Buy tickets & tours:GetYourGuide Piazza dei Miracoli, officially known as Piazza del Duomo, is the most important artistic and religious space in Pisa. Located in the north-western part of the historic city, the square brings together the Cathedral of Santa Maria Assunta, the Baptistery of San Giovanni, the Leaning Tower, the Camposanto, and two major museums. The popular name “Square of Miracles” comes from the admiration inspired by the complex. Gabriele d’Annunzio famously described the area as the “Prato dei Miracoli” in his 1910 novel Forse che sì forse che no. The expression later spread widely, especially after the Second World War and during mass tourism. Since 1987, Piazza dei Miracoli in Pisa has been listed as a UNESCO World Heritage Site. The recognition is based on the exceptional artistic value of the complex, its influence on medieval architecture, and the way its monuments express the religious, civic, and cultural identity of medieval Pisa. Piazza dei Miracoli is mostly pedestrian and covered by a large lawn, which gives the marble buildings a striking visual unity. Its current open appearance is not entirely medieval. It was shaped especially in the 19th century, when several later constructions were removed and the monuments Read more [...]
Tag: Alessandro Gherardesca in Pisa
Baptistery of San Giovanni
Buy tickets & tours:GetYourGuide The Baptistery of San Giovanni is one of the main religious monuments in Pisa‘s Piazza dei Miracoli, officially known as Piazza del Duomo. It stands in front of the western façade of the Cathedral of Santa Maria Assunta, south of the Camposanto Monumentale, and close to the Leaning Tower of Pisa. The Baptistery of San Giovanni belongs to the monumental complex that defines medieval Pisa: Cathedral, Baptistery, Bell Tower, and Camposanto. Its position is not accidental. The baptistery was placed opposite the Cathedral because baptism marked the beginning of Christian life, before the faithful entered the cathedral community. The Baptistery of San Giovanni is also one of the clearest examples of Pisa’s long medieval building history. Its lower structure is Romanesque, while its upper levels show Gothic additions. The monument therefore records more than two centuries of construction, artistic change, technical ambition, and civic identity. Unlike the Leaning Tower, the Baptistery is often admired quietly rather than theatrically. Yet it is one of the most important monuments in the square. It is the largest baptistery in the world, a major work of medieval architecture, and home to one of the most influential pulpits in Italian sculpture. Read more [...]
Leaning Tower of Pisa
Buy tickets & tours:GetYourGuide The Leaning Tower of Pisa is the freestanding bell tower of the Cathedral of Santa Maria Assunta in Pisa. It stands in Piazza del Duomo, the monumental religious square also known as Piazza dei Miracoli. The tower is famous worldwide for its unintended tilt, caused by unstable ground beneath its foundation. Although it is usually treated as an independent monument, the Leaning Tower of Pisa was built as part of the cathedral complex. Its function was religious and practical, not defensive. The seven bells at the top marked liturgical moments, public time, and ceremonies connected with the life of the cathedral and the city. Piazza del Duomo has been a UNESCO World Heritage Site since 1987. The square includes the cathedral, the Baptistery of San Giovanni, the Camposanto, the Opera del Duomo Museum, the Sinopie Museum, and the Leaning Tower of Pisa. Together, these monuments form one of the most important medieval architectural ensembles in Italy. Today, the Leaning Tower is not only a symbol of Pisa, but also a major example of medieval engineering, structural risk, and modern conservation. Its survival is the result of long construction pauses, later corrections, and major stabilization works carried Read more [...]
Palazzo Toscanelli
Palazzo Toscanelli, known until the 19th century as Palazzo Lanfranchi, is a Renaissance-style palace located on Lungarno Mediceo, in Pisa, about 120 meters away of Palazzo Vecchio de’ Medici. Since 1913, the palace is the seat of the State Archive (Archivio di Stato di Pisa), which holds an impressive collection of documents from the archives of the Pisan Republic. Over time, the archive was enriched with documents from the Pisan monasteries or donations from private individuals belonging to noble Tuscan families. SHORT HISTORY The palace was built in the first half of the 16th century by Bartolomeo Lanfranchi. Another palace commissioned later by Alessandro Lanfranchi stands across the Arno River. In 1576, the palace was refurbished after a design by Francesco Mosca. Lord Byron lived in the palace between 1821 and 1822. From here, the English poet left for Greece, where he died in 1824. The Toscanelli family bought the palace in 1827. The current appearance of the building dates back to the same 19th century, when Palazzo Toscanelli was renovated by the architect Alessandro Gherardesca. Giovan Battista Toscanelli and his wife, Angiola Cipriani, lived in the palace, gaining over time a large and prominent art collection. Among the Read more [...]
Palazzo Prini-Aulla
Palazzo Prini-Aulla, also known as Palazzo Mazzarosa, is a palace in Pisa, built in Neo-Renaissance style, located on Lungarno Antonio Pacinotti, at number 45. SHORT HISTORY The palace was built around 1830 at the behest of the Prini-Aulla family, who kept the property until the beginning of the 20th century. The architect was Alessandro Gherardesca, who built the palace by merging some medieval houses and by closing an alley whose access corresponded with the entrance door of the current structure. Over time, famous people lived in the palace, such as the Italian philosopher and poet Giacomo Leopardi, the French writer Xavier de Maistre, or the French poet Alphonse de Lamartine. ARCHITECTURE The facade of the palace, built in Neo-Renaissance style, has three levels. The ground floor has 10 rectangular windows and a massive portal, while the upper floors have 11 rectangular windows each. The portal is surmounted by a balcony, and the window on the main floor corresponding to the portal is decorated with the coat of arms of the Prini-Aulla family. HOW TO GET THERE Palazzo Prini-Aulla is located about 1 kilometer away from the Pisa Centrale railway station. The closest bus stop is Pacinotti 1, Read more [...]
Palazzo Roncioni
Palazzo Roncioni is a palace located on the northern bank of the Arno River, in Pisa, adjacent to the Palazzo Toscanelli and about 100 meters away from Palazzo Vecchio de’ Medici. SHORT HISTORY The palace was built in the first half of the 17th century, by merging several medieval buildings. In 1662, the original owners, the Navarette family, sold it to the Roncioni family. In 1789, Angiolo Roncioni, passionate about art, hired the painter Giovanni Battista Tempesti to paint frescoes on the walls and the vaulted ceilings of the palace, and J.B. Desmarais to paint family portraits. In 1794, Angiolo Roncioni and Andrea Agostini created the Roncioni Academy, a cultural circle where famous artists were invited, and where the most advanced theatrical texts of the period were presented. In 1795, the owner comissioned the architect Alessandro Gherardesca to build a small theater in the palace. The Count Vittorio Alfieri, the founder of the Italian tragedy, stayed there in the same year, when he was invited to recite his work Saul during the period of Luminara di San Ranieri. In 1816, the writer Madame de Staël lived in the palace, and later Louis Bonaparte – the brother of Napoleon, and Read more [...]
