The Church of the Maestà delle Volte was a church in Perugia, from which today only the facade has remained. The church is now a clothing store on via Maestà delle Volte, but it still retains its architecture and some of the original frescoes. SHORT HISTORY In 1297, on the street that passes under the Palazzo del Podesta, was placed a fresco known as Maestà delle Volte, which most likely portrayed Madonna with the Child. An oratory was built in 1335 to house the fresco, that was replaced by a larger church, between 1440 and 1470. Probably, Agostino di Duccio decorated the church in 1475. The church was damaged in 1534, when Ridolfo Baglioni conquered Perugia and set fire to the adjacent palace. Restorations took place in 1538 and between 1557 and 1558. In 1566, when the church became part of the Episcopal Seminary, Bishop Fulvio della Corgna initiated further renovations. The church was a meeting place for the Compagnia della Morte until the end of the 16th century, after which it moved to its own church, Church of Compagnia della Buona Morte. At the end of the 16th century, the facade of the church was built after a Read more [...]
Italy has many churches, and all of them are beautiful and full of spectacular works of art. The main church of the city is referred as Il Duomo, but you will find churches that are named Basilica, Chiesa or Cattedrale, depending on their size and importance.
From the Italy’s most famous church, Cathedral of Santa Maria del Fiore, in Florence, to the Duomo di Milano, and further, to Basilica San Marco, in Venice, Duomo di Siena or Campo dei Miracoli, in Pisa, and up to Saint Peter’s Basilica, the Cathedral of Rome, the route of the most beautiful churches in Italy is assured, and if you are passionate about art and beauty, in general, you should follow it.
Basilica of San Domenico, one of the most important churches in Perugia, overlooks a small square, Piazza Giordano Bruno, and can be seen from all over the city, thanks to the 126 meters high tower. SHORT HISTORY The Dominicans arrived in Perugia around 1230 and, between 1231 and 1260, they built a primitive church where the Basilica of San Domenico stands today. In the years to come, the Dominican order will become important and, in 1304, the construction of a new, larger church will begin. The church will be consecrated by Pope Pio II Piccolomini in 1459. At the start of the 17th century, the nave collapsed and the church was entirely rebuilt following Carlo Maderno’s design, between 1629 and 1632. ARCHITECTURE The church has an impressive facade, which opens at the top to a stairway with a double ramp. Inside, it has the layout of a Latin cross and is characterised by simplicity. The austerity of the nave contrasts the Gothic style of the glass windows, dated from 1411 and signed by Bartolomeo di Pietro and by Mariotto di Nardo. The top window, 23 meters high, is the largest of the era after the Duomo of Milan. Read more [...]
The Cathedral of San Lorenzo, dedicated to Saint Lawrence, deacon in the service of Pope Sixtus II, martyred in Rome in the year 258, is part of an architectural complex that, taken as a whole, is called the island of San Lorenzo or the castle of San Lorenzo. SHORT HISTORY A church was initially built in the 9th century on the ancient forum of the Etruscan city. It was then rebuilt between the 11th and the 12th century, to house the remains of the bishop Ercolano, martyred at the time of the Ostrogoths invasion, in the 6th century. In 1300, the church was expanded, under the supervision of the benedictine monk Bevignate. A considerable time has passed between the planning and the completion of the work, two centuries later, in 1507. In the second half of the nineteenth century, by the will of Cardinal Gioacchino Pecci, then bishop of Perugia and future pontiff, the cathedral received a neo-gothic appearance – the structure preserved to this day. ARCHITECTURE The Cathedral, with its southern façade, serves as a background to Piazza Maggiore, today Piazza IV Novembre, which gathers in a single space, at the same time functional and symbolic, the Read more [...]