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Castelvecchio, formerly known as Castello della Torlonga, is a fortification in Padua, located in the southern part of the historical center of the city. The castle assumed the name of Castelvecchio (Old Castle) when the construction of Castelnuovo (New Castle) began in 1513. It was also called Castello di Ezzelino, due to the sinister charm evoked by Ezzelino III da Romano, tyrant of Padua in the 13th century. Today, in reference to the lordship of the House of Carrara, it is frequently referred to as Castello Carrarese.   SHORT HISTORY OF CASTELVECCHIO The Long Tower (Torlonga) was built in the 9th century in a strategic area, where the Bacchiglione River is dividing into Tronco Maestro and Naviglio. Between the 10th and 11th centuries, the tower was surrounded by a short wall that protected it. In 1237, Ezzelino III da Romano, tyrant of Padua, began building a castle around Torlonga and added another tower. Starting with 1241, Ezzelino planned the repression of the Guelph opposition and thus began to segregate the prisoners in the basement of the new castle and in the towers. In 1256, the Crusaders entered Padua at the behest of Pope Alexander IV and occupied the city. The Read more [...]

Loggia del Consiglio is a beautiful Late Renaissance palace in Padua, located in the southwestern corner of Piazza dei Signori. Beginning with 1240, when the large hall of Palazzo della Ragione was destroyed in a fire, the city’s council met in the Loggia del Consiglio, hence the name of the building. The palace is also known as the Loggia della Gran Guardia, because it was used as a military commandment during the Austrian domination.   SHORT HISTORY The elegant Mannerist building was designed by Annibale Maggi from Bassano, and built starting with the year 1496. The works proceeded slowly and were often interrupted by long pauses, of which the longest was after the Siege of Padua by the Roman Emperor Maximilian I, in 1509, during the War of the League of Cambrai. The work resumed in 1516 under the guidance of Biagio del Bigio from Ferrara, and later, starting with 1530, continued under the direction of the architect Giovanni Maria Falconetto. Faconetto, due also to his work on the Torre dell’Orologio, played an important role in the new configuration of the square. In 1866, the Loggia del Consiglio became part of the municipal patrimony, and was subsequently used for cultural Read more [...]

Palazzo del Monte di Pietà is a medieval palace in Padua, located near the Cathedral of Santa Maria Assunta, on the northern side of Piazza Duomo.   SHORT HISTORY The palace was built between the 13th and 14th centuries, and it belonged to the famous moneylender Rinaldo Scrovegni. At the beginning of the 14th century, it was destroyed by a fire and subsequently abandoned. The palace was taken over by the noble family of da Carrara, and with the annexation of Padua by the Republic of Venice at the beginning of the 15th century, the building became the property of the Venetian government. A fire damaged much of the building in the first half of the 16th century. Doge Andrea Gritti, at the request of the bishop Pietro Barozzi, sold the palace for 10,000 ducats to the Monte di Pietà institution, founded by the Franciscans a few decades earlier to combat usury. The renovation of the facade was entrusted to the Veronese architect Giovanni Maria Falconetto, who redesigned the building on the basis of the six-arched loggia and the perimeter walls that survived the fire. The headquarters of the Monte di Pietà was inaugurated in 1533, while in the following Read more [...]

The Church of San Barnaba is a beautiful church in Venice, located in the district (sestiere) of Dorsoduro, in Campo San Barnaba. The church has a facade inspired by a Greek temple, and is famous for being featured in a few scenes of the movie Indiana Jones and the Last Crusade.   SHORT HISTORY The church was founded in 936, on the place of a previous church, San Lorenzo, which was probably built at the beginning of the 9th century. Because of the numerous fires, the Church of San Barnaba underwent several reconstructions, until it was finally consecrated on December 6, 1350. The current appearance dates back to 1779, when it was completed the renovation work began in 1749, on a project by the architect Lorenzo Boschetti. In 1810, in full Napoleonic domination, the parish was suppressed and the church was deconsecrated. It was later converted into a permanent exhibition space dedicated to the machines of Leonardo da Vinci.   ARCHITECTURE The facade of the church, designed by Lorenzo Boschetti, was built in 1749 in a Classical style, with Corinthian style columns. The interior has a single nave, with six side altars, three on the right and three on the Read more [...]

The Church of San Rocco is one of the four plague churches in Venice, along with San Giobbe, San Sebastiano and the Salute. The church was built for the Confraternity of San Rocco, founded in the plague year 1478, with the mission to help the poor and the sick, particularly the people suffering from the disease. San Rocco is the only Venetian church designed as a sacrarium for the remains of its titular saint, St. Roch, whose body is preserved within the high altar.   SHORT HISTORY A church was standing on this place before 1485. The new church was built after a design by the architect Pietro Bon, starting with 1489. In March, 1490, the left side-chapel of the presbytery was finished and ready to receive the remains of St. Roch, which were to be brought from San Silvestro. A competition for the construction of the high altar was won in 1517 by Venturino Fantoni, who designed a reliquary-altar, developed in Venice by the sculptor-architects Pietro and Tullio Lombardo. After 1680, the church was almost entirely demolished and rebuilt between 1726 and 1733 by the architect Giovanni Scalfarotto, who kept only the fifteenth century chancel and the ground-plan of Read more [...]

Palazzo Michiel dalle Colonne is a palace in Venice, located about 250 meters from the Rialto Bridge, overlooking the Grand Canal near Palazzo Michiel del Brusà. The palace is known for the architectural structure of its ground floor, with a portico along the whole facade, divided by very tall columns.   SHORT HISTORY OF PALAZZO MICHIEL DALLE COLONNE The palace was built in the 13th century by the Grimani family, whose coat of arms is carved on an old well in the courtyard. Originally, it probably followed the Venetian-Byzantine style typical of that period. Starting with 1661, the palace was attested as the property of the Zen family, and was named dalle Colonne (of the Columns). To the Zen family, we owe the partial rebuilding to a design by Antonio Gaspari, completed in 1697. In 1702, the palace was given to Ferdinando Carlo di Gonzaga-Nevers, the last duke of Mantua and Monferrato. He lived there starting with 1706, after he was exiled by the Austrians who emerged victorious in the War of the Spanish Succession. In 1712, the palace was bought by the Conigli family, nobles of Verona. It seems they have never used it, and in 1714 they sold Read more [...]

