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Via dei Fori Imperiali is one of the most scenic streets in Rome, which connects Piazza Venezia to the Colosseum. Walking along it, you can admire on both sides of the street the Forums of Caesar, Trajan, Augustus and Nerva.   SHORT HISTORY After Rome became the capital of Italy in 1870, large connecting roads began to open, such as Corso Vittorio Emanuele II and Via Nazionale. In the regulatory plans of the city from 1873, 1883 and 1909, a street between Piazza Venezia and the Colosseum was planned. The idea of the road reappeared in the Fascist period. At first, during its construction, the street was named Via dei Monti, then, when it was inaugurated, was called Via dell’Impero. The architect Antonio Muñoz was responsible for the general project, while Raffaele De Vico was in charge with the arrangement of the green areas, and Corrado Ricci with the excavation and arrangement of the archaeological areas. Via dei Fori Imperiali was built between 1924 and 1932, and was inaugurated by Benito Mussolini on October 28, 1932, as part of the celebrations for the tenth anniversary of the March on Rome. In 1945, after the end of the Second World War, Read more [...]

Via della Conciliazione is a street in Rome, which connects Piazza Pia to Piazza Papa Pio XII, in front of Piazza San Pietro.   SHORT HISTORY Following the official reconciliation between the Kingdom of Italy and the Holy See on February 11, 1929, the fascist government decided to built a wide road to link the capital of Italy to the Vatican State. Via della Conciliazione was designed by the architects Marcello Piacentini and Attilio Spaccarelli, and built starting in 1936 with the demolition of the so-called Spina di Borgo – the backbone of the historical Borgo district. The street was completed on the occasion of the 1950 Jubilee, with the installation of two rows of obelisk-shaped lamp holders. The intervention caused the loss of a large part of the urban fabric of the Borgo district, with the demolition of important buildings like Palazzo dei Convertendi, Palazzo Jacopo da Brescia, Palazzo del Governatore, Palazzo Alicorni, Palazzo Rusticucci-Accoramboni and the Church of San Giacomo in Scossacavalli. The palaces of the Convertendi, Jacopo da Brescia, Alicorni and Rusticucci were rebuilt, using in the reconstruction elements of the demolished buildings. The ancient Church of San Lorenzo in Piscibus underwent radical transformations and was incorporated Read more [...]

Palazzo Latmiral is a palace in Rome, located in Via della Conciliazione, between Palazzo Torlonia and the Church of Santa Maria in Traspontina. The palace currently houses the Embassy of Brazil to the Holy See.   SHORT HISTORY Palazzo Latmiral was built in 1887 for Giuseppe Latmiral, on a project by the architect Agide Spinedi. At the time of its construction, the palace incorporated into its eastern facade overlooking Vicolo del Campanile a 15th-century house with three floors known as Casa del Boia. The house has semicircular windows and a frescoed facade by the painter Giulio Romano. In the first decades of the 20th century, the palace was renovated by the architects Marcello Piacentini and Attilio Spaccarelli.   HOW TO GET THERE The closest Metro station is Ottaviano, located about 1 kilometer away, on the Metro Line A. The closest bus stop is Traspontina/Conciliazione, located about 120 meters away, on the bus Lines 23, 40 and 982.

Palazzo Torlonia, also known as Palazzo Castellesi or Palazzo del Corneto, is a Renaissance palace in Rome, located in Via della Conciliazione, near Palazzo dei Convertendi.   SHORT HISTORY The palace was built between 1499 and 1517 for Cardinal Adriano Castellesi, an important dignitary of the papal court. The project of the building was attributed to Donato Bramante. The building was built in Piazza Scossacavalli, in the context of the redevelopment of the entire urban sector, after the opening of the new Via Alessandrina. In 1504, the Cardinal Castellesi handed the palace to Henry VII, King of England. Later, Henry VII gave the building to Lorenzo Campeggio, the last Cardinal Protector of England, who lived in the palace between 1519 and 1524. Between 1609 and 1635, the palace was owned by the Borghese family. In 1760, it was named Palazzo Giraud, when it became the property of a French family of bankers. In 1820, the palace was purchased by the Torlonia family. Palazzo Torlonia is the only historic palace in the area which remained untouched during the works for the construction of Via della Conciliazione, in the first decades of the 20th century.   ARCHITECTURE Palazzo Torlonia has a facade Read more [...]

Palazzo dei Convertendi, also known as Palazzo della Congregazione per le Chiese Orientali (Palace of the Congregation for the Oriental Churches), is a Renaissance palace in Rome, located in Via della Conciliazione, adjacent to Palazzo Rusticucci-Accoramboni.   SHORT HISTORY Around the middle of the 15th century, on the northwestern edge of Piazza Scossacavalli, there was a building known as della Stufa. In the 16th century, the building was sold to the noble Caprini family, who erected in its place a palace on a design by Donato Bramante. The palace was sold in 1517 to the painter Raphael, who died in the building in 1520. On his death, the building was sold to Cardinal Pietro Accolti. After the Cardinal’s death, the palace was inherited by his nephew Benedetto, Cardinal of Ravenna. Accused of corruption, Benedetto was incarcerated in Castel Sant’Angelo, and released after paying his debts. For this, the Cardinal borrowed the sum from the Florentine bankers Giulio and Lorenzo Strozzi, who later obtained the palace. Then, the Strozzi family sold the collapsing palace to Cardinal Giovanni Francesco Commendone. The Cardinal had the palace restored by Annibale Lippi, and sold the building in 1584 to Camilla Peretti, sister of Pope Sixtus Read more [...]

Palazzo Rusticucci-Accoramboni is a Late Renaissance palace in Rome, located in Via della Conciliazione, about 120 meters away from Piazza San Pietro.   SHORT HISTORY Girolamo Rusticucci, secretary of Pope Pius V and later cardinal, bought a building on March 31, 1572. Rusticucci also bought some nearby buildings, with the aim of expanding the original structure. In 1584, Rusticucci commissioned Domenico Fontana to design a larger palace. After the death of Pope Sixtus V, Fontana was transfered to Naples, and the works were completed by his nephew, Carlo Maderno. Around 1630, the Nazarene College, one of the oldest schools in Rome, was housed in the palace for a short time. Around the middle of the 17th century, the cardinal’s heirs sold the palace to the Accoramboni family. In 1667, the construction of the colonnade in Piazza San Pietro by Gian Lorenzo Bernini made it necessary to demolish the last block of houses located in front of the square. Its demolition created a new square, bordered on the north side by Palazzo Rusticucci, which gave it its name. In the 20th century, the palace became the seat of the Belgian Historical Institute, and then it was occupied by the Congregation of Read more [...]

