Palazzo Martinengo Palatini is a beautiful palace in Brescia, located in Piazza del Mercato. Built in the 15th century and completely rebuilt at the beginning of the 18th century, is one of the most elegant Baroque palaces of the city. SHORT HISTORY In 1457, Giovanni Martinengo bought a piece of land in the area where the ancient medieval walls were located. With other successive purchases, the family became the owner of the entire space between Piazza delle Erbe, now Piazza del Mercato, Corso Palestro and Via Fratelli Porcellaga. In 1479, the sons of Giovanni were appointed palatine counts by the Emperor Maximilian of Austria, which generated the new family branch of the Martinengo Palatini. One of their descendants, Teofilo, decided to demolish the 15th-century palace and to build a new one. Teofilo began the construction, but never see it finished, dying in the early 18th century. The palace was finally completed by his son, Curzio III, in 1710. With the extinction of the family branch in 1874, the building was donated to the Municipality of Brescia, which set up some offices in the palace, as well as the Musical Institute Venturi, which used the main hall as an auditorium Read more [...]
Tag: Baroque in Brescia
Church of San Zeno al Foro
The Church of San Zeno al Foro is a church in Brescia, located in Piazza del Foro, along Via dei Musei, near the Capitolium. The church is dedicated to San Zeno, the eighth bishop of Verona during the second half of the 4th century. SHORT HISTORY A first church was built on this site in the Middle Ages, probably during the 12th century. The church was rebuilt in Baroque style at the behest of the young parish priest Giovanni Pietro Dolfin, a noble Venetian patrician, who later also rebuilt the Church of San Lorenzo. The new structure was completed in 1745. ARCHITECTURE The Church of San Zeno al Foro is a very coherent example of Baroque structure in Brescia. The building is preceded by a short churchyard bordered by a Baroque iron gate with marble pillars surmounted by cherubs and pairs of twisted dolphins. The facade, very simple, is divided in two architectural orders of Composite pilasters, crowned by a curvilinear tympanum. Today, only the polygonal Romanesque apse in terracotta, decorated with small arches, remains of the original medieval structure. The church has a longitudinal layout, with a single nave without a transept, and two chapels on each Read more [...]