilt in Baroque style in the following century.   ART AND ARCHITECTURE The small churchyard is preceded by a staircase of Etna lava stone, with a wrought iron gate and a balustrade with four pillars that support the imposing statues of San Giuseppe da Copertino, Sant’Agata, Santa Chiara d’Assisi and San Bonaventura. The facade of the church, built around 1854, is decorated by Read more [...]

Palazzo Tezzano is a Baroque palace in Catania, located in Piazza Stesicoro, near the Roman Amphitheater of Catania and the Church of San Biagio.   SHORT HISTORY Palazzo Tezzano was built starting with 1709 on a project by the architect Alonzo di Benedetto, at the behest of the count and physician Niccolò Tezzano. Later, the count donated the palace to the city of Catania, and the building was transformed into a hospital between 1720 and 1727. In 1837, due to the economic difficulties of the hospital, a part of the palace was rented by the Bourbon Intendency Office, to house its archive. A few years later, around 1844, some sections of the General Prosecutor’s Office and the Criminal Chancellery were also installed in the palace. The hospital was transferred between 1878 and 1880 in a building adjacent to the Church of San Nicolò l’Arena, and changed its name to Vittorio Emanuele II Hospital. After the transfer of the hospital, Palazzo Tezzano remained the seat of the Court until the construction of the new headquarters in Piazza Giovanni Verga, completed and inaugurated in 1953. The palace currently houses the Ceramographic Archive of the University of Catania, consisting of thousands of reproductions Read more [...]

The Church of San Biagio, also known as the Church of Sant’Agata alla Fornace, is a Neoclassical church in Catania, located in Piazza Stesicoro, a few meters away from the Roman Amphitheater of Catania.   SHORT HISTORY Originally, there were two churches on this site, one dedicated to San Biagio (Saint Blaise), and the other dedicated to Sant’Agata (Saint Agatha), built in the 11th century atop the furnace where the Saint was martyred. After the terrible earthquake of 1693, which destroyed almost completely the city of Catania, a new church was built and the two parishes joined.   ART AND ARCHITECTURE The facade of the church was built in Neoclassical style by the architect Antonino Battaglia. The facade is characterised by four columns in Corinthian style, supporting a triangular tympanum. The interior of the church has a single nave. The main altar is decorated with scrolls and columns and with the statues of Saint John the Evangelist and Saint Mary Magdalene. On the right wall, there are the Chapel of San Biagio and the Chapel of Sant’Andrea Apostolo, while on the left wall we can find the Chapel of the Holy Family and the Chapel of Saint John of Nepomuk. Read more [...]

The Roman Amphitheater of Catania is an amphitheater located at the base of the Montevergine Hill, in Piazza Stesicoro, in Catania.   SHORT HISTORY The amphitheater was probably built in the 2nd century – the exact date is uncertain, but the architecture suggests the era between the emperors Hadrian and Antoninus Pius. The monument was enlarged in the 3rd century, thus tripling its size. Because the monument was abandoned for a long time, in the 5th century, Theodoric, King of the Ostrogoths, granted the inhabitants of the city the right to use the amphitheater as a quarry for building material. In the 11th century, it seems that Roger II of Sicily also used materials from the amphitheater for the construction of the Cathedral of Sant’Agata, including the granite columns that decorate the facade of the church. In the 13th century, the entrances of the monument were used by the Angevins to access the city during the so-called War of the Sicilian Vespers. In the following century, the entrances were walled up and the ruin was incorporated into the Aragonese network of fortifications. In 1505, the city senate granted Giovanni Gioeni the concession to use the stones of the monument for Read more [...]