The Church of Sant’Ivo alla Sapienza is a Baroque church in Rome dedicated to Saint Ivo of Kermartin, located in Corso del Rinascimento, about 100 meters away from Piazza Navona.   SHORT HISTORY In 1632, Francesco Borromini became the main architect of Palazzo della Sapienza, the palace of the University of Rome. At that time, the layout of the courtyard of the palace was already defined by Giacomo della Porta, and a circular church with small chapels was planned. The work on the church began only in 1643, and continued for over twenty years. The first construction phase was from 1643 to 1655. After an interruption, the work resumed in 1659, with the completion of the church, the construction of the Alessandrina Library and the facades of the palace overlooking Piazza Sant’Eustachio and Via dei Canestrari. The church was consecrated in 1660, although the works continued for a few more years. The library was instead completed after the death of Francesco Borromini.   ART AND ARCHITECTURE The church has a large courtyard in front. Its facade is concave, with five blind arches on each of the first two floors. The central arch on the ground floor is occupied by the Read more [...]

Piazza del Popolo (People’s Square) is a large square in Rome, located at the foot of the Pincian Hill, near the Villa Borghese gardens.   SHORT HISTORY Until the end of the 19th century, when it assumed its current shape, Piazza del Popolo was a modest square with a trapezoidal shape. At the time of the Napoleonic occupation, the architectural and urban aspect of the square was revised by the architect Giuseppe Valadier. Thanks to his intervention, the square assumed the current elliptical shape, completed by a double exedra, decorated with numerous fountains and statues. In 1818, Valadier removed the old fountain of Giacomo Della Porta, and replaced it with a new structure – four fountains in the form of lions, around the base of the obelisk. Valadier continued its work of renewal the square by arranging also the slopes of the Pincian Hill, connecting Piazza del Popolo and the hill with wide ramps, adorned by trees.   ARCHITECTURE Piazza del Popolo houses three churches. Basilica of Santa Maria del Popolo is the oldest one, located next to the gate with the same name, Porta del Popolo. The church was built in the 11th century by Pope Pasquale II, but Read more [...]

Piazza Venezia is a beautiful square in Rome, located at the foot of the Capitoline Hill, between Piazza di San Marco, to the west, and Piazza della Madonna di Loreto, to the east. In the square, five of the most important streets of the city meet: Via dei Fori Imperiali, Via Cesare Battisti, Via del Corso, Via del Plebiscito, and Via del Teatro di Marcello.   SHORT HISTORY The current appearance of the square derives largely from the demolition and reconstruction interventions carried out between the end of the 19th century and the beginning of the 20th century, following the construction of the National Monument to Victor Emmanuel II (Vittoriano). Originally, the square extended only in the western half of the current one, and Via del Corso started from its northeastern corner. The imposing Vittoriano required a wider space in front, and it was decided to enlarge Piazza Venezia and make it symmetrical to the axis of Via del Corso. The extension was designed in its general lines by Giuseppe Sacconi and then defined by Guido Cirilli. For this enlargement, the buildings present in the eastern part of the future square were demolished and Palazzo delle Assicurazioni Generali was built. Read more [...]

Palazzo del Laterano is a Renaissance palace in Rome, located in Piazza di Porta San Giovanni, adjacent to the Basilica of San Giovanni in Laterano. The palace was the official residence of the Roman pontiffs for many centuries. Today, it houses the Papal State Historical Museum (Museo Storico dello Stato Pontificio), the offices of the Vicariate of Rome and the apartment of the Cardinal Vicar of His Holiness for Rome.   SHORT HISTORY The area was named after the original owners, the Plauzi Laterani family, who owned a large palace on this site. After a member of this family, designated consul, was accused around the year 66 of conspiracy against Nero, the properties of the family, together with the adjoining palace, were confiscated. At the beginning of the 4th century, the monumental Basilica of San Giovanni in Laterano was built, and consecrated in 324 by Pope Sylvester I. Around the middle of the 8th century, Pope Zacharias built a triclinium (formal dining room) in the ancient Lateran Palace, and decorated it with marble, glass and precious metals, mosaics and frescoes. A few decades later, Pope Leo III built another triclinium, and installed, in the center of the room paved with Read more [...]

The Basilica of Santi Giovanni e Paolo al Celio is a church in Rome, located in the homonymous square, on the Caelian Hill, about 700 meters away from the Roman Forum and the Colosseum.   SHORT HISTORY The church was erected starting with 398 by the Roman senator Byzantis on the site of an ancient structure dating back to the first century AD. The church was used first as a domus ecclesiae (house church) by a Christian community, and then, according to tradition, became the burial ground of the Saints John and Paul, who were martyred during the reign of the emperor Flavius Claudius Julianus. In 410, the church was damaged by the Visigoths of Alaric I, during the sack of Rome, then by an earthquake in 442, and was finally destroyed by the Normans in 1084. In the 12th century, Pope Paschal II restored the church, and built the bell-tower and the portico. The structure was remodeled again in the following centuries. The church took on its current appearance in 1951, when Cardinal Francis Joseph Spellman had the facade restored.   ARCHITECTURE The facade of the church is characterized by a portico along its entire width. Above the portico, Read more [...]

The Church of San Martino (Chiesa del Divo Martino) is a church in Romanesque style, dedicated to Saint Martin of Tours, in Portofino.   SHORT HISTORY The church was probably built during the 12th century, around the same time the Church of San Giorgio was erected. The structure is mentioned in a document of 1130, with the decision of Pope Innocent II to cede the property to the monks of the nearby Abbey of San Fruttuoso, and again in 1164, where the same privileges were confirmed by Pope Alexander III. The consecration of the church took place on June 10, 1548, and on March 8, 1550, the ownership of the religious building passed to the Prince Andrea Doria and his heirs, through a papal bull of Pope Julius III. During the 19th century, the Church of San Martino was renovated and expanded, and took its current shape.   ART Inside, there are several pictorial and sculptural works, such as the wooden group depicting the Deposition of Christ by the Genoese sculptor Anton Maria Maragliano, the canvas of the Madonna del Rosario by an unknown painter, an Annunciation of the 18th century, and a painting depicting the Saints Rocco, Sebastiano and Read more [...]

