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Marina di Portovenere is the main harbor and nautical heart of Portovenere, a historic seaside town located at the western edge of the Gulf of La Spezia. Positioned directly along the town’s waterfront, the marina plays a central role in local maritime life, tourism, and yachting activities along the Ligurian coast. Sheltered by the natural curvature of the coastline and protected from prevailing winds, the Marina di Portovenere offers safe mooring conditions in close proximity to the historic center. Its location makes it an ideal base for exploring the surrounding coastline, including the islands of Palmaria, Tino, and Tinetto, as well as the Cinque Terre marine area. The marina combines practical port services with a striking scenic setting. Colorful Ligurian houses rise behind the quay, while medieval fortifications and churches frame the harbor, creating one of the most recognizable coastal landscapes in northern Italy. For visitors arriving by sea, Marina di Portovenere provides an immediate immersion into the town’s architectural and maritime character.     Short History of the Marina di Portovenere The history of the Marina di Portovenere is deeply intertwined with the development of Portovenere as a strategic maritime settlement. Human presence in the area dates back to Read more [...]

The Port of Trani is a historic maritime hub on Italy’s Adriatic coast, located in Apulia in the province of Barletta-Andria-Trani. It sits at the heart of the elegant seaside city of Trani, whose waterfront combines centuries of maritime tradition with modern leisure and tourism experiences. The port is known for its picturesque setting, fishing activity, moored yachts, and a lively promenade lined with restaurants, cafés, and bars that overlook the water, offering visitors a quintessential Adriatic atmosphere. Locals and tourists alike enjoy strolling along the harbour, watching fishing boats return with the day’s catch and enjoying panoramic views of the sea and the iconic Trani Cathedral nearby.   Short History of the Port of Trani The origins of the Port of Trani date back to the early medieval period, when the town emerged as an important Adriatic maritime centre. The city’s strategic position made it a vital departure point during the 11th-13th centuries, particularly during the Crusades, when it developed strong commercial ties with other Mediterranean ports and the Italian maritime republics. Trani issued one of the earliest surviving maritime law codes, the Ordinamenta et consuetudo maris in 1063, highlighting the advanced nature of its seafaring institutions and practices Read more [...]

Buy tickets & tours:GetYourGuide The Neonian Baptistery (Italian: Battistero Neoniano) is one of the most ancient and remarkable monuments in Ravenna, carrying profound historical, architectural, and artistic significance. Dating back to the early 5th century, it stands as the oldest building in Ravenna still preserved virtually intact and reflects the city’s transformation into a major center of early Christianity within the late Western Roman and Byzantine worlds. Today, the Neonian Baptistery forms part of Ravenna’s UNESCO World Heritage listing – the Early Christian Monuments of Ravenna. Despite its modest exterior, the baptistery houses some of the most stunning 5th-century mosaics in the world, giving insights into early Christian theology, symbolism, and artistic achievement.     Short History of the Neonian Baptistery The Neonian Baptistery was begun in the late 4th or early 5th century CE during the period when Ravenna became the capital of the Western Roman Empire under Emperor Honorius. It was initially erected at the behest of Bishop Ursus (Orso), who also founded the associated cathedral, known historically as the Basilica Ursiana – now largely lost except for fragments incorporated into later structures. Construction continued into the mid-5th century and was completed around AD 450 under Bishop Neon Read more [...]

Buy tickets & tours:GetYourGuide The Mausoleum of Galla Placidia is one of the most extraordinary early Christian monuments in Ravenna, renowned worldwide for its exceptionally preserved 5th-century mosaics. Located in Via Galla Placidia, in the northern area of Ravenna’s historic center, this compact brick building conceals an interior of astonishing artistic richness. Despite its modest exterior appearance, the Mausoleum of Galla Placidia is considered one of the finest surviving examples of early Christian mosaic art and architecture in the Mediterranean world. Dating to the first half of the 5th century, the Mausoleum of Galla Placidia belongs to a crucial historical period when Ravenna served as the capital of the Western Roman Empire. Its decoration reflects the transition from classical Roman artistic traditions to a new Christian visual language, combining symbolic imagery, theological meaning, and refined craftsmanship. For this reason, the Mausoleum of Galla Placidia is included in the UNESCO World Heritage Site “Early Christian Monuments of Ravenna”, a designation that recognizes its universal cultural value. Although traditionally associated with Galla Placidia, one of the most influential women of late antiquity, the monument’s function, symbolism, and artistic program extend beyond its funerary reputation. Today, the mausoleum stands as a key stop Read more [...]

Palazzo dei Capitani is an historic palace located in the centre of Malcesine, on the eastern shore of Lake Garda. Built originally between the 13th and 14th centuries on older Roman and Romanesque remains, the palace has undergone several transformations across centuries and today stands as a protected national monument. It occupies a prominent position near the lakefront and the port, making it an emblematic building that reflects the layered political and architectural history of the region. With its Venetian-Gothic style facade, frescoed interior, elegant halls, and tranquil lakeside garden, Palazzo dei Capitani offers a fascinating glimpse of the past: from feudal lords to Venetian magistrates, from private noble residence to modern civic building.     Short History of Palazzo dei Capitani The site of Palazzo dei Capitani in Malcesine traces back to ancient times: the building was erected over Roman and early medieval (Romanesque) remains. The first version of the palace was constructed by the ruling family of Verona, the Scaligeri (also known as the della Scala), sometime between the late 13th and early 14th centuries. At some point, the original structure was reduced to simple walls – likely as a result of a disaster such as a fire Read more [...]

