Buy tickets & tours:GetYourGuide The Baptistery of San Giovanni is one of the main religious monuments in Pisa‘s Piazza dei Miracoli, officially known as Piazza del Duomo. It stands in front of the western façade of the Cathedral of Santa Maria Assunta, south of the Camposanto Monumentale, and close to the Leaning Tower of Pisa. The Baptistery of San Giovanni belongs to the monumental complex that defines medieval Pisa: Cathedral, Baptistery, Bell Tower, and Camposanto. Its position is not accidental. The baptistery was placed opposite the Cathedral because baptism marked the beginning of Christian life, before the faithful entered the cathedral community. The Baptistery of San Giovanni is also one of the clearest examples of Pisa’s long medieval building history. Its lower structure is Romanesque, while its upper levels show Gothic additions. The monument therefore records more than two centuries of construction, artistic change, technical ambition, and civic identity. Unlike the Leaning Tower, the Baptistery is often admired quietly rather than theatrically. Yet it is one of the most important monuments in the square. It is the largest baptistery in the world, a major work of medieval architecture, and home to one of the most influential pulpits in Italian sculpture. Read more [...]
Tag: Gothic in Pisa
Cathedral of Santa Maria Assunta (Pisa Cathedral)
Buy tickets & tours:GetYourGuide Located in the famous Piazza dei Miracoli, officially known as Piazza del Duomo, the Cathedral of Santa Maria Assunta stands between the Baptistery of San Giovanni and the Leaning Tower of Pisa. It is the religious center of one of Europe’s most recognizable medieval architectural complexes. The Cathedral of Santa Maria Assunta is also known as the Duomo di Pisa, or Pisa Cathedral, and it is dedicated to the Assumption of the Virgin Mary. It belongs to the Archdiocese of Pisa and preserves the title of primatial church, connected to the historic dignity granted to the Pisan archbishop. The building is one of the clearest masterpieces of Pisan Romanesque architecture, a style shaped by classical, Lombard, Byzantine, Islamic, and Mediterranean influences. Its marble surfaces, loggias, arcades, mosaics, and sculptural decoration reflect Pisa’s power during the height of its maritime expansion. The Cathedral of Santa Maria Assunta forms the spiritual core of the square. Around it, the Baptistery, the Leaning Tower, and the Camposanto Monumentale complete a monumental group built between the 11th and 14th centuries, when Pisa was one of the most influential maritime republics in the Mediterranean. Short History of the Cathedral of Santa Read more [...]
Church of Santa Maria della Spina
The Church of Santa Maria della Spina is a small Gothic church in Pisa, located on the southern bank of the river Arno. The title della Spina (of the Thorn) comes from a thorn of the crown placed on Christ during his Crucifixion, which was brought to the church in 1333, but is kept in the Church of Santa Chiara since the 19th century. SHORT HISTORY The church was built in 1230 by the Gualandi family, and it was originally called Santa Maria di Pontenovo, because of a nearby bridge across the Arno River that connected Via Sant’Antonio to Via Santa Maria, collapsed in the 15th century. Between 1323 and 1376, enlargement works were made, probably under the direction of the architect Lupo di Francesco. Starting with the 5th decade of the 15th century, the works were supervised by the architect Andrea Pisano and his son, Nino. After the unification of Italy, the city council and a commission formed by members of the Academy of Fine Arts decided to dismantle and rebuild the church on a higher ground. The works, led by the architect Vincenzo Micheli, started in 1871 and were completed in 1875. This intervention moved the building Read more [...]
Palazzo Vecchio de’ Medici
Palazzo Vecchio de’ Medici, formerly Palazzo Appiano, is a palace in Pisa, located on the Lungarno Mediceo, about 120 meters away from Palazzo Toscanelli. Today, Palazzo Vecchio de’ Medici is the seat of the Prefecture. SHORT HISTORY The palace was built in the 13th century, on the site of a previous building dating back to the 11th century. The Appiani family, Lords of Pisa between 1392 and 1398, lived here until 1446, when the palace was bought by the Medici family. Lorenzo de’ Medici often stayed here, as he came to the Tuscan coast to cure his frail health. The King Charles VIII of France, guest of Piero di Lorenzo de’ Medici, also known as Piero the Unfortunate, resided in the palace in 1494, when Florence rebelled against Piero and he was exiled from the city. In 1539, the palace was the residence of Cosimo I de’ Medici. In 1574, Francesco I de’ Medici built a new Medici palace in Pisa, Palazzo Reale, and by 1784, the Medici Palace was sold to Jacopo Finocchietti. In 1871, the architect Ranieri Simonelli was comissioned by Vittoria Spinola, the morganatic daughter of Vittorio Emanuele II, to restore the palace. The architect transformed Read more [...]
Palazzo Agostini
Palazzo Agostini, commonly known as Palazzo dell’Ussero or Palazzo Rosso (Red Palace), is one of the most beautiful palaces in Pisa, and one of the main examples of Gothic architecture in Tuscany. The palace, belonging to the noble family Agostini Fantini Venerosi della Seta Gaetani Bocca Grassi, is home to the Caffè dell’Ussero starting with 1775, and houses the Cinema Lumière since 1899. SHORT HISTORY In the first half of the 14th century, the Astajo family built the palace by merging two older buildings. In 1447, the heirs of Jacopo and Filippo Astajo ceded the palace to Antonio Primi. Later, the palace passed to the Florentine family Visdomini who, on January 25, 1465, ceded it to the brothers Antonio and Pietro, Pisan goldsmiths. In 1496, the palace was bought by Mariano and Pietro Agostini, belonging to a family of mercantile origin, specialized in the silk trade. The palace was restored in 1895 on a project by the architect Angelo Giannini. On May 12, 1895, the roof was added by Luigi Corona, on a design by the architect Luigi Del Moro. ARCHITECTURE The facade, covered in terracotta tiles with a characteristic reddish color, from which the palace draws its Read more [...]