The Basilica of Santo Stefano, also known as the Seven Churches (Sette Chiese), is a complex of religious buildings in Bologna, located in the homonymous square.   SHORT HISTORY Around the year 100 AD, a pagan temple dedicated to Isis was built on this site. In 393, Ambrosio, the bishop of Milan, discovered the tombs of the first Christian martyrs of Bologna, Vitale and Agricola, and a small chapel was built near the temple of Isis to preserve their remains. The church is known today as the Church of the Saints Vitale and Agricola. In the 5th century, Petronius, the bishop of Bologna, converted the temple of Isis into a baptistery. Around the year 450, he was buried here. Now, the structure is known as the Church of the Holy Sepulchre (Basilica del Sepolcro). In 727, Liutprand, king of the Lombards, invaded the city and built, to the right of the Holy Sepulcher, a prominent basilica, naming it after San Giovanni Battista (Saint John the Baptist). Later, the religious building became the Church of the Holy Crucifix (Chiesa del Crocifisso). The complex was devastated during the invasion of the Hungarians at the beginning of the 10th century, and was largely Read more [...]

The Basilica of San Domenico is an important church in Bologna, located in the homonymous square. The church houses the remains of San Domenico (Saint Dominic), founder of the Dominican Order, who died in 1221 in the adjacent convent.   SHORT HISTORY Saint Dominic arrived in Bologna in January 1218, and settled in the convent of the Church of Santa Maria della Purificazione, located outside the city walls. In 1219, the saint moved to the Convent of San Nicolò delle Vigne, where the current basilica stands. Saint Dominic died on August 6, 1221. In 1233, his remains were placed in a cypress chest, enclosed in a simple marble sarcophagus, and placed behind the altar of a side chapel of the right aisle. The following year, San Domenico was canonized by Pope Gregory IX. In 1267, his remains were placed in a monument known as the Ark of Saint Dominic (Arca di San Domenico). Starting with 1228, the old church of San Nicolò delle Vigne was enlarged, with the demolition of the apse and the extension of the nave. The construction works of the new basilica were completed in 1240, with the building of the sober Romanesque facade. The basilica was Read more [...]

Porta Galliera is an imposing medieval gate in Bologna, located in Piazza XX Settembre, in the northern part of the historical center of the city. Porta Galliera is the most decorated of all the remaining gates of Bologna.   SHORT HISTORY Porta Galliera was built at the beginning of the 13th century, when the third wall of the city was raised. With a length of about 7.6 kilometers and a polygonal shape, the outer wall of Bologna had 12 gates equipped with a drawbridge, to cross the external moat. The gate was rebuilt in the 14th century, in conjunction with the works for the construction of the nearby Galliera Castle (Castello di Galliera), erected between 1330 and 1333 by Cardinal Bertrando del Poggetto for the Pope John XXII. The fortress was however destroyed in 1334 by the Bolognese population rebelling against the Papal State. In the 17th century, the gate was subject to several renovations, and between 1661 and 1663, due to the poor state of the original foundations, it was completely rebuilt based on a design by Bartolomeo Provaglia. Porta Galliera witnessed the final event of the insurrection of August 8, 1848. Through the gate, the last left open Read more [...]

Palazzo Sansedoni is a medieval palace located on the northern side of Piazza del Campo, in Siena. Today, the palace houses the Monte dei Paschi di Siena Foundation.   SHORT HISTORY The palace takes its name from the noble Sansedoni family, one of the most powerful families of Siena during the Middle Ages. Palazzo Sansedoni was built at the beginning of the 13th century, by joining several ancient buildings. In 1339, the architect Agostino di Giovanni oversaw the reconstruction and expansion of the palace. The majestic brick facade of the palace facing the square dates back to an 18th-century renovation in Gothic style by the architect Ferdinando Ruggieri.   ART AND ARCHITECTURE The concave facade of Palazzo Sansedoni, which follows the curvature of the square, is composed of four orders, three of them with trifore mullioned windows. The facade is topped by battlements above a frieze of round arches. The tower of the palace, positioned asymmetrically to the left of the building, was truncated in 1760, because Torre del Mangia, located nearby, had to be the tallest building in the square. Inside, various rooms have 18th-century decorations, work of Francesco Melani, Giuseppe Melani and Gian Domenico Ferretti. Anton Domenico Gabbiani Read more [...]

The Basilica of San Francesco is a Romanesque church in Siena, located in the homonymous square. Dedicated to Saint Francis of Assisi, the church is officiated by the Order of Friars Minor Conventual.   SHORT HISTORY The Franciscans arrived in Siena shortly after the death of Saint Francis in 1226. Between 1228 and 1255, a first church was erected on this site. The current church was built between 1326 and 1475 in Gothic style, enlarging the pre-existing church. In 1655, a fire damaged the church, leaving it in ruins for over two centuries. Between 1763 and 1765, the current bell tower was built, based on a project by Paolo Posi. In 1855, following the suppression of religious orders carried out by Napoleon, the convent became the property of the Archdiocese of Siena, which made it the seat of the Archiepiscopal Seminary. The church was restored in Neo-Gothic style at the end of the 19th century. The works were entrusted to Giuseppe Partini for the interior, and to Vittorio Mariani and Gaetano Ceccarelli for the exterior. In 1968, the ancient Convent adjacent to the Basilica was purchased by the University of Siena, where the Department of Economics, Politics and Statistics is Read more [...]

Princess Art Hotel is a 4-Star hotel in Ferrara, located in Via Mascheraio, about 200 meters away from Piazza Ariostea and about 700 meters away from the Este Castle. Princess Art Hotel offers air-conditioned rooms, with antique furnishings, exposed wood-beamed ceilings and a private bathroom with a bath or shower. Some rooms have a fireplace or seating area. Guests can relax in the shared garden or on the outdoor patio, which is equipped with tables and chairs.   HOW TO GET THERE Princess Art Hotel is located about 2 kilometers away from the Ferrara railway station. The closest bus stop, Palestro Mascheraio, is located about 120 meters away, on the bus Line 3.

Hotel Mercure Ferrara is a 4-Star hotel in Ferrara, located in Largo Castello, a few meters away from Castello Estense. The hotel offers rooms with a classic design, with wood floors and elegant furnishings. Suites includes a private wellness area. Each room features a full HD LED TV with international channels, and free WiFi.   HOW TO GET THERE Hotel Mercure Ferrara is located about 1.5 kilometers away from the Ferrara railway station. The closest bus stop, Cavour Giardini, is located in Viale Cavour, about 180 meters away, on the bus Lines 1, 2, 3, 4, 6, 7, 9, 11 and 21.

