Tag: Renaissance in Venice

Palazzo Grimani di San Luca is an imposing Renaissance-style palace in Venice, located in the San Marco district (sestiere), overlooking the Grand Canal not far from the Rialto Bridge.   SHORT HISTORY OF PALAZZO GRIMANI DI SAN LUCA In March 1556, the noble Girolamo Grimani aquired a ruined palace on the Grand Canal owned by the brothers Bertuccio and Marino Contarini. In the summer of 1557, he decided to build a new palace on this site, and the project was given to the architect Michele Sanmicheli. In 1559, the ground floor was completed, but Sanmicheli died, and the direction of the construction was entrusted in 1561 to Giangiacomo de’ Grigi. The tasks of de’ Grigi was to complete the ground floor with a mezzanine, and to build the first and second floors. In November 1566, a dispute arose between Grimani and de’ Grigi, mainly in relation to the facade and the sum of money that the client still had to pay to the architect. The dispute was resolved thanks to the intervention of three illustrious architects – Andrea Palladio, Jacopo Sansovino and Pietro Guberni, who established what was still to be done, the cost and the date by which the Read more [...]

Palazzo Balbi is a Renaissance palace in Venice, located in the sestiere (district) of Dorsoduro, overlooking the Grand Canal between Ca’ Foscari and Palazzo Caotorta Angaran. Palazzo Balbi is the official seat of the President of the Veneto Region and of the Regional Council.   SHORT HISTORY OF PALAZZO BALBI Palazzo Balbi was built in the second half of the 16th century, to a design by Alessandro Vittoria, to be the residence of the Balbi family. The construction of the palace started in 1582 and was completed in 1590. Many restorations followed over the years, including that of 1737 commissioned by Lorenzo Balbi, and a subsequent one which saw the addition of the works by Jacopo Guarana. In 1807, Napoleon Bonaparte was hosted in the palace, and was able to attend from its balcony the regatta organized in his honor. Over the years, the palace was often rented out, to other families from the Venetian patriciate – the Pisanis, the Valmaranas and the Biondis. In 1887, Palazzo Balbi passed to Michelangelo Guggenheim, who chose it as the seat of his Industrial Arts Laboratories, modernized it and brought there his personal art collection. In 1925, the palace passed to the Adriatic Read more [...]

Palazzo Cappello Layard is a palace in Venice, located in the sestiere (district) of San Polo, overlooking the Grand Canal between Palazzo Barbarigo della Terrazza and Palazzo Grimani Marcello.   SHORT HISTORY OF PALAZZO CAPPELLO LAYARD The palace was built in the 16th century and renovated during the same century according to the styles of Renaissance architecture at the behest of its owner, Antonio Cappello, the procurator of San Marco. At the end of the 19th century, the building became the residence of the English ambassador Austen Henry Layard. Layard, a distinguished archaeologist who became famous for the discovery of the city of Nineveh, moved his vast collection of Italian Renaissance paintings into the palace. Later, after his death, the art collection was donated by his wife to the National Gallery in London. Lady Layard died in 1912, and the palace was bought by the Carnelutti family and became the residence of the jurist Francesco Carnelutti. In 1967, Palazzo Cappello Layard passed to the Ca’ Foscari University of Venice. Currently, the palace houses the headquarters of the Department of Asia and Mediterranean Africa Studies of the university.   ARCHITECTURE OF PALAZZO CAPPELLO LAYARD The palace has three facades. The facade Read more [...]

Palazzo Giustinian Persico is a palace in Venice, located in the San Polo district (sestiere), overlooking the Grand Canal between Rio di San Tomà and Palazzo Tiepolo Passi.   SHORT HISTORY OF PALAZZO GIUSTINIAN PERSICO Palazzo Giustinian Persico was built in the first decades of the 16th century for the noble Giustinian family, one of the most important and ancient Venetian families. The Persico family, originally from Bergamo, joined the Venetian patriciate on March 18, 1685, after the usual payment of 100,000 ducats to the Serenissima. Not long after its construction, the palace passed to the Persico family.   ARCHITECTURE OF PALAZZO GIUSTINIAN PERSICO The palace is one of the first Venetian structures built in Renaissance style. The facade of the palace, inspired by the work of Mauro Codussi, dates back to the 16th century. The facade is characterized by a lively red plaster on which two superimposed central four-light windows stand out, flanked by pairs of single-lancet windows. The frames of the windows are very valuable and most of them have a balcony. The rear facade of the building, architecturally not very interesting, overlooks a large garden.   HOW TO GET TO PALAZZO GIUSTINIAN PERSICO The palace is located Read more [...]

