All SEE in Padua

Buy tickets & tours:GetYourGuide The Cathedral of Santa Maria Assunta, also known as Padua Cathedral or Duomo di Padova, is the main Catholic church of Padua and the seat of the Diocese of Padua. Dedicated to the Assumption of Mary, it stands in Piazza Duomo, in the historical center of the city, beside the Bishop’s Palace and the Padua Baptistery. The Cathedral of Santa Maria Assunta is one of the most important religious buildings in Padua, although its exterior is sober and unfinished. Its history includes early Christian origins, medieval destruction, a Renaissance presbytery connected with Michelangelo Buonarroti, Baroque completion, modern liturgical changes, and restorations after natural and wartime damage. Unlike the Basilica of Saint Anthony, which dominates Padua with its domes and rich exterior, the city’s cathedral has a more austere appearance. Its importance lies in its role as the episcopal seat, its ancient religious continuity, its relics, and the artistic works preserved inside its chapels, crypt, and sacristies.   Short History of the Cathedral of Santa Maria Assunta (Padua Cathedral) Early Christian Origins According to tradition, the first cathedral of Padua was built after the Edict of Milan of 313, when Christianity was legally recognized in the Roman Read more [...]

The Loggia and Odeo Cornaro are two Renaissance buildings in Padua, located in the eastern part of the historical center of the city, not far from the Basilica of Saint Anthony of Padua. The structures were part of a larger complex of buildings and gardens built by Alvise Cornaro in the first half of the 16th century, in the vast park of his residence. Of the original complex, only a rectangular courtyard of about 32 by 18 meters remains. The Loggia occupies the entire short side, while the Odeo stands in the center of the long side.   SHORT HISTORY OF THE LOGGIA AND ODEO CORNARO The Loggia was desired by Alvise Cornaro as a physical expression of the idea of a humanist theater. The structure, designed by the architect and painter Giovanni Maria Falconetto from Verona, was built starting with 1524. The Odeo was built ten years after the Loggia, and it was the space intended for music and poetic recitations. Starting with 1540, the Odeo became the seat of the Academy of the Burning Ones (Accademia degli Infiammati), a philosophical and literary academy in Padua.   ART AND ARCHITECTURE OF THE LOGGIA AND ODEO CORNARO The Loggia is Read more [...]

Loggia Amulea is a neo-Gothic style palace in Padua, located on the western side of the beautiful square of Prato della Valle.   SHORT HISTORY The Loggia takes its name from the cardinal Marco Antonio da Mula, known also as Amulio, who founded in Padua the Collegio Amulio and the Compagnia del Gran Nome di Dio, dedicated to the assistance of orphans. He owned a palace in Prato della Valle, which was destroyed by a fire in 1822. The Municipality of Padua then decided to built a new palace. Initially, the building was supposed to be divided into cafes, dance halls, game rooms, theaters, but later it was preferred to be used for military purpose. Around 1860, among the various competing projects, it was chosen the one presented by the architect Eugenio Maestri. The palace was the seat of the Padua fire brigade between 1906 and 1989. It currently houses some municipal offices.   ART AND ARCHITECTURE The front of the building is characterized by an elegant loggia, a two-storey neo-Gothic structure which recovers medieval elements, especially in the use of architectural decorations in terracotta (architraves, tiles, pilasters). Between the lower arches of the loggia, there are the statues of Read more [...]

Torre dell’Orologio is a medieval clock tower in Padua, located between Palazzo del Capitanio and Palazzo dei Camerlenghi, in Piazza dei Signori.   SHORT HISTORY The tower was built in the first half of the 14th century, as a fortified entrance to the Carrarese Royal Palace, owned by the noble family of da Carrara, Lords of Padua. However, its current appearance is due to the works began 1426 at the behest of the Captain Bartolomeo Morosini, concluded with the inauguration of the clock on the Feast of Saint Anthony from 1437. The astronomical clock that dominates the square is the oldest mechanism of its kind in the world. It is actually a reconstruction from 1436 of the clock built by Jacopo Dondi in 1344, and placed on the tower of the southern gate of the Carrarese Palace. The clock is the work of Matteo Novello and Giovanni and Gian Pietro delle Caldiere. In 1531, the nobleman Vitale Lando comissioned the large triumphal arch located at the base of the tower to the architect Giovanni Maria Falconetto. In June 2010, the monument undergone a careful restoration work that affected both the architectural structure of the tower and the mechanisms of the Read more [...]