Buy tickets & tours:GetYourGuide Villa Angarano is located northeast of Bassano del Grappa, in the district of San Eusebio, on the right bank of the Brenta River. The estate stands a few kilometers from the town center, between vineyards, the San Eusebio hills, the Brenta landscape, and the Monte Grappa area. The villa is one of the most unusual Palladian sites in the Veneto. It preserves the agricultural wings designed for Giacomo Angarano, while the central residence belongs to a later Baroque phase. This visible contrast makes the complex different from many more stylistically unified Venetian villas. Villa Angarano is included in the UNESCO World Heritage Site City of Vicenza and the Palladian Villas of the Veneto. The site was enlarged in 1996 to include twenty-one additional Palladian villas spread across the region, extending recognition from Vicenza to Palladio’s rural architecture. The complex still reflects the original meaning of a Palladian villa: not only a noble residence, but the organized center of an agricultural estate. The property includes rural spaces, vineyards, olive groves, service buildings, and historical structures connected with cultivation, wine production, storage, and estate management. Today, Villa Angarano remains a private residence and active farm. The estate belongs Read more [...]

The Basilica of Santa Maria in Porto is one of the most important Baroque religious monuments in Ravenna, distinguished by its monumental façade, rich interior decoration, and centuries-long connection with the spiritual life of the city. Located along Via di Roma, in the southeastern area of Ravenna’s historic center, the Basilica of Santa Maria in Porto stands slightly apart from the dense medieval core, opening onto a wide rectangular square that enhances its architectural presence. Built over a long period between the 16th and 18th centuries, the Basilica of Santa Maria in Porto reflects the ambitions and devotion of the Canons Regular of Santa Maria in Porto, a religious community deeply rooted in Ravenna’s history. The church is especially renowned for housing the Greek Madonna, an early medieval marble bas-relief associated with an ancient local tradition of miraculous origin, which remains a focal point of devotion to this day. Despite suffering periods of decline, suppression, and wartime damage, the Basilica of Santa Maria in Porto has preserved its artistic and architectural integrity. Today it functions as an active parish church and a significant cultural landmark, offering visitors insight into Ravenna’s Baroque heritage, monastic history, and enduring Marian devotion.     Read more [...]

The statue of Domenico Modugno is one of the most recognizable landmarks in Polignano a Mare and a powerful tribute to the legendary Italian singer-songwriter born in the town. Alongside the monument, the Lungomare Domenico Modugno, the scenic seafront promenade named in his honor, preserves the memory of an artist whose music left a lasting mark on Italian and international culture. The seafront is located in the northwestern part of the town and stretches along the cliff edge, offering panoramic views of the Adriatic Sea. In its immediate vicinity stands the statue dedicated to Modugno, forming a symbolic link between the artist, the sea, and the place that shaped his early life.   Domenico Modugno Domenico Modugno was born in Polignano a Mare on January 9, 1928. His childhood was deeply influenced by music and popular tradition. His father introduced him at an early age to the guitar and the accordion, instruments that would become central to his artistic expression and creative development. As a teenager, Modugno showed an early aptitude for songwriting. At just 15 years old, he composed his first song, already demonstrating an instinctive ability to combine melody, emotion, and storytelling. This early creativity marked the beginning Read more [...]

Piazza del Popolo is the main public square in the historic center of Ravenna, serving as the city’s civic and social focal point for over seven centuries. Its name, which literally means “People’s Square”, reflects the evolution of Ravenna from medieval commune to modern city. Bordered by significant public buildings, historic palaces, and architectural landmarks, Piazza del Popolo is both a living space for locals and a must-visit destination for travelers exploring the artistic, political, and urban history of Ravenna. Situated at the crossroads of the city’s most important streets, the square has always been a place of public assembly, political power, and urban life. Today it continues to be a vibrant gathering spot, framed by cafés and places for social interaction, while preserving architectural elements that testify to successive periods of civic rule – from the Da Polenta lordship and the Venetian era to the Papal Legation of Romagna and Italy’s unification.   Short History of Piazza del Popolo The origins of Piazza del Popolo trace back to the late 13th century, when the noble Da Polenta family established itself as the dominant power in Ravenna. Around this period, the stretch of land in front of the residence of Read more [...]

Buy tickets & tours:VivaTicket The Basilica of San Francesco is a historic Roman Catholic church located in the heart of Ravenna. With origins tracing back to the 5th century, it stands as one of the city’s oldest sacred buildings and plays a central role in Ravenna’s religious and cultural heritage. The Basilica of San Francesco is also well known for its connection to Dante Alighieri, as it hosted his solemn funeral in 1321 and sits near his tomb in the city’s “Zone of Silence”. Today, the basilica remains a living parish church affiliated with the Order of Friars Minor Conventual and welcomes visitors curious to explore its long history, distinctive architecture, submerged crypt, and art.     Short History of the Basilica of San Francesco The site of the Basilica of San Francesco has been sacred since shortly after AD 450, when Bishop Neone (Neo) – the same figure who founded the Neonian Baptistery – commissioned the original church dedicated to Saints Peter and Paul, known as the Church of the Apostles. Between the 9th and 10th centuries, that early building was demolished and replaced with a larger church still visible today, along with a bell tower dating to the Read more [...]