The Church of San Stae stands on the right bank of the Grand Canal, as you come from Piazzale Roma, heading to Piazza San Marco, between Palazzo Vendramin Calergi and Ca d’Oro, at an equal distance. Its external facade, characterized by rich decorations, faces the Canal Grande, and you can not pass beside it on a vaporetto without at least one admirative look.   SHORT STORY The church is said to have been built in 966 and dedicated to Sant’Eustacchio (San Stae, in the Venetian dialect). St. Eustacchio was the commander of Trajan’s army, who would have seen a crucifix between the antlers of a deer, while hunting. The first reference is in a document from 1127, where the church is remembered as a filial parish of San Pietro. This original church, rebuilt in the 12th century following a fire, was demolished in 1678. The current church was built by Giovanni Grassi, who realigned it to face the Grand Canal.   ART AND ARCHITECTURE The facade, which has the form of a temple, with an imposing triangular pediment, supported by columns resting on high pedestals, was built by Domenico Rossi in 1709, whose design was the winner of a competition. Read more [...]

Palazzo Grimani is a historic palace in Padua, located on Prato della Valle, one of the city’s most important monumental spaces. The building stands near Basilica of Santa Giustina, Orto Botanico di Padova, and Basilica of Saint Anthony, in the southern part of the historic center. The palace is also known as Palazzo Verson, formerly Grimani, a name connected with later ownership. The complex is historically important, but it is private property, so visitors normally see it only from the outside. Palazzo Grimani was built over medieval structures and transformed by the Grimani dai Servi family from 1561. The earlier Gothic buildings were reorganized into a noble residence, then completed in a more monumental form between 1621 and 1630, during the seventeenth-century development of Prato della Valle. The palace is linked with Giovanni Antonio Rusconi, Francesco Contin, and Mattia de Rossi. De Rossi, a Roman Baroque architect connected with Bernini’s circle, designed an ambitious enlargement in 1671, but the project was never completed. His plan remains central to the palace’s architectural history.     Short History of Palazzo Grimani Medieval Origins and the Grimani Family The site of Palazzo Grimani was already occupied in the late fourteenth century by several Read more [...]

The Chapel of Madonnina del Mare is a small religious shrine located along Via San Francesco da Paola in the coastal town of Scilla, in the southern Italian region of Calabria. Built inside a natural-looking cavity carved into the rock, the chapel overlooks the waters of the Strait of Messina, one of the most important maritime passages in the Mediterranean. The chapel houses a bronze statue of the Virgin Mary holding the Child Jesus, positioned on a marble altar inside the grotto. Due to its strategic location near the entrance to the Port of Scilla, the sanctuary is commonly known as Madonnina del Porto.   Short History of the Chapel of Madonnina del Mare The cave that houses the chapel is closely connected to the events of the Second World War. During the conflict, German military forces operating in the area excavated a shelter within the rocky coastline. After the end of the war, the tunnel-like cavity remained part of the coastal landscape. The modern development of the chapel began during the early post-war decades. Around the middle of the twentieth century, the coastal road known as Via San Francesco da Paola was constructed, improving access to the area and Read more [...]

Fontana Storica della Sirena (Historic Mermaid Fountain) is a small but distinctive monument located in the historic district of Chianalea, the oldest and most characteristic quarter of Scilla. Situated along Via Grotte, approximately 100 meters from the Port of Scilla, the fountain is one of the many landmarks that contribute to the unique atmosphere of this famous Calabrian fishing village. Although it is not an ancient monument, the fountain has become an integral part of the urban landscape of Chianalea. Its location within a small open space between traditional buildings allows visitors to encounter it naturally while exploring the narrow streets that run alongside the sea. The monument celebrates one of the themes most closely associated with Scilla: the relationship between the town and the legendary figure of Scylla. For centuries, local traditions, literature, and historical interpretations have linked the settlement to the famous mythological creature associated with the Strait of Messina. The fountain reflects the identity of a village that has always lived in close connection with the sea. Fishing, navigation, and maritime traditions have shaped the history of Scilla for centuries, and the monument serves as a visual reminder of that enduring relationship.   Powered by GetYourGuide   Read more [...]

Ca’ Vendramin Calergi, also known as Palazzo Loredan Vendramin Calergi, is an imposing palace on the Grand Canal, in Venice, where the composer Richard Wagner died in 1883. Since 1950, Palazzo Vendramin Calergi il also known for hosting the oldest casino in the world, Casino di Venezia, established in 1638.   SHORT HISTORY OF CA’ VENDRAMIN CALERGI The palace was commissioned in the late 15th century by the Loredan family to the famous architect Mauro Codussi. The building was his last work, completed in 1509, five years after his death. In 1581, the palace was sold to the Duke of Brunswick and, after some legal troubles, in 1589, it was bought by a rich nobleman, Vettor Calergi, for his wedding with Isabetta Gritti. Vettor Calergi had only one daughter, Marina, who was married in 1608 to Vincenzo Grimani. The palace passed, by inheritance, to the sons of Marina with the obligation to take also the surname Calergi. The three sons of Marina remained famous for their ferocity – after the cruel murder of Francesco Querini Stampalia, they were banned from the Republic and deprived of the property, but after a donation to the Senate for war expenses, they were reinstated in Read more [...]

The Church of San Geremia and Santa Lucia is a church in Venice, located on the left bank of the Grand Canal, as you are heading to Piazza San Marco, right before its confluence with Canale di Cannaregio.   SHORT HISTORY The Church of San Geremia was founded in the 11th century by Mauro Tosello, who used it to house the arm of Saint Bartholomew brought from Apulia in 1043. The church was dedicated to the prophet Jeremiah, an old testament figure. The church was rebuilt in 1174 by the Doge Sebastiano Ziani, and reconsecrated only in 1292. Later, the church was demolished, and rebuilt again in 1753, by Carlo Corbellini, a Brescian priest and architect. The first mass was celebrated on April 27th, 1760, during the final works of reconstruction. Following the damage made by the Austrian bombardment of 1849, two new facades were built in the second half of the 18th century, one facing Campo San Geremia (Saint Jeremiah Square), and the other one oriented towards the Cannaregio Canal. A chapel built in 1863 contains the relics of the Sicilian Santa Lucia, stolen by Enrico Dandolo during the Sack of Constantinople, which, in 1204, marked the end of Read more [...]

