The Monument to Ferdinand III of Habsburg-Lorraine is a sculpture in Arezzo, located in Piazza di Murello, not far from the Cathedral of Saints Donatus and Peter. SHORT HISTORY The monument, executed by the Florentine artist Stefano Ricci, was placed at first in Piazza Grande, on April 13, 1822, and in 1932 it was moved to its current position. Ferdinand III of Habsburg-Lorraine was the Grand Duke of Tuscany from 1790 to 1801 and from 1814 to 1824, Grand Duke of Salzburg from 1803 to 1805, and Grand Duke of Würzburg between 1805 and 1814. The statue was erected in gratitude for his excellent work in the field of communication between Arezzo and Tuscany. Via Anconetana, at the time the main communication route with the Adriatic, was one of his projects. DESCRIPTION The Duke is depicted with an ancient toga, crowned with oak leaves, symbol of virtue, strength, perseverance and loyalty. In his left hand holds the scepter, emblem of power, while at his feet lies a lion. The relief placed at the base of the monument is the work of the Aretine sculptor Ranieri Bartolini. The relief describes allegorically the union of the two tuscan rivers, Chiana Read more [...]
Tag: Ranieri Bartolini in Arezzo
Fraternita dei Laici Museum
The Fraternita dei Laici Museum is a museum in Arezzo, housed by Palazzo della Fraternita dei Laici, located in Piazza Grande. The museum was founded anew in 2010 to exhibit a series of works collected between the 14th and 19th centuries. SHORT HISTORY The first collections of the institution were exhibited in the Fraternita dei Laici Museum starting with 1820, the year of its foundation, until 1935, when most of the art (archeology and science collections, and the library saved after the 1759 fire) was partly sent to the Civic Museums of Arezzo. Most of the works, about 6000 of them, including 100 paintings, sculptures, drawings, prints and ancient furnishings, are still in the palace and represent the core of today’s exhibition. ART The Museum is composed of the Quadreria, the Council Room, and the Primo Rettore’s Room. Besides the ancient works, the collection was completed around 1780 with the magnificent Gallery of Portraits, a series of effigies of grand dukes and benefactors who made the institution rich since the Middle Ages. The Bartolini Collection, composed of drawings, prints, plaster casts and books, is named after its founder, the sculptor Ranieri Bartolini, who left it to the city Read more [...]