The Church of Montevergine is a Baroque church in Noto, located in Via Camillo Benso Conte di Cavour, about 150 meters away from the Cathedral of San Nicolò. The church is situated at the upper end of Via Corrado Nicolaci, the street which hosts every year the famous Infiorata di Noto.   SHORT HISTORY The church was begun in 1695 on a project by the architect Vincenzo Sinatra, and was completed and opened for worship in 1762.   ART AND ARCHITECTURE The church has a concave facade, without Baroque decorations, characterized by the measured geometry of its twin bell-towers and by a short staircase leading to the portal, bordered by two quadrangular columns. Inside, the church has a single nave, surrounded by Corinthian half-columns that give the whole interior a classical style. The 18th-century majolica floor of the nave is still intact. Of particular value is the Baroque central altar, in polychrome marble, surmounted by an artistic ciborium, rich in decorations. The paintings in the vault and in the four side altars are attributed to Costantino Carasi. One of them, the Deposition, is dated back to 1712, and the others depict the Marriage of the Virgin, the Madonna of the Read more [...]

Palazzo Ducezio, the seat of the Town Hall of Noto, is a beautiful palace located across Piazza del Municipio from the Cathedral of San Nicolò. The palace was named in honor of Ducezio, King of the Sicels and founder of Noto.   SHORT HISTORY The palace was designed by the architect Vincenzo Sinatra in 1746, inspired by some French palaces of the 17th century, but was completed only in 1830. The second floor of the palace was built in the first half of the 20th century by the architect Francesco La Grassa.   ART AND ARCHITECTURE The convex facade of the palace is characterized by twenty arches supported by columns with Ionic capitals in the lower section, and by thirteen rectangular windows in the upper section. Inside, we can find Sala degli Specchi (Hall of Mirrors), an oval-shaped hall decorated at the end of the 19th century with stuccos and sumptuous mirrors. Over time, the Hall of Mirrors received the visit of many heads of state. At the beginning of the 1930s, on the occasion of the official visit of Umberto and Maria Josè of Savoy, the hall was restored by the painter Gregorietti. The furniture was made by the Read more [...]

The Church of Sant’Agata is a Baroque church in Noto dedicated to Saint Agatha, located in Via Raffaele Trigona, about 350 meters away from the Cathedral of San Nicolò. The church, now deconsecrated, was the only church dedicated to Saint Agatha – the Martyr Saint of Catania, in the entire province of Syracuse.   SHORT HISTORY Although is the oldest church in Noto, this does not mean very old, because the whole city was rebuilt after the terrible earthquake of 1693. The church was built at the beginning of the 18th century on a project by Rosario Gagliardi, and consecrated in 1710.   ART AND ARCHITECTURE The church stands on top of a scenic staircase, with an interesting parvis paved with lava stone and river pebbles at its base. The facade of the church has an elegant rectangular shape, and is characterized by its beautiful portal. The portal is surmounted by a triangular architrave framed by a double order of Ionic columns that support the central entablature. The central window, framed by precious garlands carved in bas-relief, is surmounted by a decorated tympanum. The interior, with a single nave, has the vault decorated with polychrome stuccoes, together with the wonderful Read more [...]

The Church of the Madonna del Carmine (Our Lady of Carmel) is a Baroque church in Noto, located in Via Ruggero Settimo, about 500 meters away from the Cathedral of San Nicolò.   SHORT HISTORY The church was built by Corradino Randazzo and Vincenzo Sortino on a project by Rosario Gagliardi. The building was completed in 1743.   ART AND ARCHITECTURE The facade of the church, slightly concave towards the inside, has a single portal, surmounted by a large coat of arms of the Carmelites, supported by two angels. Above the coat of arms, there is a large semicircular architrave. The entablature is supported by four pillars in Corinthian style. The second order has a central window, with two pillars on the sides. The lateral pinnacles are decorated with geometric figures carved in bas-relief. The third order is represented by a bell-gable consisting of three arched niches surmounted by pinnacles. Inside, the church has a single nave decorated with fine polychrome stuccoes and frescoed geometric and floral figures. On both sides of the nave, there are splendid Baroque altars containing beautiful works of art, including 18th-century paintings. The most beautiful part of the church is undoubtedly the presbytery, with the Read more [...]

