All Churches in Lombardy

The Cathedral of Sant’Ambrogio, dedicated to Saint Ambrose, is the Cathedral of Vigevano, located in the wonderful Piazza Ducale. Due to its beauty, the concave facade of the Cathedral of Vigevano is considered one of the most refined examples of Baroque architecture not only in Lombardy, but throughout Italy.   SHORT HISTORY OF THE CATHEDRAL OF SANT’AMBROGIO According to a document of 963, a primitive church dedicated to Sant’Ambrogio already existed in Vigevano at that time. The ancient church was rebuilt in the second half of the 14th century. The diocese of Vigevano was created by Pope Clement VII on March 16, 1530, at the request of Francesco II Sforza, Duke of Milan. In 1532, the construction of the new cathedral began at the behest of the same Francesco II Sforza, based on a project by the architect Antonio da Lonate. Of the previous church, the apse and some fragments of the decorative arches in Gothic-Lombard style were preserved. After Francesco II Sforza died in 1535, the works continued to be financed by the faithful, the Municipality and by various bishops of the city. The construction reached the roof level in 1553. Under the guidance of bishop Giorgio Odescalchi, the Read more [...]

The Church of San Pietro Martire is a church in Vigevano, located near the southern wall of Castello Sforzesco, in the historical center of the town. The church is also dedicated to San Cristoforo (Saint Christopher).   SHORT HISTORY OF THE CHURCH OF SAN PIETRO MARTIRE At the beginning of the 13th century, on the site of the current Church of San Pietro Martire, there was a small chapel dedicated to San Domenico (Saint Dominic). Later, the chapel was replaced by a larger structure, completed around 1363. The current church, dedicated to Saint Peter the Martyr, was built starting with 1445 and consecrated in 1480. The annexed convent of the Dominican friars and the bell tower, with its imposing octagonal structure leaning against the right side of the apse, date back to the same period. In 1840, the interior of the church was modified in Neo-Gothic style.   ARCHITECTURE OF THE CHURCH OF SAN PIETRO MARTIRE The facade of the church, in pure Lombard Gothic style, is divided into three parts corresponding to the naves, and surmounted in the central part by three pinnacles. The central part of the facade is divided by four buttresses and has a sloping roof Read more [...]

Basilica of San Lorenzo Maggiore is one of the oldest churches in Milan, and together with the Columns of San Lorenzo, located a few meters away, is considered an important Roman monumental complex. The church is dedicated to Saint Lawrence, one of the seven deacons of Rome, who was martyred in 258 during the persecution of the Christians by the Roman Emperor Valerian.   SHORT HISTORY The church dates back to a period between the end of the 3rd century and the beginning of the 5th century, and was built on the remains of a temple dedicated to Hercules by the Emperor Maximian. The church was damaged by fire in 1071 and 1072, its dome collapsed in 1103, and it was destroyed again by fire in 1124. The church was then rebuilt in Romanesque style, maintaining the original internal layout. During the Middle Ages, the basilica remained a symbol of the Roman heritage of Milan, and a privileged burial place for the city’s bishops. In 1573, the dome of the church collapsed once again during a liturgical celebration. Given the importance of the building, Cardinal Carlo Borromeo comissioned the architect Martino Bassi to rebuilt the dome according to the tastes Read more [...]

The Church of Santa Maria delle Grazie is a church in Milan, located in the square of the same name. The church, a UNESCO World Heritage Site, is famous for housing Leonardo da Vinci’s Last Supper, which is located in the refectory of the convent.   SHORT HISTORY In 1460, the Congregation of Dominicans in Milan received a piece of land from Count Gaspare Vimercati. On this land, there was a small chapel dedicated to Santa Maria delle Grazie (Holy Mary of Grace), where the Dominicans decided to built a new church. On September 10, 1463, the first stone was laid, and the work began under the supervision of the architect Guiniforte Solari. Thanks to the patronage of the Vimercati, the convent was completed in 1469. Simultaneously with the construction of the convent, the building of the church began. The project was for a basilica with 3 naves, with ogival vaults and a gabled facade. Terracotta was used for the walls, while granite was used for the columns and capitals. In 1492, the new Duke of Milan, Ludovico Sforza, also known as il Moro (the Moor), decided to rebuilt the cloister and the apse of the church. The apse is Read more [...]