Hotel Nazionale is a 3-Star hotel in Ferrara, located in Corso Porta Reno, about 90 meters away from Piazza Trento e Trieste, and about 300 meters away from the Este Castle. Hotel Nazionale offers modern rooms with LCD TV and free WiFi. Each room, with a contemporary design with wood floors and allergy-free furnishings, features a safety deposit box and a private bathroom with hairdryer and toiletries. A buffet breakfast is served each morning and gluten-free dishes are available on request.   HOW TO GET THERE Hotel Nazionale is located about 1.6 kilometers away from the Ferrara railway station. The closest bus stop, Corso Porta Reno, is located near the hotel, on the bus Lines 4 and 11.

Piazza Trento e Trieste, formerly known as Piazza delle Erbe for the market held there in the past, is the main square of Ferrara.   SHORT HISTORY The medieval square appeared at the same time with the Cathedral of San Giorgio, in the 12th century, and since its inception it became the fulcrum of the political, economic and religious powers of the city.   ARCHITECTURE The square, rectangular in shape, is crossed by a sidewalk 120 meters long and 12 meters wide, called listone. Around the square, you can still admire various ancient buildings, some of them in their original appearance, while others have undergone various renovations and transformations over time. In the northern part of the square, there is the Cathedral of San Giorgio, the Cathedral of Ferrara, built starting with 1235 and completed in 1177. Behind the Cathedral, there is the bell-tower, an unfinished work of Leon Battista Alberti. On the southern side of the Cathedral, runs Loggia dei Merciai, which since the beginning was dedicated to the merchants and to their various shops. The structure still retains its function today, hosting modern shops and commercial activities. The ancient seat of the Shoemakers’ Guild, Palazzo di San Crispino, Read more [...]

Fontebranda is a medieval fountain in Siena, located near Porta di Fontebranda, one of the remaining gates of the ancient city walls.   SHORT HISTORY The first mention of Fontebranda dates back to the year 1081. The fountain was enlarged in 1193, and rebuilt in bricks and travertine in 1246 by Giovanni di Stefano, for the Wool Guild, who needed a permanent source of water. Saint Catherine of Siena was born and lived near the fountain, and that is why she is also known as the Saint of Fontebranda.   ARCHITECTURE The fountain is characterized by three large ogival Gothic arches surmounted by merlons and a row of blind arches with triangular motifs. The front is adorned with four lion-shaped gushes, with the emblem of Siena in the center. Beyond the water tank, there are more than 25 kilometers of conduits, partly excavated and partly inside the walls, whose medium height is about 1.75 meters, with a width of about 0.90 meters. Today, you can walk through this tunnels, where rainwater, collected in a small channel carved in the walkway, flows with an inclination of one meter per kilometer, from the springs located in the Sienese countryside. These pipelines, in Read more [...]

Palazzo di San Crispino, also known as the Oratory of the Shoemakers (Oratorio dei Calzolai), is a palace in Ferrara, located in Piazza Trento e Trieste, at the corner of Via Mazzini and Via Contrari.   SHORT HISTORY According to tradition, the palace was built in 808 at the behest of Charlemagne and dedicated to the art of cobblers as a reward to a shoemaker for the services he offered. Historically, between 1461 and 1567, the palace was the seat of the Faculty of Literature, part of the University of Ferrara. In 1567, after it was partially destroyed by a fire, by the decision of the Shoemakers’ Guild, the palace was reduced to an oratory, while the public school was moved to the new headquarters in Palazzo Paradiso. The oratory was dedicated to the Saints Crispin and Crispinian, the patron saints of cobblers, tanners and leather workers. Starting with 1841, the palace was renovated by the architect Giovanni Tosi, who transformed the ancient loggia, giving it a Neoclassical aspect. The facade was decorated with marble medallions by famous artists from Ferrara. The frescoed facade of 1675, work of Francesco Ferrari, which represented Charlemagne on the throne flanked by knights on Read more [...]

The Church of Santo Spirito is a church in Ferrara, located in the western part of the historical center of the city.   SHORT HISTORY The works for the construction of the Church of the Holy Spirit began in 1519. On the death of Duke Alfonso I d’Este, in 1534, the works were interrupted, but the structure was largely completed. In 1570, the church was heavily damaged by the disastrous earthquake that struck the city. Immediately after the earthquake, it was decided to renovate the church and the adjacent convent. The works were completed only in 1630, and the church was consecrated in 1656 by Cardinal Carlo Pio. The convent and the church experienced their period of greatest prestige during the end of the 17th century and throughout the 18th century. Between 1796 and 1799, the French troops of Napoleon Bonaparte settled in the convent. In 1810, all the friars were expelled and the convent was placed at the disposal of the army. On that occasion, many documents were lost. The convent was reopened in 1816. In 1830, the ceiling of the church collapsed, destroying all the decorations and paintings of the vaults. With the royal decree of June 7, Read more [...]

The Church of San Francesco is a church dedicated to Saint Francis of Assisi, located in the homonymous square, in the western part of the historical center of Ferrara.   SHORT HISTORY The Church of San Francesco was built in 1494 on a pre-existing building belonging to the Franciscans, which was used until the beginning of the 15th century as a mausoleum for the Este family. The church is considered one of the best creations of the architect Biagio Rossetti. Following the 2012 earthquake, the interior, with the exception of a transept and an adjacent chapel, was for a long time unusable and closed to the public. Currently, the central nave and the right aisle can be visited, while the left aisle is only partially accesible.   ART AND ARCHITECTURE The facade has typically Renaissance lines, with the volutes, inspired by Leon Battista Alberti, and the marble pilasters that stand out on the terracotta walls. The interior of the church, with three naves, has a Latin cross plan and eight chapels on each side. In the first chapel on the left, there is a remarkable fresco of the Arrest of Jesus by Benvenuto Tisi, better known as Garofalo. In the Read more [...]

Palazzo della Borsa is a large palace in Ferrara, located in Largo Castello, in the historical center of the city, facing the Este Castle.   SHORT HISTORY Starting with the 15th century, the site of the current palace was occupied by the Pavilion Gardens (Giardini del Padiglione) built by the Duke Ercole I d’Este, in place of previous vegetable gardens and small peasant houses. The palace was built between 1756 and 1761 at the behest of the cardinal legate Giovanni Francesco Banchieri, who entrusted its design to the architect Angelo Santini. In 1761, it became the seat of Monte di Pietà (Mount of Piety). In 1796, with the arrival of the troops of Napoleon Bonaparte, the institution was suppressed and all the precious goods preserved inside, such as jewels, precious stones, gold and silver, were requisitioned. In 1807, when the French troops left, its management was entrusted again to Monte di Pietà. In 1930, the institute was absorbed by Cassa di Risparmio di Ferrara, already owner of the palace and partially operating on the ground floor of the building. Later, the structure became the seat of the Stock Exchange. During the Second World War, the palace was damaged and the Read more [...]

