Framed by domes, arcades and the shimmer of the lagoon, St Mark’s Square (Piazza San Marco) is the most famous square in Venice and one of the most celebrated urban spaces in Europe. Often called the heart of Venice, it is the only open space in the city officially given the title “piazza”, while all the others are simply “campi”. For centuries, processions, proclamations, markets and festivals have unfolded on these stones, while the façades of St Mark’s Basilica, the Doge’s Palace, the Campanile, the Procuratie and the Clock Tower watched silently over the crowds. Napoleon is said to have described Piazza San Marco as the drawing room of Europe, capturing how the square functioned as Venice’s grand reception hall. Today, St Mark’s Square is still the focal point of any visit to Venice. At its eastern end rises the glittering Basilica, while to the south the square opens into the lagoon via the Piazzetta, flanked by the Doge’s Palace and Biblioteca Marciana. On its long sides, the rhythm of arches and windows of the Procuratie Vecchie and Procuratie Nuove, joined by the Ala Napoleonica, create an elegant architectural frame. Cafés like Florian and Quadri spill out under the arcades, Read more [...]
Tag: Baldassarre Longhena in Venice
Ca’ Rezzonico
Buy tickets & tours:GetYourGuide Ca’ Rezzonico is one of the most famous palaces in Venice, located in the Dorsoduro district (sestiere), overlooking the Grand Canal between Palazzo Contarini Michiel and Palazzo Bernardo Nani. SHORT HISTORY The palace was designed in 1649 by Baldassarre Longhena for the Bon family. The construction began only in 1667, with the demolition of the existing buildings. Due to the economic difficulties of the family and the death of Longhena in 1682, the construction was abandoned. Only the facade towards the Grand Canal and a first floor were completed. The Della Torre-Rezzonico family settled in Venice in 1687. A member of this family, Giambattista, bought the building in 1751. He entrusted the project to Giorgio Massari, who built the second floor in 1752, and completed the palace in 1758. Between the autumn of 1847 and 1848, the palace was the residence of Carlos María Isidro of Spain, protected by the Austrian government. In 1888, it was bought by Robert Barrett Browning, son of the English writers Robert Browning and Elizabeth Barrett Browning, who restored it thanks to the financial support of his wife, the American Fannie Coddington. In 1906, Robert Barrett Browning, ignoring an offer Read more [...]
Church of Santa Maria di Nazareth
The Church of Santa Maria di Nazareth, known locally as Chiesa degli Scalzi, is a wonderful church in Venice, overlooking the Grand Canal, located near the Santa Lucia railway station and the beautiful Ponte degli Scalzi. The church is the seat of the religious Order of the Discalced Carmelites (or the Barefoot Carmelites, scalzi meaning barefoot in Italian). SHORT HISTORY After the Discalced Carmelites settled in Venice in 1633, they asked the architect Baldassare Longhena to build a church dedicated to the Virgin Mary. The construction of the edifice began in 1656, funded by the Venetian diplomat Girolamo Cavazza, and was completed in 1689 by Giuseppe Pozzo, seven years after Longhena’s death. The church was consecrated in 1705 and the Order of the Discalced Carmelites used it together with the adjacent convent until the beginning of the 19th century. In 1810, they left the church, returning 30 years later, in 1840. The church of Santa Maria di Nazareth was restored between 1853 and 1862, while only a few years later, with the appearance of the Santa Lucia railway station, the convent was demolished. ART AND ARCHITECTURE The facade of the church was built in Baroque style between 1672 Read more [...]
Church of San Pietro di Castello
The Church of San Pietro di Castello is a church in Venice, which, until 1807, it was the city’s cathedral. The church is located on the northeastern area of Venice, in the Castello district (sestiere), not far from the Arsenale. SHORT HISTORY As reported by the chronicler Giovanni Diacono, the building of the Church of San Pietro began around 822, and was completed nine years later, probably in 831. In 1120, a fire devastated the church, and a new larger structure was built, with a baptistery next to it dedicated to San Giovanni Battista (Saint John the Baptist), now lost. In 1451, with the suppression of the Patriarchate of Grado and the constitution of the Diocese of Castello of the Patriarchate of Venice, by the bull of Pope Nicholas V, the Church of Saint Peter became the new Cathedral of Venice. Between 1508 and 1524, the Patriarch Antonio Contarini decided to carry out restoration works on the ceiling, the vaults and the floor of the church. Between 1512 and 1526, the minor chapels were rebuilt and the decorations were redone. In 1558, the Patriarch Vienzo Diedo commissioned Andrea Palladio to rebuilt the facade and the interior of church. However, Read more [...]
Palazzo Flangini
Palazzo Flangini is, practically, the first truly monumental building that you meet on the Grand Canal, in Venice, when you are traveling with the vaporetto from the railway station, heading to the Rialto Bridge. Located near Scuola dei Morti, the Flangini Palace consists of two-thirds of an unfinished building, probably designed by Giuseppe Sardi in the second half of the 17th century. SHORT HISTORY It is said that the palace remained unfinished because one of the two brothers who inherited it, in spite of the other, had one of the wings destroyed, cutting the palace in half. The reality, much simpler and more prosaic, is that the old owner lacked the funds and was unable to buy the nearby area necessary for the completion of the building. The building was built between 1664 and 1682 and is attributed to the architect Giuseppe Sardi by the art historian of the 18th century Tommaso Temanza, but some think it could be the project of Baldassarre Longhena. Currently, the building is divided into several private properties. Following an important restoration, the entrance hall and the portego of the building have been taken over by the Valorizzazioni Culturali society, with the aim of Read more [...]
Basilica di Santa Maria della Salute
Rising at the entrance to the Grand Canal, the Basilica di Santa Maria della Salute is one of the defining monuments of Venice. Its great dome dominates the view from the Bacino di San Marco, while its marble mass marks the tip of Dorsoduro beside Punta della Dogana. Commonly called La Salute, the church stands between the Grand Canal and the Giudecca Canal, directly across the water from Piazza San Marco. From the square, La Salute appears as a theatrical counterpoint to the Doge’s Palace, San Giorgio Maggiore and the long waterfront of the city. The church was built as an ex voto after the plague of 1630-1631, when Venice suffered one of the most destructive epidemics in its history. The Republic promised a sanctuary to the Virgin Mary, under the title of Santa Maria della Salute, meaning Saint Mary of Health or Salvation. Designed by Baldassare Longhena, the church combines religious symbolism, difficult lagoon engineering and Venetian Baroque architecture. The building is not a longitudinal church with a traditional nave. Its main space is centralized, octagonal and luminous, organized around a massive dome and a sequence of Marian altars. Inside, visitors find works by Titian, Luca Giordano, Tintoretto, Pietro Read more [...]