The Church of San Carlo al Corso is a Neoclassical church in Milan, located in the homonymous square, along Corso Vittorio Emanuele.   SHORT HISTORY The Church of San Carlo al Corso was built to replace the medieval Church of Santa Maria dei Servi, the Milanese seat of the Order of Servants of Mary since 1290. The new church was built as a sign of gratitude for the end of a cholera epidemic, and dedicated to San Carlo Borromeo, the great Milanese bishop. The project of the church belonged to the architect Carlo Amati from Monza, also the author of the final design of the facade of the Duomo. However, the construction site was led between 1838 and 1847 by the architect Filippo Pizzagalli. Today, the Church of San Carlo al Corso is still officiated by the Servites.   ARCHITECTURE The Church of San Carlo al Corso is a fine example of the Neoclassical style, inspired by the Roman Pantheon, with significant similarities to the Basilica of San Francesco di Paola in Naples. The structure has a circular plan, preceded by a porticoed square and introduced by a pronaos on 36 large monolithic Corinthian columns, placed on a wide staircase. Read more [...]

The Church of Sant’Agostino is a beautiful church in Bergamo, located near the eastern walls of Città Alta and the homonymous gate of the city. Since 2015, the church houses the Aula Magna of the University of Bergamo.   SHORT HISTORY The Church of Sant’Agostino was built starting with 1290, on the site of a pre-existing church dedicated to Saints Philip and James. The new church was dedicated to Saints Philip, James and Augustine, and was consecrated on February 11, 1347, by the bishop Bernardo Bernardi. In the early 15th century, the church and the adjacent monastery were in a serious state of decay, and the complex was completely abandoned in 1441. Around the middle of the 15th century, the friar Giovanni da Novara obtained permission to sell some properties of the church, and used the money thus obtained to repair some of the buildings of the monastic complex. During the 15th century, seven chapels were built on each side of the church, for important families of Bergamo, who, in turn, donated the funds needed to repair the buildings. Jacopo Filippo Foresti was the friar responsible for the reconstruction of the church, with the contributions obtained from the families. The Read more [...]

The Church of Saints Bartholomew and Stephen is a beautiful church in Bergamo, located in the modern part of the city, known as Città Bassa, along the famous Sentierone, one of the most important avenues of the town.   SHORT HISTORY A former church dedicated to Saint Stephen was demolished on November 11, 1561, for the construction of the Venetian walls which surrounds the Città Alta. From the numerous friars who lived in the convent, only eight remained as guests in the Church of San Bernardino. On August 14, 1572, the friars moved to the small Church of San Bartolomeo, given to them by the Pope Pius V. The Church of Saint Bartholomew was rebuilt in the first half of the 17th century, more precisely between 1603 and 1642, on a project by the architect Anton Maria Caneva of Como. The church was consecrated on January 19, 1782, by the bishop of Bergamo, Giovanni Paolo Dolfin.   ART AND ARCHITECTURE The church has a simple structure, but at the same time elegant and grandiose, measuring 60 meters in lenght and 14 meters in width, without the chapels. The facade, completed at the end of the 19th century by the architect Read more [...]