Piazza del Municipio is one of the main squares of Ferrara, delimited by the wings of the Municipal Palace (Palazzo Municipale), located in the historical center of the city.   SHORT HISTORY The current square housed once the Ducal Courtyard of the Municipal Palace, which was the first residence of the Este family. Subsequently, after the ducal family moved to the Este Castle, the palace was remodeled several times, until its current form. The square is famous for the imposing white marble staircase, built in 1481 to a design by Pietro Benvenuto degli Ordini, characterized by a vaulted roof with a central dome and arches in Renaissance style, with a marble balustrade decorated by medieval Gothic elements. Piazza del Municipio is often chosen as the venue for events such as the flag-wavers’ trials during the days preceding the Palio of Ferrara, and the farmer’s market with typical fresh products from the province of Ferrara.   ARCHITECTURE Piazza del Municipio can be accessed from Piazza Trento e Trieste through the main entrance of the Municipal Palace, called Volto del Cavallo (Vault of the Horse), consisting of a portico adorned on one side by the bronze statue of Borso d’Este, and on Read more [...]

Palazzo Municipale (Municipal Palace) is a palace in Ferrara, located in Piazza del Municipio, adjacent to Piazza Trento e Trieste, in the historical center of the city. The palace was the residence of the Este family until the 16th century, when the court moved to the nearby Castello Estense. Today, Palazzo Municipale is the seat of the Municipality of Ferrara.   SHORT HISTORY The original nucleus of the palace was begun in 1245 along Via Cortevecchia, and was completed between 1472 and 1481. On June 2, 1451, the equestrian statue of Marquis Niccolò III d’Este was placed on the right side of the entrance to the palace, on a support inspired by the Roman triumphal arches. The construction of the monument was entrusted to the Florentine sculptors Antonio di Cristoforo, Nicolò Baroncelli, and Meo di Checco. The statue of Borso d’Este, also finished in 1453 by Baroncelli, was placed on the left side of the entrance. The palace changed significantly over the centuries. Between 1924 and 1928, the facade overlooking Piazza Trento e Trieste was rebuilt by Carlo Savonuzzi in a Neo-Gothic style, while the remaining part along the current Corso Martiri della Libertà had already been remodeled in 1738. Read more [...]

Piazza Ariostea, formerly known as Piazza Nuova and, for a brief period, Piazza Napoleone, is one of the main squares of Ferrara, located in the northern part of the historical center of the city. On the last Sunday of May, the square hosts the Palio of Ferrara, established in 1279, resumed in the 1930s, and regularly held after the end of the Second World War. Palio di Ferrara is considered among the oldest in the world.   SHORT HISTORY Until 1496, the area was occupied by a farm owned by a certain Bartolomeo Zermio. Then, the land was purchased by Ercole I d’Este, the second duke of Ferrara, and transformed into a square, called Piazza Nuova. In the early 16th century, Duke Ercole I commissioned Ercole Grandi to design two columns for his own equestrian monument. On the way to Ferrara, one of the columns was lost in the Po River. The other one, which reached the town, was not immediately raised. The column was placed in the square only in 1675 to house the statue of Pope Alexander VII. In 1796, the French replaced the papal statue with a plaster statue depicting Liberty, which was demolished in 1799. In Read more [...]

The Basilica of San Domenico, also known as Basilica Cateriniana, is a Gothic church in Siena, located in Piazza San Domenico. The church contains the head-relic of Saint Catherine of Siena, placed in a splendid Renaissance chapel.   SHORT HISTORY The Dominicans arrived in Siena in 1220, a year before the death of their founder, Dominic de Guzmán. In 1225, they received a piece of land on the Camporegio Hill, and built a church there between 1226 and 1265. In the 14th century, the complex was enlarged in Gothic style, and took its current appearance. During the 17th and 18th centuries, the church underwent numerous alterations in Baroque style, such as the reconstruction of the side altars. After the earthquake of 1798, the bell tower, already in ruins, was truncated to its present level, and equipped with the current crenellated crowning. The last intervention dates back to 1941, when the Baroque decorations were removed, the ancient Gothic forms were partially restored, and the stained glass windows with the Stories of Saint Catherine by Bruno Cassinari were added.   ARCHITECTURE The basilica has a simple but massive appearance, typical of the mendicant orders. Suggestive is the view of the rear side Read more [...]

Via delle Volte (Street of the Vaults) is an ancient street in Ferrara, located between Corso Porta Reno, to the north, and Via Giuoco del Pallone, to the south, in the medieval center of the city.   SHORT HISTORY Via delle Volte is characterized by arches built during the 13th and the 14th centuries. Its almost rectilinear layout, though, dates back to the oldest urban development of the city, before the deviation of the Po River in 1152. During the 13th century, the street was known as Via dei Bastardini (Street of Bastards), because it housed the Pious Institute of illegitimate or abandoned children (Pio Istituto dei figli illegittimi o abbandonati), which later became the Umberto I Institute. Later, during the 15th century, the street was called Via del Gambero, and was famous for an old filthy tavern, called Bordello del Gambero (Brothel of the Shrimp), assiduously frequented by prostitutes. In the 19th century, it was also known as Via delle Prostitute (Street of Prostitutes), due to the large number of brothels in the area, and some popular sayings still refer to this name. During the 20th century, the street was also called Via Bersaglieri del Po, in honor of Read more [...]

Basilica of San Lorenzo Maggiore is one of the oldest churches in Milan, and together with the Columns of San Lorenzo, located a few meters away, is considered an important Roman monumental complex. The church is dedicated to Saint Lawrence, one of the seven deacons of Rome, who was martyred in 258 during the persecution of the Christians by the Roman Emperor Valerian.   SHORT HISTORY The church dates back to a period between the end of the 3rd century and the beginning of the 5th century, and was built on the remains of a temple dedicated to Hercules by the Emperor Maximian. The church was damaged by fire in 1071 and 1072, its dome collapsed in 1103, and it was destroyed again by fire in 1124. The church was then rebuilt in Romanesque style, maintaining the original internal layout. During the Middle Ages, the basilica remained a symbol of the Roman heritage of Milan, and a privileged burial place for the city’s bishops. In 1573, the dome of the church collapsed once again during a liturgical celebration. Given the importance of the building, Cardinal Carlo Borromeo comissioned the architect Martino Bassi to rebuilt the dome according to the tastes Read more [...]