Palazzo Soranzo Pisani is a palace in Venice, located in the San Polo district (sestiere), overlooking the Grand Canal between Palazzo Tiepolo and Palazzo Tiepolo Passi.   ARCHITECTURE OF PALAZZO SORANZO PISANI The facade of the palace is a mixture of Gothic and Renaissance styles. The ground floor, without mezzanine, has a water portal of modest dimensions, positioned towards the left side of the facade. The first noble floor has a central five-lancet window and two pairs of lateral single-lancet windows, all with an indented frame. The single-lancet windows have balconies. The second noble floor follows the openings of the first floor, but the windows have round arches, and there is a small balcony placed in front of the three central lights of the pentafora (five-light window).   HOW TO GET TO PALAZZO SORANZO PISANI Palazzo Soranzo Pisani is located about 1.1 kilometers on foot from the Santa Lucia railway station. The closest vaporetto stop is San Toma, about 200 meters away, on the waterbus Lines 1 and 2.

Palazzo Tiepolo is a Renaissance palace in Venice, located in the San Polo district (sestiere), overlooking the Grand Canal between Palazzo Soranzo Pisani and Palazzo Pisani Moretta.   SHORT HISTORY OF PALAZZO TIEPOLO Palazzo Tiepolo was built around the middle of the 16th century on the site of an ancient structure, probably of Venetian-Byzantine origin.   ARCHITECTURE OF PALAZZO TIEPOLO The facade of the palace, in early Renaissance style, is divided by three stringcourses and spread over four levels: ground floor, two noble floors and a mezzanine. The ground floor is characterized by the presence of twin arched portals in the center. On each of the noble floors, there is a quadrifora (four-light window) with central arches and a balcony. On the sides of the quadrifora, there are two pairs of single-lancet windows in the same style, without a balcony. On the facade, there are still visible the remains of the frescoes made by Andrea Meldola, also known as the Schiavone. Above the eaves line, there is a dormer. The interior of the palace is decorated with polychrome stuccos, while the portego (porch) is embellished with valuable frescoes by Jacopo Guarana.   HOW TO GET TO PALAZZO TIEPOLO The palace Read more [...]

Palazzo D’Anna Viaro Martinengo Volpi di Misurata, also known as Palazzo Talenti D’Anna Volpi, is a palace in Venice, located in the San Marco district (sestiere). The palace overlooks the Grand Canal between Palazzo Tron a San Beneto and Casa Marinoni.   SHORT HISTORY OF PALAZZO D’ANNA VIARO MARTINENGO VOLPI DI MISURATA Built in the early 16th century at the behest of the Talenti family, it soon passed to the wealthy Flemish merchant Martino D’Anna. The expansion of the building, which took place around the middle of the 17th century, is due to the subsequent owners, the Viaro, an ancient Venetian family. During the 18th century, the building changed ownership again, initially by inheritance to the Venetian patricians Foscarini, and subsequently to the Martinengo counts. In the 19th century, the palace became the property of Count Giovanni Conti. In 1917, the entrepreneur Giuseppe Volpi became the owner. In 1925, he was awarded the title of Count of Misrata.   ARCHITECTURE OF PALAZZO D’ANNA VIARO MARTINENGO VOLPI DI MISURATA At first glance, the facade of the building appears to be divided into four sections with two alternating structural types, but looking more carefully, we see that the first section on the Read more [...]