Palazzo Flangini is, practically, the first truly monumental building that you meet on the Grand Canal, in Venice, when you are traveling with the vaporetto from the railway station, heading to the Rialto Bridge. Located near Scuola dei Morti, the Flangini Palace consists of two-thirds of an unfinished building, probably designed by Giuseppe Sardi in the second half of the 17th century.   SHORT HISTORY It is said that the palace remained unfinished because one of the two brothers who inherited it, in spite of the other, had one of the wings destroyed, cutting the palace in half. The reality, much simpler and more prosaic, is that the old owner lacked the funds and was unable to buy the nearby area necessary for the completion of the building. The building was built between 1664 and 1682 and is attributed to the architect Giuseppe Sardi by the art historian of the 18th century Tommaso Temanza, but some think it could be the project of Baldassarre Longhena. Currently, the building is divided into several private properties. Following an important restoration, the entrance hall and the portego of the building have been taken over by the Valorizzazioni Culturali society, with the aim of Read more [...]

Scuola dei Morti (School of the Dead) is a small and charming building from the 17th century, overlooking the Grand Canal, in Venice, placed between Palazzo Flangini and the apse of the Church of San Geremia.   SHORT HISTORY The building belonged to the Congregazione della Santissima Madonna del Suffragio dei Morti, known also as the School of the Dead, a religious congregation that, in 1624, has joined the homonymous Confraternity of Rome. A few years earlier, in 1615, the congregation held meetings in the Church of San Geremia, until the parish priest gave them a piece of land in the ancient cemetery, to erect a chapel for the meetings, permission approved by the Venetian Senate in 1659. At the expense of the Savorgnan family, the school was built, but was then destroyed during an Austrian bombing in 1849. Today, after an integral reconstruction, the building is used by the parish of San Geremia.   ARCHITECTURE The facade of the one-storey building is simple and has a skull in the center, between two large windows, with an inscription below reminding about the congregation of Scuola dei Morti.   HOW TO GET THERE The best place to admire the Scuola dei Read more [...]

Palazzo Malipiero is a palace located on the eastern bank of the Canal Grande, just 100 meters away from Ponte dell’Accademia. The palace is very close to Palazzo Grassi, separated only by the small San Samuele Square. The palace is famous, first of all, as the residence of Giacomo Casanova for a few years, when he was still a teenager. In the chambers of this palace, it seems, the Venetian lover learned the art of love that he will practice so tenaciously later.   SHORT HISTORY The palace, also known as Ca’ Grande di San Samuele, was built in the 11th century by the Soranzo family. At the beginning of the 15th century, the palace was in the possession of a powerful Venetian family – the Cappello family, following a marriage. By the mid-sixteenth century, the Cappello family comisioned the widening of the palace and the construction of the facade facing the Canal Grande, which still exists today. Also in the 16th century, through another union, the palace passes from the possession of the Cappello family to that of the Malipiero family. Like the other owners, the Malipiero family took care of the palace, being responsible for a series of Read more [...]

Palazzo Gussoni Grimani Dalla Vida is a palace in Venice, located in the Cannaeregio district (sestiere), overlooking the Grand Canal between Casa Velluti and Palazzetto Da Lezze.   SHORT HISTORY OF PALAZZO GUSSONI GRIMANI DALLA VIDA The palace was designed by the architect Michele Sanmicheli, and built between 1548 and 1556 for the Gussoni family. Between 1614 and 1618, Palazzo Gussoni Grimani Dalla Vida was the residence of the English diplomat Sir Henry Wotton, the Doge’s counselor at that time, and also the author of a limited number of poems and translations. During the 17th century, the edifice served as the headquarters for the Accademia Delfica, founded in 1647 by Francesco Gussoni. In 1736, after the death of the last member of the Gussoni family, the palace was transfered to the next of kin, the Minio family. In 1978, the building was sold to the Grimani family, and starting with 1814 it was owned by the Dalla Vida family, recognized as the last owners. Today, the palace is the property of the Italian state.   ARCHITECTURE OF PALAZZO GUSSONI GRIMANI DALLA VIDA The main facade overlooking the Grand Canal is characterized by a horizontal and vertical tripartition. At the center Read more [...]

Also known as the Duomo di Murano, the Church of Santa Maria e San Donato is one of the oldest buildings in the Venetian lagoon. Of byzantine conception, the church preserves the relics of Saint Donatus of Arezzo, martyred in the 4th century after Christ, during the reign of the Roman Emperor Flavius Claudius Iulianus.   SHORT HISTORY A document from the year 999 shows that the church had been built in the 7th century, when many refugees from the continent arrived on the Murano Island. Initially, it was dedicated to the Virgin Mary, and later, in 1125, when the relics of St. Donatus were brought from Cephalonia, it received a second patronage. The church, apparently, has been rebuilt at that time, in a Byzantine style, in the form that resisted, to a large extent, until today. The mosaic inside is marked with the year 1141, when these reconstruction works were completed. In the 18th century, the church was redecorated in Baroque style and later, between 1858 and 1873, a return to its original style was attempted. This development of the building was condemned by several voices, because the result was a hybrid between the 12th century style and the Read more [...]

Most of the tourists who visit the island of Giudecca are attracted by Il Redentore, the famous creation of Andrea Palladio, and only a few know that the island hosts another church attributed to the great architect, the Church of Santa Maria della Presentazione, popularly known as Le Zitelle.   SHORT HISTORY Le Zitelle is part of an ecclesiastical complex set up by the Jesuit Benedetto Palmi, to provide shelter to beautiful young girls (zitelle) from poor families, who otherwise would become prostitutes. Poor virgins were taken in and trained in lace and music making. They were protected until the age of 18, when they could choose between marriage or becoming nuns. If they chose marriage, a husband was found and a dowry was provided. The church was built between 1581 and 1588 by the architect Jacopo Bozzetto, after a project belonging to Andrea Palladio, which was initially intended for another location. The assignment of the church to Andrea Palladio is somehow controversial. Centro Internazionale di Studi di Architettura Andrea Palladio argues that in the absence of the documents that would link Palladio to this creation and because Palladian style is not very clear in this structure, the project could Read more [...]

There are many churches in Venice, and many are beautiful, but few impress like the Church of San Giorgio Maggiore. It may be the place, because not many churches have their own island, or it may be the bell-tower, probably second in height after the one in the Saint Mark’s Square, but we can easily believe that, among all, the inspiration of Andrea Palladio matters probably the most.   SHORT HISTORY In 982, the Doge Tribuno Memmo donated the island of San Giorgio Maggiore to a benedictine monk, who will establish here a monastery. The church, built five years later, from brick and wood, will last until 1223, when it will be severely damaged by an earthquake. The Doge Pietro Ziani will fix it, only to retreat to the island a few years later. In 1109, the relics of St. Stephen will be brought here from Constantinople, and the annual celebration held on 26 December, on the saint’s day, will become one of the most popular Christian holidays in the Venetian calendar. The church we see today was begun by Andrea Palladio in 1565 and completed after his death, in 1610. The one who finished the project was, apparently, Vincenzo Read more [...]