The Baptistery of Bergamo is a structure intended for the baptismal rite, located in Piazza del Duomo, in front of the Cathedral of Sant’Alessandro, in the ancient part of Bergamo, Città Alta.   SHORT HISTORY In 1340, the sculptor Giovanni da Campione was commissioned to build a baptistery inside the Basilica of Santa Maria Maggiore. In 1449, the Basilica of Santa Maria Maggiore was entrusted to the Congregation of the Greater Mercy (Congregazione della Misericordia Maggiore), removing it from the jurisdiction of the bishop, and the baptistery became inaccessible. In 1660, the baptistery was dismantled and moved to the nearby courtyard of the rectory. The baptismal font was placed on the counter-facade of the basilica, where it remained until 1691, when it was moved to the second chapel on the left dedicated to Saint John. Only in 1897, the final arrangement of the baptistery was decided, with an architectural reinterpretation by Virginio Muzio, and in 1900 the structure was completed and placed in Piazza del Duomo, in front of the Cathedral of Bergamo.   ART AND ARCHITECTURE The baptistery, enclosed by a 19th-century gate, has an octagonal plan. Above the 17th-century dark marble base, there are the 14th-century columns in Read more [...]

The Church of San Fedele is a church located in the heart of Milan, between Palazzo Marino and the Vittorio Emanuele II Gallery. The church was built in the 16th century by the will of the archbishop Carlo Borromeo, to house the Society of Jesus, and is dedicated to Saint Fidelis of Como.   SHORT HISTORY An ancient church located on this site and dedicated to Saint Fidelis of Como is mentioned in a bull of Pope Eugene III of 1147. In 1567, the structure was entrusted to the Jesuits, shortly after their arrival in Milan. The Jesuits started some restoration and enlargement works. In 1569, the archbishop Carlo Borromeo entrusted the construction of a new church to the architect Pellegrino Tibaldi, who completed the building in 1579. The consecration of the church took place in the same year. After the suppression of the Jesuit Order in 1773, the church was entrusted to the priests from the nearby Church of Santa Maria alla Scala. After the demolition of Santa Maria alla Scala in 1776 to make room for Teatro alla Scala, the Church of San Fedele took the title of Santa Maria alla Scala in San Fedele, and was enriched Read more [...]

The Cathedral of San Pietro Apostolo (Duomo di Mantova) is the Cathedral of Mantua, dedicated to Saint Peter, located in Piazza Sordello, between Palazzo Bianchi and Palazzo Ducale.   SHORT HISTORY A first church of early Christian origin was erected on this site in the 5th century, and destroyed by a fire in 894. The church was rebuilt in Romanesque style in the 11th century, probably by Matilda di Canossa, and became the Cathedral of Mantua. The bell tower belongs to this era. The current church was rebuilt and enlarged between 1395 and 1401, at the behest of Francesco I Gonzaga. The splendid long lost marble facade of the church, equipped with a porch, rose windows and pinnacles, designed by Jacobello and Pierpaolo dalle Masegne, can be found in a painting by Domenico Morone preserved in the Ducal Palace. During these years, the Cathedral was flanked by two rows of Gothic chapels, decorated with marble and terracotta spiers and cusps, also designed by Jacobello dalle Masegne, whose wall structure is still visible on the right side of the church. In 1545, the Cathedral was renovated by Giulio Romano, who left the facade and the perimeter walls intact, but substantially modified Read more [...]

Rotonda di San Lorenzo is the oldest church in Mantua, located in Piazza delle Erbe, near Palazzo della Ragione.   SHORT HISTORY According to tradition, Rotonda di San Lorenzo was built at the behest of Matilda di Canossa, as an evocation of the Church of the Holy Sepulchre in Jerusalem, connected to the relic of the Blood of Christ found centuries earlier in Mantua and now preserved in the nearby crypt of the Basilica of Sant’Andrea. On the other hand, the positioning of the structure 1.5 meters below the level of Piazza delle Erbe and the existence of Roman vestiges dated to the 4th century, may suggest that the church was built earlier. The year 1083, which appears on the plaster of the building, may indicate the construction date of the church or a later date when it was renovated. Over the centuries, the church underwent radical transformations. At one point, the project for the renovation of the structure was entrusted to the architect Leon Battista Alberti. Later, it was Giulio Romano who worked on the building. The church was closed for worship in 1579, at the behest of Duke Guglielmo Gonzaga. Deconsecrated, the structure decayed quickly. It first became Read more [...]