Porta Liviana, also known as Porta di Pontecorvo, is a city gate in Padua, located in Piazzale Pontecorvo. Part of the 16th century walls (Mura Cinquecentesche), the gate now appears detached, and therefore presents itself as an isolated monument. Originally, the walls were linked to the sides of the gate, where today two semicircular niches can be seen.   SHORT HISTORY OF PORTA LIVIANA The walls, also known as the Venetian Walls (Mura Veneziane), were built by the Venetian Republic during the first decades of the 16th century, as a project of the captain Bartolomeo d’Alviano. The walls were protected on its west flank by a canal known as Fossa Bastioni. The construction of Porta Liviana was begun immediately after the Siege of Padua from 1509, in the context of the War of the League of Cambrai. It was the first gate to be completed in 1517, and was probably based on a design by the Lugano architect Sebastiano Mariani. The gate was dedicated to Bartolomeo d’Alviano, who died on October 7, 1515.   ARCHITECTURE OF PORTA LIVIANA The gate is actually a cube of 16 meters on each side, with the arches of the passage underlined, on the two Read more [...]

The Church of San Clemente is a medieval Catholic church in Piazza dei Signori, one of the central historic squares of Padua. It faces the Clock Tower and stands a short distance from Palazzo della Ragione, Piazza della Frutta, and Piazza delle Erbe, in the city’s old market district. The church is dedicated to Pope Clement I, traditionally considered one of the earliest bishops of Rome. Although tradition gives the building a very ancient origin, its first secure documentary mention dates to 1190. Today, it is a rectory dependent on Padua Cathedral, not an independent parish. The Church of San Clemente is not a large monument, but it is important because of its location, medieval origin, Mannerist façade, guild connections, and interior artworks. The building is enclosed by residential and commercial structures, so only the façade clearly defines its exterior presence in Piazza dei Signori. The interior preserves works attributed or linked to important artists active in Padua and northern Italy. These include Jacopo Bellini, Pietro Damini, Luca Ferrari da Reggio, Giovan Battista Bissoni, Giulio Cirello, Francesco Zanella, and Giacomo Manzoni, covering several centuries of religious art.     Short History of the Church of San Clemente Early Tradition and Read more [...]

Basilica of Santa Giustina, dedicated to Saint Justina of Padua, is an important Catholic church in Padua, located in the square of Prato della Valle.   SHORT HISTORY In the 6th century, the praetorian prefect Venanzio Opilione built a basilica on the site of the tomb of Saint Justina of Padua, martyred in 304. The basilica, which in the meantime was flanked by an important Benedictine monastery, collapsed due to the earthquake of 1117. The church was rebuilt in the following years, reusing what remained of the previous construction. Between the 14th and the 16th centuries, the choir, the sacristy and the Chapel of San Luca were built. In this period, the adjacent monastery was also rebuilt. Starting with 1501, a new construction was begun on the project of Girolamo da Brescia. After abandoning the da Brescia project, the monks entrusted the work to Sebastiano da Lugano and then to Andrea Briosco. After the death of the latter, the direction of the work passed to Andrea Moroni and then to Andrea da Valle. The huge construction site lasted for more than a century. The basilica was solemnly consecrated on March 14, 1606. Following the Napoleonic ecclesiastical laws, the abbey was Read more [...]