The Basilica of San Domenico is a Gothic church in Arezzo, located in the homonymous square, in the northern part of the historical center of the city.   SHORT HISTORY The church was built in Romanesque style starting with 1275, and completed in the 14th century. Important changes inside the church were made in the second part of the 16th century, when new altars were added and the frescoed walls were painted white. In 1782, after the reform of religious orders in the Grand Duchy of Tuscany, the church was abandoned until the beginning of the 20th century. During the restoration works from the 1920s, the altars added in the 16th century were removed, and the frescoes of the 13th and 14th centuries were recovered. The construction of the porch in front of the entrance was completed in 1936 on a project by Giuseppe Castellucci. The porch was built to protect the fresco in the lunette above the entrance door.   ARCHITECTURE The asymmetrical facade, in masonry, includes a bell-gable with two bells. The interior of the church, with a single nave and a trussed roof, takes light from 12 single-light windows. As you approach the apse, the distance between Read more [...]

The Church of Sant’Agostino is a church in Arezzo, dedicated to Saint Augustine, located in the homonymous square.   SHORT HISTORY The mendicant Order of Hermits of Saint Augustine was approved in 1256 by Pope Alexander IV. One year later, the Augustinian friars laid the first stone for the construction of their church in Arezzo. The first church was small in size, and for this reason, in 1330, it was decided to build a larger church. The new church, with three naves, was completed in 1341. However, the religious complex, which also included a large convent, remained incomplete until the 15th century. Only in 1491, the works were resumed and all the structures were finished. Between the end of the 14th century and the early 16th century, the church was embellished with splendid cycles of frescoes and paintings. All the works disappeared between 1761 and 1766, when the interior of the church was transformed in Baroque and Rococo styles, on a project by Filippo Giustini. The facade and the quadrangular bell-tower, both dating back to the 15th century, were spared by the transformation. The tip of the bell-tower was damaged by lightning in 1825, and was rebuilt in the 1920s. Read more [...]

The Church of Santi Lorentino e Pergentino is a small church in Arezzo, located along the former ancient Roman road which connected Chiusi to Florence.   SHORT HISTORY Some historians cite the ancient Passion of Saints Lorentino and Pergentino, dating back to the 6th century, to identify the church as the place of burial of two Christian martyrs, Lorentino and Pergentino, beheaded on June 3, 250, by emperor Decius. Little information exists regarding what happened with the church between the burial of the martyrs and the Middle Ages. A document from 1135 shows that the church belonged to the Benedictine monastery of Saints Flora and Lucilla. In the year 1204, the parish was given to the monks of Camaldoli, to compensate the sale of the Church of San Pier Piccolo. They took care of the church from 1252 until the 16th century. In 1663, it seems that, of the entire complex, only the church remained. Later, the church was abandoned and reduced to a barn. This process of continuous decay up to the loss of the entire western part, that of the facade, and the nearby construction of numerous huts and buildings of little value, continued until 1970, when the Read more [...]

Palazzo del Comune is a palace in Arezzo, located in Piazza della Libertà, on top of the San Pietro Hill, near the Cathedral of Santi Pietro e Donato. Today, the palace houses the city’s Town Hall.   SHORT HISTORY Palazzo Comunale, known at first as Palazzo dei Priori, was home to the supreme magistrature of Arezzo. The original facade of the building, dating back to the 14th century, can be admired from Via Ricasoli. In 1454, there was a first major renovation. In 1466, the large clock was mounted on the tower. In the second half of the 16th century, a new makeover of the palace began after a design by the famous Florentine architect Alfonso Parigi, which was completed in 1602. During the works, the layout of the stairs was changed, and the large internal portico was built. In 1650, the facade collapsed and some frescoes painted by Lorentino d’Andrea were lost. The reconstruction was carried out by slightly withdrawing the front of the building. In 1715, a bell dedicated to the Madonna and Saint Donatus was placed in the tower. The last major renovation was carried out in 1930s, under the supervision of Giuseppe Castellucci and Umberto Tavanti. Read more [...]

The Basilica of San Miniato al Monte is a Romanesque church in Florence, located on one of the highest points in the city, in Via delle Porte Sante. San Miniato (Saint Minias) was an Armenian soldier, who was killed in the year 250 AD by the Roman soldiers of Emperor Decius, because he converted to Christianity, and Christians were persecuted at that time. He is considered the first martyr of the city and his remains are supposedly kept today in the crypt of San Miniato al Monte.   SHORT HISTORY The oldest historical evidence of a church dedicated to San Miniato dates back to the year 783. The building was neglected and unsafe, and the Florentine bishop Ildebrando began to build a new one on April 27, 1018. The church was finished two hundred years later, in the 13th century. In 1373, the Olivetan monks arrived in Florence, called by the Pope Gregorio XI, and settled in the monastery, where you can still find them today. The Chapel dedicated to the Cardinal Giacomo di Coimbra (Cardinal of Portugal) was built between 1461 and 1466 by Antonio Manetti and finished by Antonio Rossellino, after his death. During the 16th century, with Read more [...]

Buy tickets & tours:GetYourGuide The Basilica of Santa Maria Novella is a wonderful Dominican church located in Piazza di Santa Maria Novella, in the beautiful city of Florence.   SHORT HISTORY In 1219, twelve Dominicans arrived in Florence from Bologna, led by Fra’ Giovanni. In 1221, they obtained the small Church of Santa Maria delle Vigne, so called for the surrounding agricultural land. In 1242, the Dominicans decided to start work on a new and larger church. On October 18, 1279, during the feast of San Luca, the laying of the first stone was celebrated, with the blessing of Cardinal Latino Malabranca Orsini. The construction was completed around the middle of the 14th century, but the church was consecrated only in 1420, by Pope Martino V. Leon Battista Alberti designed the large central portal and the upper part of the facade, in white and dark green marble, which was completed in 1470. After the Council of Trent, between 1565 and 1571, the interior of the church was redesigned by Giorgio Vasari, with the removal of the choir enclosure and the reconstruction of the side altars, which led to the shortening of the Gothic windows. Between 1575 and 1577, the Gaddi Read more [...]