Palazzo Rasponi del Sale is a striking example of late-Baroque civil architecture in the historic center of Ravenna. Erected in the late 18th century, this palace stands close to the city’s central square, Piazza del Popolo, and reflects both the legacy of the influential Rasponi family and the urban transformations that shaped Ravenna during the early modern era. While lesser known internationally than Ravenna’s UNESCO monuments, Palazzo Rasponi del Sale offers visitors an authentic glimpse into the aristocratic residences that once defined the city’s civic identity.     Short History of Palazzo Rasponi del Sale Palazzo Rasponi del Sale was built around 1770, during a period when Ravenna’s historic center was no longer expanding rapidly and many noble families were facing financial constraints. The palace likely originated from the initiative of Count Fabrizio Rasponi. His son, Giuseppe Rasponi, married Benedetta del Sale, a union that gave rise to the Rasponi del Sale branch of the family. Before the palace was constructed, the land it occupies was home to the medieval residence of the Artusini family and may even have contained remains of Roman structures, underlining the long-standing strategic and symbolic value of the site. During the 19th century, the estate Read more [...]

Palazzo Rasponi dalle Teste is one of Ravenna’s most impressive historic buildings, renowned for its monumental Baroque architecture and rich connection to one of Romagna’s most influential noble families. Standing proudly in Piazza Kennedy, the palace occupies over 5,000 square meters and is widely regarded as one of the most beautiful palaces in the city. Originally constructed between the late 17th and early 18th centuries, the palace today houses cultural events, exhibitions, and institutional functions, contributing to Ravenna’s vibrant cultural life. Its façade, grand internal spaces, and historic symbolism reflect both the aspirations and the complex fortunes of the Rasponi family, whose influence shaped the city’s political and social fabric for centuries.     Short History of Palazzo Rasponi dalle Teste Palazzo Rasponi dalle Teste was commissioned in the late 1600s by Giovanni Rasponi, who served as Bishop of Forlì from 1689 until his death in 1714, together with his brother Count Giuseppe Rasponi. The palace was built on a site already owned by the Rasponi family since at least the 15th century, reflecting their long-standing prominence in Ravenna. The family’s name, “dalle Teste”, literally means “of the Heads” – a moniker derived from the distinctive sculpted heads featured on Read more [...]

The Ravenna Cathedral, officially known as the Metropolitan Cathedral of the Resurrection of Our Lord Jesus Christ, is the principal Catholic church in Ravenna, and one of the city’s most historically significant religious buildings. Commonly referred to as the Duomo di Ravenna, it hosts centuries of Christian devotion, architectural transformation, and artistic heritage. Situated in the heart of Ravenna near Piazza Duomo and adjacent to other landmark sites such as the Neonian Baptistery and the Archiepiscopal Museum, the Ravenna Cathedral stands as a testament to the city’s long role as a spiritual and cultural center in Emilia-Romagna. Originally founded in the early 5th century, the cathedral has undergone major reconstructions and stylistic evolutions, culminating in the Baroque-Neoclassical structure seen today.   Short History of the Ravenna Cathedral The history of Ravenna Cathedral begins with the establishment of Ravenna as the capital of the Western Roman Empire in the early 5th century. Around this time, the episcopal seat was transferred from the ancient port city of Classe to Ravenna, prompting the construction of a new cathedral under Bishop Ursus (Orso). This early structure, consecrated on April 3, 407 AD, was dedicated to the Resurrection of Jesus Christ, or Hagìa Anástasis in Read more [...]

Buy tickets & tours:VivaTicket The Tomb of Dante in Ravenna is the Neoclassical mausoleum that houses the mortal remains of Dante Alighieri (1265-1321), one of the most influential poets in world literature and author of The Divine Comedy. Built in 1780-1781 next to the Basilica of San Francesco, this national monument stands at the heart of Ravenna’s historic center, forming part of a larger memorial area dedicated to Dante’s life and work. The burial site sits within a quiet, pedestrianized area known as the “Zone of Silence” (zona dantesca), where visitors are encouraged to observe silence and respect, reflecting the solemn legacy of the Supreme Poet. Although Dante was born in Florence, he died in exile in Ravenna on September 13-14, 1321, and was buried there the day after his death. Over the centuries, numerous efforts were made to relocate his remains to his native city, but they never succeeded. Today, the Tomb of Dante remains in Ravenna as a powerful symbol of literary history and cultural memory, drawing visitors from around the world.     Short History of the Tomb of Dante Dante Alighieri spent the last years of his life in Ravenna under the patronage of Guido Novello Read more [...]

Villa Comunale is the largest public park in Trani, located in the eastern part of the town’s harbour. The park is a green oasis which offers locals and visitors a refreshing escape from the bustling town. Known for its scenic views and diverse plant life, Villa Comunale is widely considered one of the most enchanting parks in southern Italy.   SHORT HISTORY OF VILLA COMUNALE Villa Comunale was inaugurated in 1824, and subsequently expanded thanks to the reclamation of the land immediately to the south, on the coast, in the area called Canneto. It was listed among the most beautiful public gardens in southern Italy in the 1937 edition of the Treccani Encyclopedia. On the central avenue of the park, located in front of the main entrance, there is the war memorial, sculpted in 1923 by Antonio Bassi. Walking along the avenue you come across a 19th-century chalet, home to exhibitions and cultural initiatives curated by local artists, and a bandstand, built in 1888 and recently restored and made functional again. In the avenues on the right are collected six milestones of the ancient Via Traiana, coming from the Ruvo-Canosa section.   DESCRIPTION OF VILLA COMUNALE Villa Comunale extends over Read more [...]