Palazzo Zacco al Prà is a beautiful palace in Padua, located on the western side of the square of Prato della Valle.   SHORT HISTORY The construction of the building was begun on December 19, 1555, commissioned by Marco, an exponent of the Zacco family of Padua. The building was designed by Andrea Moroni, and probably incorporated some pre-existing buildings. The construction was completed in less than two years and, by 1557, the palace was already occupied by its owners. The Zacco family resided in the palace until the early 1800s. One of the last major events that took place in the palace was the stay of the Austrian Emperor Francis II of Habsburg and his wife, Carolina Augusta of Bavaria. On June 27, 1839, the last descendants of the historic owners sold the building to the Armenian Mekhitarist Congregation. Four years later, the palace became the Collegio Morat. Later, the property was taken over by the municipality of Padua, which in 1904 ceded it to the Italian state. Palazzo Zacco was declared a building of artistic interest on April 24, 1925. Occupied by various Military Commands, Palazzo Zacco became the Padua headquarters of the Officer’s Club of the Italian Read more [...]

Piazza dei Signori or Piazza della Signoria is a beautiful square in the historic center of Padua, with the famous Clock Tower on one side and the Church of San Clemente on the other. Its name comes from Palazzo della Signoria, residence of the Lords of Padua between 1318 and 1405, a building that does not exist anymore.   SHORT HISTORY Piazza dei Signori appeared in the 14th century on the place of an ancient district, as the result of an urban reorganization promoted by Ubertino da Carrara, Lord of Padua. The war between the Carraresi and the Visconti at the end of the 14th century damaged the square and left it in ruins until the ‘20s of the 15th century, when the Venetians started a work of recovery. At first, the square was paved with terracotta tiles, arranged in a herringbone pattern, gradually replaced starting from the 18th century by tiles of Euganean trachyte. Following a speech by Father Alessandro Gavazzi, on May 9, 1848, the square became Piazza Pio IX, the heart of the anti-Austrian popular movement. Then, it became Piazza Unità d’Italia, to return to its original name during the Fascist era. Now, the square hosts part Read more [...]

Piazza delle Erbe, also known in the past as Piazza delle Biade (Corn Square), Piazza del Vino (Wine Square) or Piazza della Giustizia (Justice Square), is a beautiful square in Padua, located in the historical center of the city. The square is dominated by the magnificent Palazzo della Ragione.   SHORT HISTORY The area dates back to pre-Roman times, as evidenced by the numerous archaeological finds. Although the place was destined for trade since the imperial age, its current conformation dates back to a period between the 9th and the 11th centuries. After the construction of the Palazzo della Ragione at the beginning of the 13th century, the various shops were reorganized – under the portico of the palace, the sellers of fabrics and fur were installed, the sellers of wrought iron in the east of the square, the sellers of wine in the west, while the stalls with grains and leather were installed in the center of the square. The goldsmiths were located under the portico of the Palazzo del Podestà, built also in the 13th century in the eastern side of the square. In the 18th century, the arcades of the medieval houses located to the south of Read more [...]

Piazza della Frutta (Fruit Square), once called Piazza del Peronio, is a beautiful square in Padua, dominated by the imposing Palazzo della Ragione. Together with the nearby Piazza delle Erbe, Piazza della Frutta was, for centuries, the commercial center of the city.   SHORT HISTORY The area was inhabited since pre-Roman times, as evidenced by numerous archaeological finds. According to some, it was a site of trade already during the Roman age, but owes its current conformation to a period between the 10th and 11th centuries. The square was occupied by numerous shops and stalls, selling all kinds of goods, especially vegetables and fruits. With the construction of the Palazzo della Ragione at the beginning of the 13th century, an attempt was made to arrange the various points of sale – under the hall, the sellers of fabrics and fur were installed, the vendors of poultry and game to the east, the sellers of fruits and vegetables to the west, while the removable stalls with leather were placed in the center of the square. During the 17th and 18th centuries, the medieval houses enclosing the square were renovated, with the rectification of the arcades. In the first half of the Read more [...]