Buy tickets & tours:GetYourGuide Palazzo Pitti is an imposing Renaissance-style palace in Florence, located in Piazza dei Pitti. The palace was the residence of the Grand Duchy of Tuscany, and was inhabited, over time, by the Medici family, by the Habsburg-Lorraine and, after the Unification of Italy, by the Savoy. Palazzo Pitti hosts the Palatine Gallery, the Royal Apartments, the Apartment of the Duchess of Aosta, the Gallery of Modern Art, the Treasury of the Grand Dukes of Tuscany, the Costume Gallery, the Porcelain Museum and the Carriage Museum. The museal complex of Palazzo Pitti also includes the Boboli Gardens.   SHORT HISTORY Luca Pitti, a rival of the Medici family, desired a more luxurious palace than the one built by Michelozzo for Cosimo the Elder. Around 1440, Pitti entrusted the project to Filippo Brunelleschi, but the architect died long before the construction began, and the project passed to his pupil, Luca Fancelli. The construction was started around 1458, but, due to various design problems and financial difficulties, the works were temporarily interrupted in 1465. Luca Pitti died in 1472. Around 1550, Buonaccorso Pitti sold the palace to Eleonora di Toledo, wife of Cosimo I de’ Medici and daughter of Read more [...]

Palazzo dell’Antella is a palace with a beautiful frescoed facade in Florence, located in Piazza di Santa Croce, near the Basilica of Santa Croce.   SHORT HISTORY The first significant expansion of the palace dates back to the second half of the 16th century – the building was raised by a floor, including a mezzanine, and the wooden doors were replaced with stone ones, still visible today. The architect of the palace was probably someone from the circle of Baccio d’Agnolo. In the early 17th century, the palace passed to Senator Niccolò dell’Antella, through the dowry of his wife Costanza del Barbigia. In 1619, dell’Antella commissioned the architect Giulio Parigi to give a unified design to the properties the senator bought in Piazza di Santa Croce. To give a unified appearance to the adjacent buildings, the architect had the entire facade painted with frescoes. The paintings were made in just twenty days of work, between 1619 and 1620, by a team of thirteen young artists supervised by the painter Giovanni da San Giovanni. Dell’Antella died out in 1698 and, later, the palace passed by inheritance to the Dal Borgo family, then to Lotteringhi della Stufa and finally to de’ Nobili. Read more [...]

When you are looking at the Giudecca Island, from Zattere, your eyes are attracted by the splendid creation of Andrea Palladio, Chiesa del Santissimo Redentore or, commonly known, Il Redentore (The Redeemer). The church impresses at first from the distance, thanks to its massive structure, but only in front of it you will be able to discover the details that complete one of the most valuable architectural creations of the Venetian Renaissance.   SHORT HISTORY After the plague epidemic of 1575-1577, that killed over 50,000 Venetians, the Senate of the Republic decided to build a church to celebrate the end of the scourge and to thank the Divinity. The mission was entrusted to the great Renaissance architect Andrea Palladio, who was to begin the construction in 1577 and to leave it, after his death in 1580, to Antonio da Ponte, who would complete it many years later, in 1592. After the church was finished, the Venetian Senate established that every July, a pontoon will be built to link Zattere with the Giudecca island. In time, this tradition will become an important celebration for the Venetians, known as Festa del Redentore.   ARCHITECTURE Considered the most beautiful church built by Palladio, Read more [...]

Buy tickets & tours:GetYourGuide One of the oldest palaces in Venice, Fondaco dei Turchi is located in the district of Santa Croce, on the southern bank of the Grand Canal. From this strategic point of view, with an impenetrable mimic on its Byzantine style facade, the palace watches the gondolas passing by for almost 800 years.   SHORT HISTORY The palace was built in 1225 by Giacomo Palmieri, one of the members of the powerful Pesaro family. For certain political favors, the construction was given in 1381 to Nicolo d’Este, Marquise of Ferrara. Two centuries later, in 1621, it was bought by the Turkish merchants in Venice, who turned it into a warehouse and a residential space. The name that it bears today comes from that period, meaning in English The Turkish Warehouse. In 1838, the palace was abandoned by the Turks in a very bad state. It had to be another twenty years before the Municipality decided to renovate it, and the mission was entrusted to the architect and engineer Camillo Boito. It seems, however, that after the reconstruction, the palace was adorned with two lateral Gothic towers that did not existed before, but keept the general lines of Read more [...]

Commonly known as Ca’ d’Oro, Palazzo Santa Sofia, located just across the Rialto Market, overlooking the Grand Canal, undoubtedly remains the most beautiful Venetian palace. Its name, translated into English as The Golden House, does not lie, because at origins, portions of the facade facing the Grand Canal were covered with this noble metal. Today, gold is missing, but the Venetian-style Gothic building still impresses, not so much by stature, but by the delicacy of its decorations. Currently, the palace hosts the Giorgio Franchetti art gallery, and it can be visited at the same time.   SHORT HISTORY The palace was built between 1421 and 1440 for the Venetian merchant Marino Contarini. He closely supervised the work of several architects and sculptors, of whom we can mention the Venetians Giovanni and Bartolomeo Bon, responsible for the decorations that adorn the palace, the Milan sculptor Matteo Raverti, and Marco d’Amedeo, probably the designer of the project. Marino Contarini died in 1441, leaving his only son, Piero, his entire fortune. Piero inherited, of course, the palace, which he will leave after his death to his daughters. A series of misunderstandings that followed led to the loss of the palace, which came in Read more [...]

The Monument to Ferdinand III of Habsburg-Lorraine is a sculpture in Arezzo, located in Piazza di Murello, not far from the Cathedral of Saints Donatus and Peter.   SHORT HISTORY The monument, executed by the Florentine artist Stefano Ricci, was placed at first in Piazza Grande, on April 13, 1822, and in 1932 it was moved to its current position. Ferdinand III of Habsburg-Lorraine was the Grand Duke of Tuscany from 1790 to 1801 and from 1814 to 1824, Grand Duke of Salzburg from 1803 to 1805, and Grand Duke of Würzburg between 1805 and 1814. The statue was erected in gratitude for his excellent work in the field of communication between Arezzo and Tuscany. Via Anconetana, at the time the main communication route with the Adriatic, was one of his projects.   DESCRIPTION The Duke is depicted with an ancient toga, crowned with oak leaves, symbol of virtue, strength, perseverance and loyalty. In his left hand holds the scepter, emblem of power, while at his feet lies a lion. The relief placed at the base of the monument is the work of the Aretine sculptor Ranieri Bartolini. The relief describes allegorically the union of the two tuscan rivers, Chiana Read more [...]