Piazza del Duomo is the main square of Milan, and the true commercial center of the city for the last seven centuries. The square is the meeting point of the Milanese to celebrate important events and, together with the adjacent Cathedral of Milan, a desired destination for tourists from all over the world.   SHORT HISTORY The birth of the square can be traced back to Azzone Visconti, Lord of Milan from 1329, who, in order to create a useful space for mercantile activities, created the Arengo Square between the Churches of Santa Maria Maggiore and Santa Tecla. Gian Galeazzo Visconti, the first Duke of Milan, further enlarged the square, ordering the demolition of the bishop’s house in 1385, and the Baptistery of San Giovanni alle Fonti in 1387. In 1458, with the blessing of Pope Pius II, Francesco Sforza, the fourth Duke of Milan, obtained permission to demolish the Basilica of Santa Tecla to create a large square worthy of the Duomo, which, at that time, was under construction. In 1548, the architect Vincenzo Seregni created a new project for the Piazza del Duomo, but due to lack of funds, the only work that was carried out was the Read more [...]

Arco della Pace is a triumphal arch in Milan, a Neoclassical monument located in Piazza Sempione, separated from Castello Sforzesco by the Sempione Park. The arch, inaugurated on September 10, 1838, during a ceremony attended by the newly crowned emperor Ferdinand I of Austria, is dedicated to the peace established between the European nations at the Vienna Congress of 1815.   SHORT HISTORY The first arch was built in January 1806, on a design by Luigi Cagnola, to celebrate the arrival in Milan of the newlyweds Eugène de Beauharnais, Viceroy of Italy, and Princess Augusta of Bavaria. The arch was raised on Corso di Porta Orientale, now Corso Venezia, and was built from canvas, plastic and timber. Given the success of the arch among foreign visitors, the council of Milan, the Municipality of the time, decreed on 8 February that a new marble arch will be erected in a more appropriate place. The new work, designed also by Cagnola to celebrate the French victory in the Battle of Jena, was built starting with the autumn of 1807. The works were directed by Cagnola himself and supervised by Domenico Moglia, Nicola Pirovano, Francesco Peverelli and Bai Gio Battista, under the pressure Read more [...]

The Church of Santa Maria delle Grazie is a church in Milan, located in the square of the same name. The church, a UNESCO World Heritage Site, is famous for housing Leonardo da Vinci’s Last Supper, which is located in the refectory of the convent.   SHORT HISTORY In 1460, the Congregation of Dominicans in Milan received a piece of land from Count Gaspare Vimercati. On this land, there was a small chapel dedicated to Santa Maria delle Grazie (Holy Mary of Grace), where the Dominicans decided to built a new church. On September 10, 1463, the first stone was laid, and the work began under the supervision of the architect Guiniforte Solari. Thanks to the patronage of the Vimercati, the convent was completed in 1469. Simultaneously with the construction of the convent, the building of the church began. The project was for a basilica with 3 naves, with ogival vaults and a gabled facade. Terracotta was used for the walls, while granite was used for the columns and capitals. In 1492, the new Duke of Milan, Ludovico Sforza, also known as il Moro (the Moor), decided to rebuilt the cloister and the apse of the church. The apse is Read more [...]

The Church of San Carlo al Corso is a Neoclassical church in Milan, located in the homonymous square, along Corso Vittorio Emanuele.   SHORT HISTORY The Church of San Carlo al Corso was built to replace the medieval Church of Santa Maria dei Servi, the Milanese seat of the Order of Servants of Mary since 1290. The new church was built as a sign of gratitude for the end of a cholera epidemic, and dedicated to San Carlo Borromeo, the great Milanese bishop. The project of the church belonged to the architect Carlo Amati from Monza, also the author of the final design of the facade of the Duomo. However, the construction site was led between 1838 and 1847 by the architect Filippo Pizzagalli. Today, the Church of San Carlo al Corso is still officiated by the Servites.   ARCHITECTURE The Church of San Carlo al Corso is a fine example of the Neoclassical style, inspired by the Roman Pantheon, with significant similarities to the Basilica of San Francesco di Paola in Naples. The structure has a circular plan, preceded by a porticoed square and introduced by a pronaos on 36 large monolithic Corinthian columns, placed on a wide staircase. Read more [...]

Pinacoteca di Brera is a national art gallery in Milan, located in Palazzo Brera, on the homonymous street. Palazzo Brera also houses the National Braidense Library (Biblioteca Nazionale Braidense), the Brera Observatory, the Botanical Garden, the Lombard Institute of Sciences and Letters (Istituto Lombardo di Scienze e Lettere) and the Academy of Fine Arts (Accademia di Belle Arti). The museum, specialized in Venetian and Lombard art, exhibits some of the most famous Italian paintings, and offers an itinerary that ranges from prehistory to contemporary art, with masterpieces by artists of the 20th century.   SHORT HISTORY The Brera Academy of Fine Arts was founded in 1776 by decree of the Empress Maria Theresa of Austria, at the request of Count Carlo Giuseppe di Firmian. Andrea Appiani was appointed Commissioner for Fine Arts in 1805, and works of art from the churches suppressed by Napoleon began to be brought to Brera. In 1806, Giuseppe Bossi inaugurated the first museum of the Academy. In 1808, the Napoleonic Halls were created, to house the galleries of the Kingdom of Italy. On August 15, 1809, on Napoleon’s birthday, the halls were inaugurated, dominated by the great Monument to Napoleon I by Antonio Canova. The Read more [...]

The Church of San Francesco d’Assisi all’Immacolata is a beautiful church in Noto, located about 180 meters from the Cathedral of San Nicolò and the Ducezio Palace. Along with the adjacent Convent of the Friars Minor Capuchin, the Church of Saint Francis of Assisi to the Immaculate is considered one of the most important religious buildings in Noto.   SHORT HISTORY The church was built between 1704 and 1745, after a design by the architects Vincenzo Sinatra and Rosario Gagliardi.   ART AND ARCHITECTURE The harmonious facade of the church, with two orders, stands at the end of an imposing staircase with three ramps. The magnificent portal of the church is flanked by two Baroque columns, with two niches on each side and a smaller one above. On the second order, we can find a beautiful stained glass window. The interior, with a single nave, is rich in paintings and funerary monuments dedicated to members of noble families of Noto. As you enter the church, you can see on your left, inside the vault of the Blessed Inocents (Santi Innocenti), a painting entitled the Massacre of the Innocents, made by Antonino Vizzini in 1706. The vault of B. Andrea Conti Read more [...]