Castelvecchio, formerly known as Castello della Torlonga, is a fortification in Padua, located in the southern part of the historical center of the city. The castle assumed the name of Castelvecchio (Old Castle) when the construction of Castelnuovo (New Castle) began in 1513. It was also called Castello di Ezzelino, due to the sinister charm evoked by Ezzelino III da Romano, tyrant of Padua in the 13th century. Today, in reference to the lordship of the House of Carrara, it is frequently referred to as Castello Carrarese.   SHORT HISTORY OF CASTELVECCHIO The Long Tower (Torlonga) was built in the 9th century in a strategic area, where the Bacchiglione River is dividing into Tronco Maestro and Naviglio. Between the 10th and 11th centuries, the tower was surrounded by a short wall that protected it. In 1237, Ezzelino III da Romano, tyrant of Padua, began building a castle around Torlonga and added another tower. Starting with 1241, Ezzelino planned the repression of the Guelph opposition and thus began to segregate the prisoners in the basement of the new castle and in the towers. In 1256, the Crusaders entered Padua at the behest of Pope Alexander IV and occupied the city. The Read more [...]

Loggia del Consiglio is a beautiful Late Renaissance palace in Padua, located in the southwestern corner of Piazza dei Signori. Beginning with 1240, when the large hall of Palazzo della Ragione was destroyed in a fire, the city’s council met in the Loggia del Consiglio, hence the name of the building. The palace is also known as the Loggia della Gran Guardia, because it was used as a military commandment during the Austrian domination.   SHORT HISTORY The elegant Mannerist building was designed by Annibale Maggi from Bassano, and built starting with the year 1496. The works proceeded slowly and were often interrupted by long pauses, of which the longest was after the Siege of Padua by the Roman Emperor Maximilian I, in 1509, during the War of the League of Cambrai. The work resumed in 1516 under the guidance of Biagio del Bigio from Ferrara, and later, starting with 1530, continued under the direction of the architect Giovanni Maria Falconetto. Faconetto, due also to his work on the Torre dell’Orologio, played an important role in the new configuration of the square. In 1866, the Loggia del Consiglio became part of the municipal patrimony, and was subsequently used for cultural Read more [...]

Palazzo del Monte di Pietà is a medieval palace in Padua, located near the Cathedral of Santa Maria Assunta, on the northern side of Piazza Duomo.   SHORT HISTORY The palace was built between the 13th and 14th centuries, and it belonged to the famous moneylender Rinaldo Scrovegni. At the beginning of the 14th century, it was destroyed by a fire and subsequently abandoned. The palace was taken over by the noble family of da Carrara, and with the annexation of Padua by the Republic of Venice at the beginning of the 15th century, the building became the property of the Venetian government. A fire damaged much of the building in the first half of the 16th century. Doge Andrea Gritti, at the request of the bishop Pietro Barozzi, sold the palace for 10,000 ducats to the Monte di Pietà institution, founded by the Franciscans a few decades earlier to combat usury. The renovation of the facade was entrusted to the Veronese architect Giovanni Maria Falconetto, who redesigned the building on the basis of the six-arched loggia and the perimeter walls that survived the fire. The headquarters of the Monte di Pietà was inaugurated in 1533, while in the following Read more [...]

Palazzo Grimani is a historic palace in Padua, located on Prato della Valle, one of the city’s most important monumental spaces. The building stands near Basilica of Santa Giustina, Orto Botanico di Padova, and Basilica of Saint Anthony, in the southern part of the historic center. The palace is also known as Palazzo Verson, formerly Grimani, a name connected with later ownership. The complex is historically important, but it is private property, so visitors normally see it only from the outside. Palazzo Grimani was built over medieval structures and transformed by the Grimani dai Servi family from 1561. The earlier Gothic buildings were reorganized into a noble residence, then completed in a more monumental form between 1621 and 1630, during the seventeenth-century development of Prato della Valle. The palace is linked with Giovanni Antonio Rusconi, Francesco Contin, and Mattia de Rossi. De Rossi, a Roman Baroque architect connected with Bernini’s circle, designed an ambitious enlargement in 1671, but the project was never completed. His plan remains central to the palace’s architectural history.     Short History of Palazzo Grimani Medieval Origins and the Grimani Family The site of Palazzo Grimani was already occupied in the late fourteenth century by several Read more [...]