The Monument to Ferdinando I de’ Medici is a sculpture in Arezzo, located in Piazza del Duomo, on the steps leading to the Cathedral of Saints Donatus and Peter.   SHORT HISTORY Ferdinando I de’ Medici was Grand Duke of Tuscany between 1587 and 1609, and during his lordship Arezzo had a quiet period, both from political and economic point of view. The Duke distinguished himself for important economic, fiscal and social reforms. He continued the noble tradition of the Medici family in terms of patronage of art and culture. The sculpture was designed by Giambologna, or Jean Boulogne, known also as Giovanni da Bologna, the last great sculptor of Renaissance, but it was executed by Pierre Francheville (Pietro Francavilla), a French-Italian sculptor, at the beginning of the 17th century. The statue was erected by the people of Arezzo as a sign of gratitude for the reclamation of the Chiana Valley (Valdichiana), which was an important addition to the municipal territory.   HOW TO GET THERE The Monument to Ferdinando I de’ Medici is located about 900 meters away from the Arezzo railway station. The closest bus stop is in Via Ricasoli, a few meters away, on the bus Line Read more [...]

Palazzo Vescovile (Bishop’s Palace) is a palace in Perugia, located in Piazza IV Novembre, near Palazzo dei Priori, in the historical center of the city.   SHORT HISTORY On this site, between 1283 and 1292, Palazzo del Podesta was built. After it was damaged by fire in 1329, it was rebuilt. In 1414, Braccio Fortebracci made the palace his residence, and lived there until 1424, as Lord of Perugia. Fortebracci built the loggia located on the northern side of Piazza IV Novembre, which is now part of the Cathedral of San Lorenzo. Palazzo Vescovile was later used by the papal governors of Perugia. In 1534, when Ridolfo Baglioni conquered Perugia, Palazzo del Podesta was again set on fire. In the 16th century, Pope Pius IV allowed Cardinal Fulvio della Corgna to build two buildings on the site of the former Palazzo del Podesta – the episcopal seminary and the Bishop’s Palace. Later, between 1586 and 1591, Cardinal Antonio Maria Gallo made improvements to the palace.   ARCHITECTURE The palace incorporates a part of the old Palazzo del Podesta (the three arched Gothic windows on the right), remains from the 16th century, before the palace was set on fire.   HOW Read more [...]

Palazzo Pretorio is a palace in Arezzo, located in Via dei Pileati, about 100 meters away from Piazza Grande. Since 1954, the palace houses the Municipal Library of Arezzo.   SHORT HISTORY The area on which the current palace stands was occupied since the 13th century by the houses of the Albergotti, Lodomeri and Sassoli families. Thus, the palace is the result of the unification of several buildings, built in different periods and styles. At first, Palazzo Pretorio was the seat of the Captain of Justice (Capitano di Giustizia). At the beginning of the 15th century, the palace was purchased by the Municipality, and transformed into a prison, which was closed only in 1926. In the 1920s, a long restoration began, completed in 1934 by the architect Giuseppe Castellucci, who returned the structure to its 16th century appearance. After the restoration, the Medieval Museum of Arezzo was transferred there.   ART AND ARCHITECTURE The beautiful facade of the palace is decorated with many coats of arms of podestà (chief magistrate) and captains, who used the palace as their seat since 1434. Inside the palace, on the ground floor, there is a private chapel, where you can admire the remains of Read more [...]

Via Maestà delle Volte is, probably, the most beautiful street in Perugia, although it does not have more than 100 meters. Its name comes from a fresco known as Maestà delle Volte, that most likely portrayed Madonna with the Child. The street starts from Piazza IV Novembre and ends in Piazza Cavallotti. At number 1, you can find the facade of the Church of the Maestà delle Volte, now a clothing store. Near the church, is a small arch from pink and white stone, belonging to the Oratory of the Maestà delle Volte, built in 1335 to protect the fresco mentioned above. To the right of the church, is a ceramic panel placed at the end of the Second World War, by G. Belleti, representing the Madonna with the Child and Saints Ercolano and Costanzo presenting the city to the Virgin. About 15 meters further, as you walk along the street, you will find the Fountain of Via Maestà delle Volte, built in 1928 by the architect Pietro Angelini, under an ancient arch of the 15th century.   HOW TO GET THERE Via Maestà delle Volte is near the Piazza IV Novembre, in the middle of historic city of Perugia. Read more [...]

The Monument to Francesco Petrarca is a sculpture in Arezzo, located in the beautiful park of the city, Prato, on top of the San Pietro Hill. Francesco Petrarca, anglicized as Petrarch, was an Italian poet of early Renaissance, born in Arezzo on July 20, 1304.   SHORT HISTORY In 1902, a group of people formed the Committee for Honors of Francesco Petrarca, and decided to build a monument dedicated to the poet of Arezzo, on the occasion of the sixth centenary of his birth. In 1904, a competition was launched, and a Royal Decree provided the funds for the construction of the monument. However, the result was not satisfactory, and a second competition was held two years later, and a third one in 1907, when the design of Alessandro Lazzerini was chosen as the winner. On July 31, 1909, the contract was signed, but due to a series of delays the first stone was laid only on December 12, 1914. Then, the works were stopped during the First World War. In 1924, Benito Mussolini, head of the government, allocated the necessary funds to start the work. Thus, began the extraction of the marble blocks and their processing in the artist’s Read more [...]

Piazza IV Novembre is a beautiful square in the historic center of Perugia, gathering the most important buildings and monuments of the city, from Palazzo dei Priori, to Fontana Maggiore and the Cathedral of San Lorenzo. Piazza IV Novembre is also the setting for summer concerts during the Umbria Jazz Festival. In autumn, it becomes the headquarters of the Fiera dei Morti, a traditional event that takes place every year since 1260, coinciding with the All Saints’ Day. In June, there is also Perugia 1416, a historical re-enactment of the conquest of the city by Braccio Fortebracci. Last but not least, in the square is held Eurochocolate, a chocolate fair founded in 1993.   SHORT HISTORY Piazza IV Novembre stands on the former site of the ancient Roman Forum. In the Middle Ages, it has become the starting point for five main streets, known as the Royal Streets. In the 9th century, the Cathedral of San Lorenzo was built, and the square has qualified as a representative space for political and religious power, a role confirmed later by the establishment of the municipal government buildings. The current structure is that defined by the restructuring of the Platea Magna Comunis (the Read more [...]