Castello Svevo (Swabian Castle) is a spectacular castle in Trani, located near the sea, not far from the Cathedral of San Nicola Pellegrino. The castle is known for its historical and cultural value and is also a popular tourist destination. In 2011, it was the third most visited state museum in Apulia, with a total of almost 50,000 visitors.   SHORT HISTORY OF CASTELLO SVEVO Before the current castle, Trani had already a fortification, whose exact location is unknown, built on the initiative of the Norman King Roger II, and destroyed in 1137. The construction of the Swabian Castle was begun in 1233 by order of the Emperor Frederick II, and the works were completed in 1249, according to the project of Filippo Cinardo, count of Acquaviva and Conversano. The castle was built on a rock located in the center of the Trani harbor, in a shallow water area, which protected it from possible attacks from the sea. On the top of one of the towers overlooking the sea, Frederick II had Pietro Tiepolo, son of the Doge of Venice Jacopo Tiepolo, hanged. Pietro, podestà of Milan, was taken prisoner in the Battle of Cortenuova in 1237. Frederick’s son, Manfred, Read more [...]

The Church of San Giovanni Battista is a church in Bassano del Grappa, located in the historical center of the town, in Piazza Libertà.   SHORT HISTORY OF THE CHURCH OF SAN GIOVANNI BATTISTA The church was erected in 1308 at the behest of the de’ Biasi family on a piece of land belonging to a hospital, located outside the Ezzelinian walls, along the road that led to Campo Marzio. The license was issued by Bishop Altegrado da Lendinara. In 1397, the Chapel of the Blessed Sacrament (Cappella del Santissimo Sacramento) was added to the original church, which was expanded on this occasion. A general renovation took place during the 15th century and a document from 1435 states that a new Chapel dedicated to Saints James and Christopher was also built. In 1454, the church was enlarged again, and in 1460 the main door towards the square was opened. In 1489, the choir was rebuilt, the current Chapel of Our Lady of Sorrows (Cappella dell’Addolorata). The current church dates back, in large part, to the renovation begun in 1747, then suspended for several years and resumed in 1782. This renovation was entrusted to the architect Giovanni Miazzi from Bassano del Read more [...]

Castello degli Ezzelini is a medieval fortress situated at the highest point of Bassano del Grappa, dominating the landscape with its medieval silhouette. Its strategic location underscores its importance: from here, one could oversee the Brenta Valley, monitor enemy movements, and control trade routes that connected the Venetian plain to the Alpine passes. Today, Castello degli Ezzelini continues to fascinate visitors not only with its formidable walls and towers but also with the legends, conflicts, and dramatic historical events associated with the Ezzelini family, one of the most feared dynasties in northern Italy during the Middle Ages.   Short History of Castello Degli Ezzelini A defensive structure already existed around the ancient Church of Santa Maria in Colle, and a record from the year 998 confirms fortifications on this elevated site. In the second half of the 12th century, the castle’s destiny changed forever. The Bishop of Vicenza, who owned the complex, granted the castle to Ezzelino I da Romano, the patriarch of what would become the Ezzelini dynasty. Ezzelino I and his descendants did not simply occupy the castle – they turned it into the seat of their power, strengthening existing fortifications and using it as an administrative, military, Read more [...]

Piazza Libertà, known also as Piazza dei Signori, is the main square of Bassano del Grappa, located in the historical center of the town. Known for its vibrant atmosphere and its harmonious blend of historical architecture, Piazza Libertà serves as a cultural and social hub, drawing both locals and tourists alike.   SHORT HISTORY OF PIAZZA LIBERTÀ The square was obtained by filling the moat that surrounded the second circle of walls of Bassano del Grappa, and it was called at first Piazza San Giovanni, from the name of the church built there in 1308. Starting with 1867, it was dedicated to Vittorio Emanuele II, King of Italy, and during the Second World War it was called Piazza del Popolo.   ARCHITECTURE OF PIAZZA LIBERTÀ The square is the nodal point of the city where the main streets of the centre converge. On the northern side of the square, there are prestigious buildings, including the houses of the ancient Remondini printing house and Loggia del Comune. On the southern side of the square, one can find the imposing facade of the Church of San Giovanni Battista. Commissioned by the de’ Biasi family, the church dates back to 1308 and was Read more [...]

Palazzo Sturm is one of the most significant historic buildings in Bassano del Grappa, located on the left bank of the Brenta River. Known today primarily for housing two major cultural institutions – the Ceramics Museum and the Remondini Print Museum – the palace stands as a testament to the artisanal, industrial, and artistic traditions that shaped the city across centuries.   Short History of Palazzo Sturm The origins of Palazzo Sturm date back to the mid-18th century, in a period when Bassano del Grappa was experiencing both architectural expansion and economic diversification. The palace was constructed in the district of Cornorotto, an area that already contained older structures, including a stretch of medieval walls, a tower, and a small nucleus of buildings from the 15th century. Instead of demolishing these earlier constructions, they were integrated into the new palace, creating an architectural stratification that still characterizes the building. Palazzo Sturm was commissioned by Vincenzo Ferrari, a wealthy industrialist and silk merchant. Silk production played a crucial role in the local economy during the 18th century, and Ferrari sought to create a residence that would reflect both his financial success and his cultural ambitions. For the architectural design, he relied Read more [...]

Piazza Garibaldi is a square in Bassano del Grappa, located in the historical center of the town, adjacent to Piazza Libertà. The square was named after Giuseppe Garibaldi, a prominent Italian general and nationalist who played a significant role in the unification of Italy. Popularly, the square is also known as Piazza della Fontana, due to the Bonaguro Fountain (Fontana Bonaguro), located in its center, or Piazza delle Erbe, because for centuries the vegetable market was held there.   SHORT HISTORY OF PIAZZA GARIBALDI The current appearance of the square dates from 1776, when the architect Antonio Gaidon arranged it. In 1898, the arrival of a water pipe from the Fontanazzi springs that brought pure water right to the center of Bassano, represented an event of national importance. The event was then celebrated with the construction of the Bonaguro Fountain in the center of the square. The fountain was designed by the sculptor Carlo Spazzi, and named after the mayor Antonio Bonaguro, who donated it to the community on the occasion of the inauguration of the public aqueduct.   ARCHITECTURE OF PIAZZA GARIBALDI Piazza Garibaldi is overlooked, to the north, by the Civic Tower (Torre Civica), while to the south Read more [...]