The Basilica of Sant’Andrea is a Renaissance church in Mantua, located in Piazza Andrea Mantegna. Inside the crypt of the basilica, two reliquaries with earth soaked in the Precious Blood of Christ are preserved.   MOST PRECIOUS BLOOD OF CHRIST According to tradition, the Roman centurion Longinus pierced the side of the crucified Jesus with the Sacred Spear to ascertain whether He was dead or not. The soldier collected some of the blood in a vessel and returned to Italy. He stopped in Mantua in 37 AD, burying the precious relic in a small box, with the inscription Jesu Christi Sanguis on it. In the year 804, the small box next to his tomb was unearthed and the relic was officially recognized by the Catholic Church and approved for worship by Pope Leo III. Particles of the Precious Blood were transfered to the Sainte-Chapelle in Paris, to the Church of Santa Croce in Guastalla, to the Basilica of Saint John Lateran in Rome and to the Abbey of Saint Martin in Weingarten.   SHORT HISTORY A first church dedicated to Sant’Andrea was built on this site in 1046 at the behest of Beatrice of Lotharingia, mother of Matilde di Canossa, Read more [...]

The Church of San Sebastiano, also known as the Temple of San Sebastiano, is an Early Renaissance church in Mantua, located in the immediate vicinity of Palazzo Te.   SHORT HISTORY Ludovico III Gonzaga, Marquis of Mantua, commissioned the construction of the Church of San Sebastiano to the architect Leon Battista Alberti. Alberti, ten years later, designed also the magnificent Basilica of Sant’Andrea for the same member of the Gonzaga family. The construction of the church was begun around 1460 by Alberti, but was completed after the death of the architect by Luca Fancelli, at the beginning of the 16th century. Fancelli also completed Alberti’s other project, the Basilica of Sant’Andrea. The church was consecrated in 1529, underwent a first restoration at the beginning of the 17th century, and another arbitrary intervention in 1926.   ARCHITECTURE Alberti designed an austere and solemn building. The church has a Greek cross plan, with three identical short apses, under a central cross-vaulted space without any interior partitions. The church is divided on two levels. The lower one is the crypt, which was intended to serve as a mausoleum for the Gonzaga family. The upper level is now accessed from two outer staircases added Read more [...]

The Church of Santa Maria del Carmine is a beautiful church in Milan, located in Piazza del Carmine, in the Brera district.   SHORT HISTORY In 1268, the Carmelites settled near the Castello Sforzesco, where, starting from the 14th century, they began to build their convent and an adjoining church, which was destroyed by fire in 1330. The current church was built beginning with 1339 on a project by Fra Bernardo from Venice. The works were completed in 1446 by the architect Pietro Antonio Solari. As soon as it was finished, the vault of the church collapsed and, only three years later, the restoration work began. In the 17th century, the presbytery was radically restored in Baroque style and assumed its current conformation. The current facade, built in 1880, is the work of Carlo Maciachini.   ART AND ARCHITECTURE The facade of the church overlooks the square of the same name. Built in 1880 in a rich neo-Gothic style, it is the work of Carlo Maciachini, famous also for the design of the Monumental Cemetery of Milan. The facade is divided by large pilasters, each surmounted by a Gothic canopy. Above the central portal, there is a mosaic lunette with Read more [...]

The Church of San Zeno al Foro is a church in Brescia, located in Piazza del Foro, along Via dei Musei, near the Capitolium. The church is dedicated to San Zeno, the eighth bishop of Verona during the second half of the 4th century.   SHORT HISTORY A first church was built on this site in the Middle Ages, probably during the 12th century. The church was rebuilt in Baroque style at the behest of the young parish priest Giovanni Pietro Dolfin, a noble Venetian patrician, who later also rebuilt the Church of San Lorenzo. The new structure was completed in 1745.   ARCHITECTURE The Church of San Zeno al Foro is a very coherent example of Baroque structure in Brescia. The building is preceded by a short churchyard bordered by a Baroque iron gate with marble pillars surmounted by cherubs and pairs of twisted dolphins. The facade, very simple, is divided in two architectural orders of Composite pilasters, crowned by a curvilinear tympanum. Today, only the polygonal Romanesque apse in terracotta, decorated with small arches, remains of the original medieval structure. The church has a longitudinal layout, with a single nave without a transept, and two chapels on each Read more [...]