The Church of the Maestà delle Volte is a former church in Perugia, located in Via Maestà delle Volte, a few meters away from Piazza IV Novembre. Today, the structure houses a clothing store, but its facade – the only remnant of the old church, still retains its beautiful architecture and some of the original frescoes.   SHORT HISTORY In 1297, on the street which passes under Palazzo del Podesta, was placed a fresco known as Maestà delle Volte, which most likely portrayed a Madonna with Child. In 1335, an oratory was built to house the fresco. Later, the oratory was replaced by a larger church, erected between 1440 and 1470. Agostino di Duccio decorated the church in 1475. The church was damaged in 1534, when Ridolfo Baglioni conquered Perugia and set fire to the adjacent palace. Restorations took place in 1538, and again between 1557 and 1558. In 1566, when the church became part of the Episcopal Seminary, Bishop Fulvio della Corgna initiated further renovations. The church was a meeting place for the Company of Death (Compagnia della Morte) until the end of the 16th century. Then, the organization moved to its own church, Church of Compagnia della Buona Read more [...]

Palazzo della Provincia is a neo-Gothic palace in Arezzo, located in Piazza della Libertà, across the square from Palazzo del Comune, near the Cathedral of Saints Donatus and Peter. Together with Palazzo del Comune and the Cathedral, Palazzo della Provincia, seat of the Province of Arezzo, forms a complex very close to an ideal agora, where the main administrative centers of the city are concentrated, in a dominant position on the San Pietro Hill.   SHORT HISTORY On February 24, 1913, the administration of the Province of Arezzo decided to build its new headquarters, commissioning the engineer Giuseppe Paoli for this project. The project consisted in a new building to be used as offices and the restoration of two pre-existing buildings. The masonry work, carried out by the company Giuseppe Rossi, was started shortly after and was completed only on September 27, 1925, followed by the official inauguration of the palace. Concerning the decorative works, the realization of the frescoes was entrusted, at the suggestion of the designer, to the painter Adolfo De Carolis, in 1922. The sketch was immediately approved, and the works – started in the summer of 1922 and executed entirely by De Carolis, were concluded at Read more [...]

Basilica of San Domenico, one of the most important churches in Perugia, overlooks a small square, Piazza Giordano Bruno, and can be seen from all over the city, thanks to the 126 meters high tower.   SHORT HISTORY The Dominicans arrived in Perugia around 1230 and, between 1231 and 1260, they built a primitive church where the Basilica of San Domenico stands today. In the years to come, the Dominican order will become important and, in 1304, the construction of a new, larger church will begin. The church will be consecrated by Pope Pio II Piccolomini in 1459. At the start of the 17th century, the nave collapsed and the church was entirely rebuilt following Carlo Maderno’s design, between 1629 and 1632.   ARCHITECTURE The church has an impressive facade, which opens at the top to a stairway with a double ramp. Inside, it has the layout of a Latin cross and is characterised by simplicity. The austerity of the nave contrasts the Gothic style of the glass windows, dated from 1411 and signed by Bartolomeo di Pietro and by Mariotto di Nardo. The top window, 23 meters high, is the largest of the era after the Duomo of Milan. Read more [...]

The Cathedral of San Lorenzo is the Cathedral of Perugia, located in Piazza IV Novembre, in the historical center of the city. The cathedral is dedicated to Saint Lawrence, deacon in the service of Pope Sixtus II, martyred in Rome in the year 258. The church is part of a larger architectural complex which, taken as a whole, is known as the Island of San Lorenzo or the Castle of San Lorenzo.   SHORT HISTORY A church was built on this area in the 9th century, on the remains of the ancient forum of the Etruscan city. The church was rebuilt later, between the 11th and the 12th centuries, to house the remains of the bishop Ercolano, martyred during the Ostrogoth invasion, in the 6th century. At the beginning of the 14th century, the church was expanded under the supervision of the Benedictine monk Bevignate of Cingoli. A considerable time passed between the planning and the completion of the works, two centuries later, in 1507. In the second half of the 19th century, by the will of Cardinal Gioacchino Pecci, then bishop of Perugia and future pontiff, the cathedral received a Neo-Gothic appearance, which was preserved to this day.   Read more [...]

Palazzo Cofani-Brizzolari occupies the southwestern side of Piazza Grande, in the historic centre of Arezzo. The monument is a medieval residential complex formed by the union of the thirteenth-century Torre Faggiolana and an adjoining fourteenth-century tower house. Its stone frontage and crenellated tower overlook Arezzo’s principal historic square. The building stands among the medieval, Renaissance, and later structures that define Piazza Grande. The square has an irregular trapezoidal plan and a strongly sloping surface, while Palazzo Cofani-Brizzolari belongs to the group of medieval buildings lining its lower side. Unlike a palace conceived as a single architectural project, the complex developed through successive construction phases. Its medieval core, later additions, centuries of alteration, and twentieth-century restoration are all relevant to its present appearance.   Short History of Palazzo Cofani-Brizzolari The earliest component is Torre Faggiolana, built during the thirteenth century. It predates the adjoining residence and originally rose higher than it does today. The tower’s early date is supported by its narrow pointed openings near the upper section. The tower is known as Torre Faggiolana because it probably belonged during the thirteenth century to the family of Uguccione della Faggiola. Uguccione was a prominent Ghibelline captain, but historical descriptions remain cautious Read more [...]

Fontana di Via Maestà delle Volte is a beautiful fountain in Perugia, located in Via Maestà delle Volte, about 60 meters away from Piazza IV Novembre.   SHORT HISTORY Fontana di Via Maestà delle Volte was built in 1928 by the architect Pietro Angelini, under an ancient arch from the 15th century. The fountain, realized in medieval style, fits harmoniously in the context of Via Maestà delle Volte, seemingly from the same time period. However, the inscription in Roman characters refers to the 20th century. The griffin, symbol of the Municipality of Perugia, is carved in the central tile of the pool, as on other public buildings in the city. The fountain was restored in 2016, thanks to the Art Bonus 2015 donations.   HOW TO GET THERE Fontana di Via Maestà delle Volte is located about 1.8 kilometers away from the Perugia railway station. The closest bus stop is located about 50 meters away, in Piazza Felice Cavallotti, on the bus Lines C, F, Z2, Z3, Z20 and Z21.