Piazza Vittorio Emanuele II, commonly known by locals as Borgo, is the central square of Monopoli and one of the largest urban squares in both Apulia and southern Italy. It represents the main civic, social, and spatial reference point of the modern city, acting as a physical and symbolic link between the historic center and the newer urban districts. The square occupies a vast rectangular area immediately outside the medieval city walls, marking the transition from the compact historic core to the planned expansion developed from the late eighteenth century onward. Due to its size, central location, and historical significance, Piazza Vittorio Emanuele II has long functioned as a gathering place for public events, political demonstrations, social life, and daily urban movement. Surrounded by important streets, commercial activities, cafés, and public buildings, the square plays a key role in the everyday life of Monopoli. Its open layout and tree-lined sections distinguish it from the narrow streets of the old town, offering a markedly different urban experience while remaining deeply connected to the city’s historical evolution.   Short History of Piazza Vittorio Emanuele II Piazza Vittorio Emanuele II was created in 1796 at the behest of the King of Naples as Read more [...]

Piazza San Benedetto is a small square located in the historical center of Polignano a Mare. Unlike the bustling Piazza Vittorio Emanuele II, Piazza San Benedetto is less-traveled and exudes the tranquility and timeless beauty of this picturesque town. The square has a calm, almost contemplative ambiance that draws visitors who seek a quieter side of Italian life. Nearby cafes and small family-owned trattorias serve traditional Pugliese food, allowing visitors to enjoy regional dishes in a relaxed setting. Sampling a fresh espresso or a glass of local wine in the square feels like an authentic Italian experience, a way to immerse oneself in the local lifestyle.   SHORT HISTORY OF PIAZZA SAN BENEDETTO The square takes its name from the Benedictine order of monks, reflecting the area’s deep-rooted Christian heritage. Historically, the square and the structures surrounding it were central to the religious life of Polignano a Mare, especially in the medieval era.   ARCHITECTURE OF PIAZZA SAN BENEDETTO The square is framed by traditional whitewashed buildings with wrought-iron balconies, often adorned with colorful flower pots that add a touch of color to the scene. The square has the shape of a stylized amphitheater, with stands and benches, and hosts Read more [...]

Piazza Vittorio Emanuele II is a small picturesque square located in the historical center of Polignano a Mare. The square is a vibrant meeting place, where the people of Polignano gather for daily interactions, social events, and seasonal festivals. Piazza Vittorio Emanuele II is home to a variety of cafes, gelaterias, and trattorias, where visitors can sample regional Pugliese delicacies, including the town’s famed focaccia, seafood dishes, and local wines.   SHORT HISTORY OF PIAZZA VITTORIO EMANUELE II Once a marketplace in the medieval village, the square has remained the social focal point of Polignano a Mare since ancient times. In the past, the square was known as Piazza dell’Orologio, due to the presence of Palazzo dell’Orologio in its northwestern corner. Later, the square was named after the first king of the United Italy, Vittorio Emanuele II.   ARCHITECTURE OF PIAZZA VITTORIO EMANUELE II In the northeastern corner of the square, there is the Church of Santa Maria Assunta (Chiesa Matrice Santa Maria Assunta), the former Cathedral of Polignano a Mare. In 1818, when the small diocese of Polignano was merged with that of Monopoli, the Cathedral of Santa Maria Assunta became the mother church of the village. Inside are Read more [...]

The Church of Santissima Trinita, often referred to as the Church of Trinita, is a small church located in the square of the same name, outside the historical center of Polignano a Mare. The Church of Santissima Trinita is remarkable in its simplicity, offering a tranquil space for worship and reflection amidst the bustling beauty of the Adriatic coast.   SHORT HISTORY OF THE CHURCH OF SANTISSIMA TRINITA The Church of Trinita traces its origins back to the late medieval period, though it has seen several renovations and expansions over the centuries.   ARCHITECTURE OF THE CHURCH OF TRINITA The Church of Trinita is an example of traditional Italian church architecture, blending simplicity with intricate details. The exterior is marked by a modest facade, with natural stone finishes that have weathered beautifully over time. The interior of the church, with a single nave, is more elaborate than the exterior. The walls are adorned with religious frescoes and sculptures, and the altars are dedicated to specific saints.   HOW TO GET TO THE CHURCH OF SANTISSIMA TRINITA The Church of Trinita is located in Piazza Trinita, about 600 meters away from the Polignano a Mare railway station. On foot, from the Read more [...]

Palazzo Jonoch-Calmonte is one of the lesser-known but historically rich residences in Bassano del Grappa, in the Veneto region of northern Italy. Overlooking the river Brenta at the end of Via Pusterla, this stately building is closely tied to the rise of a prosperous local bourgeoisie between the late 19th and early 20th centuries. Today, Palazzo Jonoch-Calmonte is appreciated both for its refined interiors and for the panoramic viewpoint in front of it.     Short History of Palazzo Jonoch-Calmonte The story of Palazzo Jonoch-Calmonte is rooted in the economic development of Bassano del Grappa in the 19th century, when the city saw the growth of a dynamic entrepreneurial class. Among these new elites was the Jonoch family, associated with leather tanning (concia delle pelli) and landownership, sectors that played an important role in the local economy. According to research published in the multi-volume Storia di Bassano, Palazzo Jonoch was built as a “sumptuous bourgeois residence” for tanning and landowning entrepreneurs. It arose from the reconstruction of earlier buildings on the riverfront, at the very end of Via Pusterla, where the historic urban fabric meets the Brenta. The main decorative phase of Palazzo Jonoch-Calmonte belongs to the late 19th century. Read more [...]