The Church of Santissimo Crocifisso is a church located on the northern part of Noto, in Piazza Mazzini. The Church of the Holy Cross is the largest religious building in the city, after the Cathedral of San Nicolò.   SHORT HISTORY The church was built in 1715 by the architect Rosario Gagliardi, after a church with the same dedication from the ancient city of Noto (Noto Antica), located on Mount Alveria, was destroyed by the earthquake of 1693.   ART AND ARCHITECTURE The facade, with two incomplete orders, opens onto the large Mazzini Square, preceded by a wide staircase. On each side of the central portal, finely carved in limestone, two Roman lions were placed until 1984, when were transferred inside the church to preserve them from the atmospheric agents. The church has a Latin cross plan with three naves, surmounted by an imposing dome. The interior is very bright due to the large windows of the central nave. The wooden reliquary cross located in the apse was carved in 1746 by Vincenzo Rotondo, after a design by Gagliardi. On each side of the cross are two oval-shaped canvases depicting the Madonna Addolorata (Our Lady of Sorrows) and San Giovanni. Read more [...]

The Church of Sant’Agostino is a beautiful church in Bergamo, located near the eastern walls of Città Alta and the homonymous gate of the city. Since 2015, the church houses the Aula Magna of the University of Bergamo.   SHORT HISTORY The Church of Sant’Agostino was built starting with 1290, on the site of a pre-existing church dedicated to Saints Philip and James. The new church was dedicated to Saints Philip, James and Augustine, and was consecrated on February 11, 1347, by the bishop Bernardo Bernardi. In the early 15th century, the church and the adjacent monastery were in a serious state of decay, and the complex was completely abandoned in 1441. Around the middle of the 15th century, the friar Giovanni da Novara obtained permission to sell some properties of the church, and used the money thus obtained to repair some of the buildings of the monastic complex. During the 15th century, seven chapels were built on each side of the church, for important families of Bergamo, who, in turn, donated the funds needed to repair the buildings. Jacopo Filippo Foresti was the friar responsible for the reconstruction of the church, with the contributions obtained from the families. The Read more [...]

The Church of Saints Bartholomew and Stephen is a beautiful church in Bergamo, located in the modern part of the city, known as Città Bassa, along the famous Sentierone, one of the most important avenues of the town.   SHORT HISTORY A former church dedicated to Saint Stephen was demolished on November 11, 1561, for the construction of the Venetian walls which surrounds the Città Alta. From the numerous friars who lived in the convent, only eight remained as guests in the Church of San Bernardino. On August 14, 1572, the friars moved to the small Church of San Bartolomeo, given to them by the Pope Pius V. The Church of Saint Bartholomew was rebuilt in the first half of the 17th century, more precisely between 1603 and 1642, on a project by the architect Anton Maria Caneva of Como. The church was consecrated on January 19, 1782, by the bishop of Bergamo, Giovanni Paolo Dolfin.   ART AND ARCHITECTURE The church has a simple structure, but at the same time elegant and grandiose, measuring 60 meters in lenght and 14 meters in width, without the chapels. The facade, completed at the end of the 19th century by the architect Read more [...]

Palazzo Nuovo is a beautiful palace in Bergamo, located in the upper part of the city, Città Alta, on the northern side of the Piazza Vecchia, across the square from the Palazzo della Ragione. The palace currently houses the Angelo Mai Civic Library, one of the most important historic preservation institutions in Italy, with over 677,000 volumes, 2,200 incunabula and 16,800 manuscripts.   SHORT HISTORY Palazzo Nuovo, as it was called in contrast to the Palazzo Vecchio (Palazzo della Ragione), was built by the architect Vincenzo Scamozzi to house the city’s town hall. The construction of the palace began in the early 17th century, and was definitively completed only in 1958 with the placing of six statues, works of the sculptor Tobia Vescovi, on the facade overlooking the Piazza Vecchia. The access loggia, which lightens the facade, was designed by the architect Andrea Ceresola, who was also responsible for the reconstruction of the Palazzo Ducale in Genoa. The white marble facade was built in 1928 by the architect Ernesto Pirovano, who took into account the initial project of Scamozzi. The Angelo Mai Civic Library, which was initially housed in the Palazzo della Ragione, was transferred in 1928 to the Palazzo Read more [...]

Porta San Giacomo (Saint James Gate) is one of the four Venetian gates of the Città Alta, the ancient part of Bergamo. The gate represents the southern entrance to the old city, and due to its elevated position, it can be seen from afar.   SHORT HISTORY The construction of the Venetian walls (Mura Venete) surrounding the Città Alta began in 1561, as part of a defensive system meant to protect the western territories of the Venetian Republic from Milan, which, after the peace treaty signed in 1559 at Cateau-Cambrésis, became a Spanish province. The Venetian walls have four gates: Porta San Lorenzo, Porta Sant’Agostino, Porta Sant’Alessandro and Porta San Giacomo. The gates were named, except for the Porta Sant’Agostino, after neighbouring churches. Porta San Giacomo was built in 1593, replacing a wooden structure dating back to the middle of the 16th century. The gate was completed with a fresco depicting the winged lion of Saint Mark by Gian Paolo Cavagna. The masonry bridge leading to the gate was built in 1780, and renovated at the end of the 19th century, to enlarge the access area to Palazzo Medolago Alabani, located nearby. The two small arches of the gate were Read more [...]

Torre dei Caduti di Bergamo (Tower of the Fallen of Bergamo) is a tower in Bergamo, located in Piazza Vittorio Veneto, in the modern part of the city, Città Bassa.   SHORT HISTORY After the Napoleonic occupation, the lower part of the city acquired a growing economic importance, primarily for the greater availability of building spaces. The choice of the area in which the tower was built was part of a larger urban reorganization project of the lower part of Bergamo, which became in the last centuries the true political and administrative center of the city. The tower, 45 meters high, was designed by the architect Marcello Piacentini. It was built starting from 1922, in an area known as Prato di Sant’Alessandro, which at the time hosted the annual Sant’Alessandro Fair, one of the most important and oldest in Lombardy, dating back to the 9th century. The tower is one of the most emblematic monuments of Città Bassa, built in the wake of the patriotic rhetoric following the First World War, not only in memory and honor of the fallen of Bergamo, but to enhance and consolidate unitary nationalism, as explicitly stated in the inauguration speech of Benito Mussolini on Read more [...]