Rich in pictorial and sculptural works of art, the Church of San Lorenzo, dedicated to Saint Lawrence, is one of the most important churches in Brescia.   SHORT HISTORY The first mention of the church can be found in a document dating back to the 11th century, but the place of worship was probably built long before this time. The first important interventions on the ancient structure took place at the end of the 15th century, at the behest of the provost Bernardino Fabio. At the beginning of the 16th century, Girolamo Romani, better known as Romanino, was commissioned to paint the Lamentation over the Dead Christ for the Chapel of the Passion. The painting remained in the chapel until 1871, and then was sold and transferred to various private collections in Italy and England. Today, the work is found in Venice, in Gallerie dell’Accademia. From this moment on, many other artists worked in the church, including Callisto Piazza, Lattanzio Gambara, Pietro Marone and Prospero Rabaglio. In the 17th century, with the spread of the cult of Saint Carlo Borromeo, the church was enriched with an altar dedicated to him, decorated with an altarpiece by Francesco Giugno. The other two Read more [...]

The Winter Cathedral of Santa Maria Assunta, also known as Duomo Vecchio (Old Cathedral) or La Rotonda because of its round layout, is a Romanesque church in Brescia. The Old Cathedral is located near the New Cathedral (Duomo Nuovo), in Piazza Paolo VI.   SHORT HISTORY The history of the Old Cathedral begins with the demolition of the ancient Basilica of Santa Maria Maggiore de Dom, an early Christian structure built perhaps in the 7th century. The construction of the Cathedral began in the 11th century and was completed in the first half of the 12th century. Towards the end of the 13th century, Berardo Maggi, bishop of Brescia, made an enlargement of the presbytery and had the interiors decorated. Between the end of the 15th century and the beginning of the 16th century, the architect Bernardino da Martinengo extended the presbytery to the east, covering it with cross vaults in Gothic style. Around the same time, the transept was also added, completed with the Chapel of the Holy Crosses on the left side. In this phase of construction, Filippo Grassi, the future architect of Palazzo della Loggia, also participated. The keystones are the work of the sculptor Gasparo Cairano, Read more [...]

The Summer Cathedral of Santa Maria Assunta, also known as Duomo Nuovo (New Cathedral), is the main church of Brescia, located in Piazza Paolo VI.   SHORT HISTORY In 1603, the architect Agostino Avanzo demolished the ancient Basilica of San Pietro de Dom, to make room for the construction of a new cathedral, more suited to the new architectural needs dictated by the Counter-Reformation. Avanzo presented a first project for the cathedral, with a Latin cross plan, with three naves and a transept, protruding side altars and a large central dome. The architect Giovanni Battista Lantana presented a similar project, but more modern and with greater structural attention. Both ideas, however, were rejected. Lantana presented a new project, with a Greek cross plan, a large central dome surrounded by four minor domes and a protruding apse, but this was also rejected. Finally, Lantana proposed a third project, with some modifications compared to the second, which was approved. The first stone of the cathedral was laid in 1604, but the controversy, however, didn’t diminished. The architect Pier Maria Bagnadore proposed an alternative project, practically a copy of the definitive one of Lantana, with the only addition of a span towards the Read more [...]