The Church of San Giovanni Battista (Church of St. John the Baptist) is one of the most important churches in Matera, located outside the walls of the historical center of the city, in Piazza San Giovanni.   SHORT HISTORY OF THE CHURCH OF SAN GIOVANNI BATTISTA A church was documented on this place since 1204, under the title of Santa Maria Nuova. The church belonged to the Benedictine monks, who abandoned it in 1212. Between 1230 and 1233, the Archbishop Andrea built a new church for the Augustinian nuns arrived in Matera from Palestine in 1198, who were hosted for a while in the rupestrian Monastery of Madonna delle Virtù. After 1412, the nuns left the rule of Saint Augustine to take that of Saint Dominic, and the convent changed its title to Santa Maria dell’Annunziata. The church was abandoned in 1480, during the War of Otranto, because its position outside the city walls was too risky for the nuns. In 1610, the main facade of the church was incorporated into the adjacent hospital building, and the current facade is, actually, its right side. The church was reopened as a place of worship in 1695 by the Spanish Archbishop Antonio Read more [...]

The Church of San Pietro Caveoso (Chiesa di San Pietro Caveoso), also known as the Church of Saints Peter and Paul (Chiesa dei Santi Pietro e Paolo), is a Baroque church in Matera, located in Sasso Caveoso, the southern ancient district of the city.   SHORT HISTORY OF THE CHURCH OF SAN PIETRO CAVEOSO The church was built in 1218, but undergone numerous changes and renovations over the centuries, and many of its original features were lost in time. In the 17th century, the church was completely renovated and the current facade was built. At the same time, the bell-tower was raised and the interior of the church was enlarged, with the addition of the side chapels. In 1706, the church was re-consecrated, as indicated on a plaque, and new improvements were made. The cusp was added on the bell-tower, the interior was covered with stucco and decorations, and a wooden false ceiling was placed under the tufa roof.   ART AND ARCHITECTURE OF THE CHURCH OF SAINTS PETER AND PAUL The Baroque facade presents, in the lower part, three portals with a simple frame. Above each of them, there are semi-circular niches containing statues. Above the central portal, there Read more [...]

The Church of San Francesco d’Assisi is a church located in Piazza San Francesco, in Matera. The church, built in Baroque style, is dedicated to Saint Francis of Assisi, after the saint visited Matera in 1218.   SHORT HISTORY OF THE CHURCH OF SAN FRANCESCO D’ASSISI The current church was built in the first half of the 13th century on the place of a hypogean church dedicated to Saints Peter and Paul. The ancient church can still be accessed today through a trap door from the third chapel on the left. The church was enlarged in the 15th century, and many transformations were subsequently made until the 18th century, when it assumed its current state, with the construction of the Baroque facade by the architects Vito Valentino and Tommaso Pennetta.   ART AND ARCHITECTURE OF THE CHURCH OF SAN FRANCESCO D’ASSISI The Baroque facade houses three statues in the upper part, with the Virgin Mary in the center, and Saint Francis of Assisi and Saint Anthony of Padua on the sides. The interior consists of a single nave, with side chapels and a beautiful painted ceiling. The nave ends with the quadrangular apse, introduced by a pointed arch and covered Read more [...]

Castello Tramontano is an imposing castle located on the Lapillo Hill, in Parco del Castello, overlooking the historical center of Matera. Castello Tramontano was featured in films such as Pier Paolo Pasolini’s The Gospel According to St. Matthew and Mel Gibson’s The Passion of the Christ.   SHORT HISTORY OF CASTELLO TRAMONTANO Although the new King of Naples, Ferdinand II, promised to the Materans that he will not give the town to another feudal lord, the Count Giovan Carlo Tramontano obtained Matera and the surrounding area in 1496. The castle was built by the Count starting with 1501, with the purpose of feudal control over the surrounding area rather than defense of the city itself. For the construction of the castle were spent as many as 25,000 ducats, and the heavy taxation on the local population to fund the castle’s construction led to widespread resentment. The people of Matera, already struggling with poverty and difficult living conditions, grew increasingly frustrated with their new ruler’s demands. Tired of the continuous abuses, some citizens murdered the tyrant on December 29, 1514, as he was leaving the Cathedral of Matera, in a street which was later eloquently called Via della Riscatto (Street of Read more [...]

Palazzo dell’Annunziata is a Rococo-style palace located in Piazza Vittorio Veneto, in Matera. The front part of the palace rests on the 16th-century tower of Castello Tramontano.   SHORT HISTORY OF PALAZZO DELL’ANNUNZIATA The palace was built starting with 1735 as the new Monastery dell’Annunziata for the Dominican nuns, as is written on the architrave of one of the entrances. The architect Vito Valentino from Bitonto was in charge of the project, with the approval of the Pontifical Commission of Rome. In 1734, the project was ready, and in 1735 the work was already proceeding at full speed. However, a strong friction appeared between the Dominican nuns and the architect Valentino, and in 1739 the works were suspended and Valentino was removed. In 1742, Mauro Manieri became the new architect, called directly from Lecce together with the Simone brothers, who took on the commitment to complete the work and build also a new church. Before the construction was completed, the nuns temporarily settled with other congregations. Only in 1747, the nuns came into possession of the new monastery, with the construction not yet finished and without the construction of the church. About a hundred years later, the nuns finally decided Read more [...]