Palazzo Medolago Albani is a beautiful palace located in the ancient part of Bergamo, Città Alta, on Viale delle Mura, near Porta San Giacomo.   SHORT HISTORY The palace, a beautiful example of Neoclassical architecture, was built by the architect Simone Cantoni in 1770. In 1841, the palace was bought by Count Giacomo Medolago Albani, an ancestor of the current owners. Over time, the palace underwent many transformations, becoming one of the most important buildings of the city and home to one of the most notable historical and cultural events of the time. The visits of Emperor Franz Joseph I of Austria with his wife Elizabeth of Bavaria and the King of Italy Vittorio Emanuele II are evidenced by the commemorative stone slabs placed at the entrance to the building.   ART AND ARCHITECTURE The palace is an admirable example of an aristocratic building of the late 18th century. The facade, on two floors, with 8 semi-columns, is surmounted by a fake balcony with a decoration in the middle and four statues depicting the Architecture, Sculpture, Painting and Poetry, works of the sculptor Antonio Gelpi. Between the two floors, we can find five medallions of Carrara marble depicting scenes inspired Read more [...]

The Baptistery of Bergamo is a structure intended for the baptismal rite, located in Piazza del Duomo, in front of the Cathedral of Sant’Alessandro, in the ancient part of Bergamo, Città Alta.   SHORT HISTORY In 1340, the sculptor Giovanni da Campione was commissioned to build a baptistery inside the Basilica of Santa Maria Maggiore. In 1449, the Basilica of Santa Maria Maggiore was entrusted to the Congregation of the Greater Mercy (Congregazione della Misericordia Maggiore), removing it from the jurisdiction of the bishop, and the baptistery became inaccessible. In 1660, the baptistery was dismantled and moved to the nearby courtyard of the rectory. The baptismal font was placed on the counter-facade of the basilica, where it remained until 1691, when it was moved to the second chapel on the left dedicated to Saint John. Only in 1897, the final arrangement of the baptistery was decided, with an architectural reinterpretation by Virginio Muzio, and in 1900 the structure was completed and placed in Piazza del Duomo, in front of the Cathedral of Bergamo.   ART AND ARCHITECTURE The baptistery, enclosed by a 19th-century gate, has an octagonal plan. Above the 17th-century dark marble base, there are the 14th-century columns in Read more [...]

Palazzo Roncalli is a palace in Bergamo, located in Piazza Lorenzo Mascheroni, in the upper part of the city, known as Città Alta.   SHORT HISTORY The Roncalli family settled in Bergamo in the 14th century, in a building near the Church of Sant’Andrea. The palace was built starting with 1520 adjacent to the Visconti walls erected by the Milanese in 1300 to surround the citadel. The project was entrusted to Andrea di Giacomo Ziliolo, while Pietro Isabello and Francesco Cleri took care of the construction. The palace underwent various modifications over time. In the 18th century, it was bought by the Sonzogno family, who modified it on a project by Ferdinando Caccia and Giovanni Francesco Lucchini. In the apartment located on the noble floor of Palazzo Roncalli, during the night of March 13, 1797, was signed the agreement for the withdrawal of Venice from Bergamo. The palace was renovated in the 20th century by Sandro Angelini.   ARCHITECTURE The palace has an irregular polygonal plan, with three floors plus a mezzanine, with a multi-pitched roof, and an internal courtyard. The facade overlooking Via Mascheroni is symmetrical. On the ground floor, there are six openings, two round and four rectangular. Read more [...]

Fontana Contarini is a fountain in Bergamo, located in Piazza Vecchia, in the ancient part of the city, Città Alta.   SHORT HISTORY The fountain owes its name to Alvise Contarini, podesta (chief magistrate) of Bergamo on behalf of the Republic of Venice, who gave it to the city in 1780, when he left his post. The intent of the magistrate was both to embellish the central Piazza Vecchia, and to provide the inhabitants with a precious water source. During 1858, the fountain was subjected to an almost complete renovation, which partially modified its appearance. In the middle of the Risorgimento (Resurgence) period, precisely in 1885, the fountain was dismantled to make room for the monument of Giuseppe Garibaldi. A few decades later, at the beginning of the 20th century, it was reassembled in its original position, while the monument of the Italian hero was placed in the lower town, Città Bassa. At the beginning of the 21st century, a privately funded intervention allowed the restoration of the structure, damaged by pollution and atmospheric agents, bringing it back to its initial splendor.   ART AND ARCHITECTURE The fountain is built in Zandobbio marble, and has a main basin with an Read more [...]

Piazza Vecchia (Old Square) is a beautiful square in Bergamo, located on the upper part of the city, known as Città Alta. For many centuries, the square was the fulcrum of the political and civil power of Bergamo, and today is a favorite meeting place for locals.   SHORT HISTORY Piazza Vecchia was built on the site of the ancient Roman forum of the city. Beginning with the 11th century, numerous dwellings were built on the square. In the 13th century, the reclamation of the area began, and the dwellings were demolished. The square became the city center only in the Middle Ages, more precisely in the 12th century, with the construction of Palazzo della Ragione, the seat of the Municipality. The buildings surrounding the square were built starting with the 15th century.   ARCHITECTURE To the north of the square, we can find Palazzo Nuovo, which houses the Angelo Mai Library. The palace was built to a design by the architect Vincenzo Scamozzi starting with the early 17th century and was completed only in 1958, with the placing of the last ornamental works on the facade. In the western part of the square, there is Palazzo del Podestà, built Read more [...]

Palazzo della Libertà is a palace in Bergamo, located in the homonymous square, in the modern part of the city, Città Bassa.   SHORT HISTORY Palazzo della Libertà was built between 1937 and 1940 on a project by Alziro Bergonzo, to become the local headquarters of the National Fascist Party. The palace was named Casa Littoria and dedicated to Antonio Locatelli, airplane pilot in the First World War. The palace was inaugurated on October 28, 1939, the anniversary of the March on Rome of 1922, when Benito Mussolini came to power. The basement of Casa Littoria was used as a prison during the Republic of Salò, that existed between September 1943 and May 1945. After April 25, 1945, the palace housed the headquarters of the National Liberation Committee. The property passed to the State, and various public offices were housed there. Today, it houses the Prefecture, the offices of the Court, the State Forestry Corps and various offices of the Municipality.   ART AND ARCHITECTURE Palazzo della Libertà has a parallelepiped shape, entirely covered with Zandobbio marble. The main facade, overlooking the square, consists of an imposing portico of twelve giant pillars, holding an architrave bearing the dedication to Antonio Read more [...]