Palazzo Pitti is an imposing Renaissance-style palace in Florence, located in Piazza dei Pitti. The palace was the residence of the Grand Duchy of Tuscany, and was inhabited, over time, by the Medici family, by the Habsburg-Lorraine and, after the Unification of Italy, by the Savoy. Palazzo Pitti hosts the Palatine Gallery, the Royal Apartments, the Apartment of the Duchess of Aosta, the Gallery of Modern Art, the Treasury of the Grand Dukes of Tuscany, the Costume Gallery, the Porcelain Museum and the Carriage Museum. The museal complex of Palazzo Pitti also includes the Boboli Gardens. SHORT HISTORY Luca Pitti, a rival of the Medici family, desired a more luxurious palace than the one built by Michelozzo for Cosimo the Elder. Around 1440, Pitti entrusted the project to Filippo Brunelleschi, but the architect died long before the construction began, and the project passed to his pupil, Luca Fancelli. The construction was started around 1458, but, due to various design problems and financial difficulties, the works were temporarily interrupted in 1465. Luca Pitti died in 1472. Around 1550, Buonaccorso Pitti sold the palace to Eleonora di Toledo, wife of Cosimo I de’ Medici and daughter of the Viceroy of Naples. Read more [...]
Tag: Giulio Parigi in Florence
Palazzo dell’Antella
Palazzo dell’Antella is a palace with a beautiful frescoed facade in Florence, located in Piazza di Santa Croce, near the Basilica of Santa Croce. SHORT HISTORY The first significant expansion of the palace dates back to the second half of the 16th century – the building was raised by a floor, including a mezzanine, and the wooden doors were replaced with stone ones, still visible today. The architect of the palace was probably someone from the circle of Baccio d’Agnolo. In the early 17th century, the palace passed to Senator Niccolò dell’Antella, through the dowry of his wife Costanza del Barbigia. In 1619, dell’Antella commissioned the architect Giulio Parigi to give a unified design to the properties the senator bought in Piazza di Santa Croce. To give a unified appearance to the adjacent buildings, the architect had the entire facade painted with frescoes. The paintings were made in just twenty days of work, between 1619 and 1620, by a team of thirteen young artists supervised by the painter Giovanni da San Giovanni. Dell’Antella died out in 1698 and, later, the palace passed by inheritance to the Dal Borgo family, then to Lotteringhi della Stufa and finally to de’ Nobili. Read more [...]