Palazzo Mocenigo Ca’ Vecchia is a palace in Venice, located in the sestiere (district) of San Marco, part of the architectural complex of Palazzi Mocenigo. The complex is composed of four palaces, with the three on the left known as Palazzi Mocenigo Ca’ Nova and the one on the right as Palazzo Mocenigo Ca’ Vecchia. Palazzo Mocenigo Ca’ Vecchia is located on the far right of the complex, overlooking the Grand Canal next to Palazzo Contarini delle Figure.   SHORT HISTORY OF PALAZZO MOCENIGO CA’ VECCHIA Despite the name of Ca’ Vecchia (Old House), it is the most recent building of the complex. Palazzo Mocenigo Ca’ Vecchia was built at the beginning of the 17th century, more precisely between 1623 and 1625, on a project by the architect Francesco Contin, on the site of an ancient structure dating back to the 15th century. Once in precarious conditions, it was recently renovated and divided into several properties. The facade, once yellow, is now painted white. Over time, the palace had prestigious guests, such as the Italian philosopher Giordano Bruno at the end of the 16th century, and the writer Thomas Moore and the poet Lord Byron at the beginning of the Read more [...]

Palazzo Mocenigo il Nero is a palace in Venice, located in the sestiere (district) of San Marco, part of the architectural complex of Palazzi Mocenigo. The complex is composed of four palaces, with the three on the left known as Palazzi Mocenigo Ca’ Nova and the one on the right as Palazzo Mocenigo Ca’ Vecchia. Palazzo Mocenigo il Nero is located on the far left of the complex, overlooking the Grand Canal next to Palazzo Corner Gheltof.   SHORT HISTORY OF PALAZZO MOCENIGO IL NERO In the second half of the 16th century, Palazzo Mocenigo il Nero replaced a previous structure dating back to the 15th century. The palace was mainly used for receptions, as evidenced by the large atrium and the monumental staircase. One of the most sumptuous celebrations was in honor of Doge Alvise Mocenigo, after winning the Battle of Lepanto. In 1716, Pisana Cornaro Mocenigo received Frederick Augustus III, the King of Poland, with a sumptuous party. At the beginning of the 20th century, the palace passed by inheritance to the Robilant family, who sold it after a short while.   ARCHITECTURE OF PALAZZO MOCENIGO IL NERO The facade of the palace is characterized by the three Read more [...]

Palazzo Corner Gheltof is a Gothic-style palace in Venice, located in the sestiere (district) of San Marco. The palace overlooks the Grand Canal between Fondaco Marcello and the complex of Palazzi Mocenigo.   SHORT HISTORY OF PALAZZO CORNER GHELTOF The construction date of the palace remains unknown. Palazzo Corner Gheltof was partially rebuilt in the 16th century.   ARCHITECTURE OF PALAZZO CORNER GHELTOFF The palace is characterized by the presence of two facades of different dates. The rear one, facing a large courtyard, still has Byzantine elements, including a well dating back to the 10th or 11th centuries, parapets with pointed arched balconies and an open staircase. The front facade overlooking Canal Grande, dating back to the end of the 16th century, is organized around a central axis made up of a water portal, a serliana (Palladian window) on the first noble floor and a quadrifora on the second noble floor. On the second noble floor, there are also two coats of arms.   TIP: To admire every palace, church and bridge built on the Grand Canal, the best option is to take the waterbus Line 1 from Piazzale Roma, which will get you in about 45 minutes to San Read more [...]

Palazzo Tron a San Beneto is a palace in Venice, located in the sestiere (district) of San Marco, not far from the Rialto Bridge. The palace overlooks the Grand Canal between Palazzo Corner Contarini dei Cavalli and Palazzo D’Anna Viaro Martinengo Volpi di Misurata.   SHORT HISTORY OF PALAZZO TRON A SAN BENETO The ground floor and the first floor of the palace were probably built in the 13th century, making it one of the oldest buildings on the Grand Canal. In the 15th century, Palazzo Tron a San Beneto was rebuilt under Nicolò Tron, the 68th Doge of Venice and the most famous bearer of the family name. At the beginning of the 17th century, the diplomat, politician and agronomist Nicoló Tron, named after his ancestor, left the palace to his son, Andrea Tron, the procurator of San Marco. When Chiara Tron, who was childless, died at the end of the 18th century, and the family branch of Tron a San Beneto died out, the property went in direct succession to the patrician family Donà Dalle Rose. Later, the palace, with the exception of the second floor, was sold to the Vivante merchant family. Around the middle of the Read more [...]

Palazzo Corner Contarini dei Cavalli is a palace in Venice, located in the San Marco district (sestiere), overlooking the Grand Canal between Palazzo Grimani di San Luca and Palazzo Tron.   SHORT HISTORY OF PALAZZO CORNER CONTARINI DEI CAVALLI Palazzo Corner Contarini dei Cavalli was built around the middle of 15th century on the site of an ancient building dating back to the 12th century. At the beginning of the 16th century, Bartolomeo d’Alviano resided in the palace. He was a captain who distinguished himself in the defence of the Venetian Republic against the Holy Roman Emperor Maximilian. In 1521, the palace passed through marriage to the Contarini family, who kept it until 1830, when it was sold to the Mocenigo family. Later, the palace passed successively to the Ulbricht family, to the Cavalieri family and to the Ravenna family. Currently, the building houses offices of the Ministry of Justice.   ARCHITECTURE OF PALAZZO CORNER CONTARINI DEI CAVALLI The palace was built in Venetian-Gothic style, but has different architectural styles on its floors, as it was subject to various renovations over the centuries. The ground floor is covered with a 17th-century ashlar, with a central water portal which uses the Read more [...]