Palazzo Corner Spinelli is a palace in Venice, located in the San Marco district (sestiere), overlooking the Grand Canal, across the canal from Palazzo Querini Dubois.   SHORT HISTORY The palace was commissioned by the Lando family, most probably to the architect Mauro Codussi. It was built between 1480 and 1490. In 1542, the palace was sold, due to the disastrous economic situation of the Lando family. It passed to the Corner family, who entrusted Michele Sanmicheli and Giorgio Vasari with the task of modernizing the interior of the building. The facade was preserved, while the whole rear part was rebuilt. The interventions relating to the interiors are attributable to the Classic style: use of columns and round arches, as well as the insertion of fireplaces in all the main rooms. Between 1740 and 1810, the palace was rented to the Spinelli family. Later, it was bought by the Cornoldi family. In 1850, it became the property of the dancer Maria Taglioni, also owner of Palazzo Giustinian Lolin, Palazzo Barzizza and Ca’ d’Oro.   ARCHITECTURE Palazzo Corner Spinelli is a beautiful example of the transition from the Gothic forms, predominant in Venice up to the 15th century, to the new Read more [...]

The Church of Santa Maria dei Miracoli is a beautiful church in Venice, located in the sestiere of Cannaregio.   SHORT HISTORY The church was built between 1481 and 1489, at the behest of the Lombard merchant Angelo Amadi, who desired a proper shrine for a painting depicting the Virgin, inherited from his uncle, Francesco Amadi. The painting, dating back to the beginning of the 15th century, was considered miraculous by the inhabitants of the area. The project was entrusted to the architect Pietro Lombardo who, with the help of his sons, Tullio and Antonio, designed and built this small church. One of the first Renaissance-style churches built in Venice, it was renovated during the 16th century, without changing its external appearance. In 1997, the church was the subject of a careful restoration, which allowed the locals and tourists alike to fully enjoy its artistic beauty.   ART AND ARCHITECTURE The facade, divided into five sectors by pillars, has two orders. The lower order, with pillars with Corinthian capitals, is architraved, while the upper one, with pillars in Ionic style, is composed of 5 blind arches. Above the facade, there is a large semicircular pediment, decorated with a rose window, Read more [...]

Palazzo Civran is a palace in Venice, located in the Cannaregio district (sestiere), overlooking the Grand Canal, not far from Fontego dei Tedeschi and the Rialto Bridge.   SHORT HISTORY The Civran family owned the palace since the 14th century, when it was built in Gothic style. At the beginning of the 18th century, the palace was rebuilt by the architect Giorgio Massari. In the 19th century, the palace was the property of Isacco Pesaro Maurogonato, the finance minister in the Italian government of Daniele Manin. Currently, Palazzo Civran is a state-owned building, and is the seat of Guardia di Finanza.   ARCHITECTURE The current appearance of the palace is the result of the last major restoration that took place in the first half of the 18th century, when the building was renovated in Late Renaissance style. The ground floor is built from ashlar blocks, having in the center a water portal with a round arch and a keystone with an anthropomorphic head. The mezzanine consists of four windows with small balconies, each one with a iron railing. The main floor has a central single-lancet window similar to the water portal below, and two pairs of lateral single-lancet windows, all Read more [...]

When you are looking at the Giudecca Island, from Zattere, your eyes are attracted by the splendid creation of Andrea Palladio, Chiesa del Santissimo Redentore or, commonly known, Il Redentore (The Redeemer). The church impresses at first from the distance, thanks to its massive structure, but only in front of it you will be able to discover the details that complete one of the most valuable architectural creations of the Venetian Renaissance.   SHORT HISTORY After the plague epidemic of 1575-1577, that killed over 50,000 Venetians, the Senate of the Republic decided to build a church to celebrate the end of the scourge and to thank the Divinity. The mission was entrusted to the great Renaissance architect Andrea Palladio, who was to begin the construction in 1577 and to leave it, after his death in 1580, to Antonio da Ponte, who would complete it many years later, in 1592. After the church was finished, the Venetian Senate established that every July, a pontoon will be built to link Zattere with the Giudecca island. In time, this tradition will become an important celebration for the Venetians, known as Festa del Redentore.   ARCHITECTURE Considered the most beautiful church built by Palladio, Read more [...]