Palazzo dei Priori is a Gothic palace in Perugia, located in Piazza IV Novembre, in the historical center of the city. Palazzo dei Priori houses today the Municipal Offices of Perugia and, on the top floors, the National Gallery of Umbria (Galleria Nazionale dell’Umbria).   SHORT HISTORY Palazzo dei Priori was built in Gothic style between 1293 and 1443, a period divided into several construction phases. The irregularity of its facades is explained by the long course of construction, in which continuous additions and renovations were made. First, between 1293 and 1297, the palace for the Captain of the People (Capitano del Popolo) was built by Giacomo di Servadio and Giovanello di Benevento. Each of the two main floors of the palace comprised of a single large hall. The hall on the lower floor was originally known as the Council Hall (Sala del Consiglio), a hall used for meetings of the council which advised the Captain of the People. Later, the hall became known as the Hall of Notaries (Sala dei Notari). The hall on the second floor, known as Sala Podiani, belongs today to the National Gallery of Umbria. Between 1333 and 1337, there was the first enlargement of Read more [...]

Fontana Maggiore is considered the most beautiful and famous fountain of the Middle Ages in Italy, the emblem of the medieval Perugia and the simbol of the city for almost 800 years. The fountain is located in Piazza IV Novembre, in the historical center of the city.   SHORT HISTORY Fontana Maggiore was built between 1275 and 1278 by the sculptors Nicola and Giovanni Pisano, father and son, after a design by frà Bevignate of Cingoli. The fountain was damaged by the earthquake of 1348, and its panels were restored in an arbitrary order. In 1948, it was restored with inappropriate materials (cement), and it was necessary a further restoration. In March 2017, Fontana Maggiore returned to its splendor after a long restoration.   ART AND ARCHITECTURE The fountain consists of two polygonal pools in white and pink stone, topped by a bronze cup with a bronze group of three nymphs supporting an amphora, from which the water flows. Originally, on their heads, there were four bronze griffins, for each cardinal point, that are now exposed in the National Gallery of Umbria. The tiles of the lower basin reproduce emblematic scenes of the Old Testament (Seduction of Adam by Eva, Read more [...]

The Church of San Pietro is a church in Assisi, located in Piazza San Pietro, on the edge of the historical center of the town. The adjacent abbey houses a community of monks from the Benedictine Cassinese Congregation.   SHORT HISTORY The Church of Saint Peter was built at the end of the 10th century, outside the city walls of Assisi, near an ancient Roman necropolis. The presence of the monastery was documented since 1029, through a manuscript preserved in the archives of the Cathedral of San Rufino. In the first half of the 13th century, the history of the community of Saint Peter was intertwined with that of Saint Francis. The blessed Peter, abbot of Assisi, whose name is mentioned in a document of 1209, gave to Saint Francis the silver chalice which is still preserved in the Chapel of the Relics of the Sacred Convent. Around 1252, after they lived in the monastery for over two centuries, the Benedictines abandoned the place, and were replaced by the Cistercians, who completed the construction of the abbey and the church, which was consecrated in 1254 by Pope Innocent IV. On the same occasion, the pontiff consecrated the Cathedral of San Read more [...]

Teatro Caio Melisso is an old opera house in Spoleto, and one of the most elegant theatres in Italy, being known as one of the main venues of the Festival dei Due Mondi.   SHORT HISTORY The oldest theatre in Spoleto, Teatro Caio Melisso was built in the second half of the 17th century, using part of the structures of the unfinished Palazzo della Signoria. The first mention of the theatre was made in 1664, as the „room for comedies”, which led to changing its name in Noble Theatre in 1668. The original wooden structure was enriched in 1751 with decorations, curtains and scenes, which gave it a very precious appearance. After 1819, due to the theft of the 18th century decorations, the theatre was looking bad and the Spoletans showed the desire to have a larger one, so, in 1853, some of them tried to set it on fire. Teatro Nuovo was built in 1864, surpassing the decadent Noble Theatre, which however, after only ten years, was renewed by the will of the Municipality. The project was entrusted to the Spoleto architect Giovanni Montiroli and, in 1880, the theatre was reopened under the name Caio Melisso. Caio Melisso was Read more [...]

Near the Spoleto train station, there is a monument that you can easily overlook. Its name is Teodelapio, which comes from one of the first Lombard dukes of Spoleto, who reigned in the 7th century, Theudelapius.   SHORT HISTORY The story began in 1962, at the fifth edition of the Festival dei Due Mondi (Festival of the Two Worlds), curated by Giovanni Carandente. In March 1962, Giovanni Carandente invited Alexander Calder to participate in the event. He asked him to create a piece of art that could serve as a triumphal arch at the entrance to the city and become its symbol. Alexander Calder was an American sculptor known for his Mobile sculptures, which are moving due to air currents, but also for the monumental stationary sculptures that are called Stabiles. The American sculptor designed a metal monument, kept today in the Carandente Museum, inside Palazzo Collicola. The sculpture was enlarged 27 times, being the first of many Stabiles of Calder and the only one on the Italian soil. 18 meters in height, the work is considered the first stationary monumental sculpture in the world.   HOW TO GET THERE It’s simple! The Teodelapio is right in front of the Read more [...]

In the historical center of Spoleto, in Piazza del Mercato (Market Square), there is a fantastic fountain, whose water has been running for over 700 years. With a clock above and a monument dedicated to the Barberini family on top, this fountain is known as Fontana di Piazza del Mercato or, simpler, Fonte di Piazza, and is one of the main tourist attractions in Spoleto, and should not be missed.   SHORT HISTORY There has been a fountain in Piazza del Mercato since the 13th century or even earlier. In 1433, another one was built in front of the old fountain by the local architect Giovanni Buono and it was inaugurated on the occasion of the visit of Roman Emperor Sigismund of Luxembourg. Achille Sansi, a historian from the 19th century, tells us that the water flow of the fountain had been increased in 1512, thanks to the improvements made to the pipelines. In the 16th century, the place where today’s fountain stands was occupied by the church of San Donato. In the second half of the 16th century, the church was abandoned and its façade facing the square was used first for a clock, and then for a monument Read more [...]

Fontana di Mascherone is an interesting fountain in Spoleto, simply known by the locals as Il Mascherone, due to the mask from whose mouth the water flows. The fountain was probably built in the 17th century, and according to a nearby inscription, a restoration was comissioned in the year 1736 by the Pope Clement VII.   HOW TO GET THERE The fountain is located in Piazza Campello, only 230 meters from the Spoleto Cathedral and about 1.9 kilometers from the Spoleto train station. If you want to find the fountain easily, use the map below.