The Church of San Domenico is a church in Noto, located in via Matteo Raeli, overlooking Piazza XVI Maggio, about 280 meters away from the Cathedral of San Nicolò. The church, dedicated to Saint Dominic, the founder of the Dominican Order, is one of the most important and best preserved examples of Baroque architecture in Noto, and one of the most significant masterpieces of the late Baroque in the entire south-eastern Sicily.   SHORT HISTORY The Church of San Domenico was built at the behest of the Dominican friars on a project by the architect Rosario Gagliardi, between 1703 and 1727.   ART AND ARCHITECTURE The facade of the church has two orders, the lower one in Doric style, and the upper in Ionic style. The central part of the facade has a convex shape and protrudes towards the street. The interior, well preserved, is structured on an elongated Greek cross plan, with three naves and five domes richly decorated with stuccoes, and side altars in polychrome marble with 18th-century paintings, among which the Madonna del Rosario by Vito D’Anna stands out. The third altar on the left aisle has a Crucifix and various marble panels with scenes from the Read more [...]

The Church of Santa Lucia al Sepolcro is a Baroque church dedicated to Saint Lucia, the patron saint of Syracuse. Together with the nearby Church of Santa Lucia Extra Moenia and the Convent of the Franciscan Friars Minor, the Church of Santa Lucia al Sepolcro is part of the sanctuary built on the site where the Saint was martyred in 304, during the persecution of the emperor Diocletian.   SHORT HISTORY The Church of Santa Lucia al Sepolcro was built in 1629 on a project by the architect Giovanni Vermexio, on the site of an ancient church dedicated to Saint Agatha. The works were interrupted when the Duke of Albuquerque considered that the building could represent, from a military point of view, the possible position for an artillery gun, in the event of a siege. The precise orders of the Duke determined the current layout of the church.   ART AND ARCHITECTURE The church has the shape of an octagon, but only the four sides overlooking Piazza Santa Lucia have architectural decorations. The corners of the octagon are marked by counter-pillars crowned by Corinthian capitals enriched by exuberant decoration with shells and masks. A large double flight staircase gives access Read more [...]

The Church of Santa Lucia Extra Moenia is a church dedicated to Saint Lucia, the patron saint of Syracuse. It is called extra moenia due to its location outside the ancient city walls. Together with the nearby Church of Santa Lucia al Sepolcro and the Convent of the Franciscan Friars Minor, the Church of Santa Lucia Extra Moenia is part of the sanctuary built on the site where the Saint was martyred in 304, during the persecution of the emperor Diocletian.   SHORT HISTORY The church was built around the year 1100 by the Normans. From that period, the facade, the portal with the characteristic capitals and the first two orders of the bell tower are preserved. Subsequent additions and rearrangements changed its appearance starting from the 14th century. Other interventions took place during the 17th century, most probably by Giovanni Vermexio, who also built the nearby Church of Santa Lucia al Sepolcro in 1629. In 1693, the earthquake of Val di Noto caused a lot of damage to the church, forcing necessary reconstruction interventions. Around the same time, the portico attributed to Pompeo Picherali and the last order of the bell tower were added. The portico collapsed in 1970, Read more [...]

The Church of San Giovanni Battista, popularly known as San Giovannello, is a church in Gothic style dedicated to Saint John the Baptist, located in Piazza del Precursore, on the island of Ortygia, in Syracuse.   SHORT HISTORY The church was built in the 14th century on the remains of another early Christian church of the 4th century. Later, the church became a Jewish synagogue. After the expulsion of the Jews in 1492, the building was converted back into a Christian church and used as such until 1915. After the structure was used for a long time as a theater, auditorium and hall for conferences and performances, it was reopened for worship in 2015.   ART AND ARCHITECTURE The facade of the church, dating back to 1380, has a beautiful 15th-century portal and a rose window. The roof of the building is completely absent. On the right of the facade, there is a bell-gable without any bells. The larger bell, from the 9th century, was melted during the First World War, and the second bell, smaller, cast at the beginning of the 20th century, was moved in 1920 to the nearby Church of Santa Maria della Concezione. The interior of Read more [...]