The Church of San Francesco d’Assisi is a church in Brescia, dedicated to Saint Francis of Assisi. The church, located in the homonymous street, is flanked by an ancient Franciscan convent dating back to the 14th century.   SHORT HISTORY The church was completed in 1265, but it was not frescoed until the early 14th century. In the 15th century, the church was enriched with 5 altars, two of which painted by Moretto (Alessandro Bonvicino) and Romanino (Girolamo Romani), great masters of the early Renaissance in Brescia. In the 16th century, in the left nave of the church, the Chapel of the Immaculate was built in Renaissance style. With the advent of the French in 1797, the church and the adjoining convent underwent a phase of decadence in which archives were destroyed and many rooms were ruined. Only in 1839, thanks to the architect Rodolfo Vantini, the church was the subject of renovation work, taking on some Neoclassical elements. In 1928, the Friars Minor returned to live in both the convent and the church, and thanks to various restorations, they were able to recover a part of the ancient artistic heritage.   ART AND ARCHITECTURE The facade of the church, Read more [...]

The Church of Sant’Andrea is a church in Bergamo, located in Via Porta Dipinta 39, in the upper part of the city, known as Città Alta.   SHORT HISTORY In the State Archive of Bergamo, there is a notarial deed dated back to 785, which certifies the existence of a proto-Christian basilica on this place, called Basilica Sancti Andreae. Due to the damage caused by the construction of the Venetian Walls between 1561 and 1588, the old basilica obtained compensation of 300 scudi from the Venetian Republic, thanks to which it was renovated and reconsecrated in 1592. A subsequent reconstruction of the church dates back to 1689, with the laying of the foundation stone on June 23 by Bishop Daniele Giustiniani. In 1805, by a decree of Napoleon Bonaparte, the adjacent parish of San Michele al Pozzo Bianco was suppressed and its territory was annexed to the parish of Sant’Andrea. The ancient church was thus too small for this new territory and for a rather large population, and in in 1829 the architect Giacomo Romilli was commissioned to plan its complete renovation. Giacomo Romilli’s project included a Neoclassical building, with a facade marked by pilasters and a tympanum, a small Read more [...]

Basilica di Santa Maria Maggiore is a beautiful church in Bergamo, located in the historical part of the city – Città Alta, in the small Piazza del Duomo.   SHORT HISTORY According to popular tradition, in 1133, the local people promised to built a church dedicated to the Madonna, if the city will be spared by the plague that threatened the northern Italy. The church was built in 1137 on the site of another church from the 8th century, which in turn was built on a pagan temple dedicated to the goddess Clementia. The exterior of the church testifies its construction in two different phases: in the first phase, were built the apsidal area, the northern arm of the transept and the lower part of the southern arm in gray sandstone, with square ashlars, while the remaining parts were built in the second phase, in light ocher sandstone, with rather small ashlars. With the central apse and the transept built, the high altar was consecrated in 1185, and the presbytery and apses on the east side of the transept were completed in 1187. Work slowed down during the 13th century due to economic difficulties. However, the blind facade and the Read more [...]

The Church of Santa Maria Immacolata delle Grazie is a beautiful church in Bergamo, located on Viale Papa Giovanni XXIII, near the Porta Nuova.   SHORT HISTORY Saint Bernardino of Siena came to Bergamo in 1419 for the second time to quell the feuds that divided the Guelph and Ghibelline families of the city. Pietro Ondei, influenced by his preaching, gave the saint a piece of land to build a church and a convent for the Franciscan friars. The church was founded on April 27, 1422, by the bishop Francesco Aregazzi. The project of urban reorganization of the city from the 19th century included the construction of a large avenue – Viale Papa Giovanni XXIII, which connected the railway station to Porta Sant’Agostino, one of the entrances to the upper part of the city, Bergamo Alta. For this reason, the monastic order was suppressed in 1810, the church was demolished in 1856 and then rebuilt a little further from the original place. The ancient church was dedicated to the Madonna delle Grazie, but with the dogmatic proclamation of the Immaculate Conception on December 8, 1854, the bishop of Bergamo, Pietro Luigi Speranza, renamed the church to Santa Maria Immacolata delle Read more [...]