Palazzo Donà Balbi is a palace in Venice, located in the Santa Croce district (sestiere), overlooking the Grand Canal opposite Palazzo Flangini.   SHORT HISTORY OF PALAZZO DONÀ BALBI The palace was built in the 17th century, most likely by joining several adjacent buildings. Owned by the Province of Venice, the building is the current seat of the Regional Scholastic Office (Ufficio Scolastico Regionale).   ARCHITECTURE OF PALAZZO DONÀ BALBI The sober plastered facade of the palace is divided into three parts. The right part is the main one, presenting the only access door and four-light windows with balconies on both noble floors. The other two parts are instead characterized by three single lancet windows. All the openings have round arches surmounted by cornices. On the ground floor, there were two secondary access doors, now closed.   TIP: To admire every palace, church and bridge built on the Grand Canal, the best option is to take the waterbus Line 1 from Piazzale Roma, which will get you in about 45 minutes to San Marco Vallaresso, located near Piazza San Marco and the eastern end of the canal. And if you need more time to admire the scenery, take an enchanting Read more [...]

Palazzo Grimani di San Luca is an imposing Renaissance-style palace in Venice, located in the San Marco district (sestiere), overlooking the Grand Canal not far from the Rialto Bridge.   SHORT HISTORY OF PALAZZO GRIMANI DI SAN LUCA In March 1556, the noble Girolamo Grimani aquired a ruined palace on the Grand Canal owned by the brothers Bertuccio and Marino Contarini. In the summer of 1557, he decided to build a new palace on this site, and the project was given to the architect Michele Sanmicheli. In 1559, the ground floor was completed, but Sanmicheli died, and the direction of the construction was entrusted in 1561 to Giangiacomo de’ Grigi. The tasks of de’ Grigi was to complete the ground floor with a mezzanine, and to build the first and second floors. In November 1566, a dispute arose between Grimani and de’ Grigi, mainly in relation to the facade and the sum of money that the client still had to pay to the architect. The dispute was resolved thanks to the intervention of three illustrious architects – Andrea Palladio, Jacopo Sansovino and Pietro Guberni, who established what was still to be done, the cost and the date by which the Read more [...]

Palazzo Marcello is a palace in Venice, located in the Cannaregio district (sestiere), overlooking the Grand Canal between Ca’ Vendramin Calergi and Palazzo Molin Erizzo.   SHORT HISTORY OF PALAZZO MARCELLO Around the middle of the 15th century, the palace belonged to the Molin della Maddalena family. At the time, the structure had only one noble floor, in addition to the mezzanine and the ground floor. The palace passed to the Marcello family in 1517 due to the marriage between Marco Antonio Marcello and Caterina Molin di Nadalin. Towards the end of the 17th century, Palazzo Marcello was rebuilt. The captain Lorenzo Marcello was born in the palace in 1603, and the composer Benedetto Marcello in 1686. In the palace, the English writer Frederick Rolfe died of a heart attack on October 25, 1913.   ARCHITECTURE OF PALAZZO MARCELLO On the two noble floors, the palace has two large five-light windows decorated with round arches. The five-light windows are flanked by pairs of sigle-light windows, also with rounded arches. The presence of the two water portals suggests that the building was used by two families. In addition to the portals, the ground floor has five rectangular windows. The mezzanine has Read more [...]

Campo Sant’Angelo, known in Venetian dialect as Campo Sant’Anzolo, is a square in Venice, located in the San Marco district (sestiere). The campo owes its name to the homonymous church that once stood there.   SHORT HISTORY OF CAMPO SANT’ANGELO Campo Sant’Angelo was once separated by Rio de Sant Anzolo, which currently delimits its southwestern side, by the Church of San Michele Arcangelo. The church was demolished at the beginning of the 19th century, in the wake of the Napoleonic suppression of Italian religious orders.   ARCHITECTURE OF CAMPO SANT’ANGELO Campo Sant’Angelo is a large square located about halfway between Campo Santo Stefano and the smaller Campo Manin. The square is overlooked by palaces of great historical-architectural importance. On its northwestern side, there is Palazzo Trevisan Pisani, also known as Palazzo Somachi, built in the 17th century for the Trevisan family and ceded later to the Pisani family. Adjacent to Palazzo Trevisan Pisani, we can find Palazzo Gritti, also known as Palazzo Gritti Morosini, built in the 16th century for the noble Gritti family. On the eastern part of the square, there is Palazzo Duodo a Sant’Angelo, built in the 15th century for the Duodo family and bought later by Read more [...]

Palazzo Grimani Marcello, also known as Palazzo Vendramin Grimani, is a palace in Venice, located in the San Polo district (sestiere). The palace overlooks the Grand Canal between Palazzo Cappello Layard and Palazzo Querini Dubois.   SHORT HISTORY OF PALAZZO GRIMANI MARCELLO Palazzo Grimani Marcello was built in the 18th century on the site of an ancient building dating back to the 12th century. In 1825, Carlo Bevilacqua frescoed the internal rooms. After a two-year renovation by the Foundation of the Golden Tree (Fondazione dell’Albero d’Oro), the palace was reopened to the public in 2021. Now, the visitors can admire the art collection inside the palace, which is also used for temporary exhibitions.   ARCHITECTURE OF PALAZZO GRIMANI MARCELLO The tripartite facade, decorated with numerous sculptural elements, is divided by pilasters with Corinthian capitals and covered entirely in white Istrian stone. The ground floor is characterized by the presence of a large water portal with a square arch and four openings with a triangular tympanum. The first noble floor is characterized by a three-mullioned window with a protruding balcony. On the second floor, the balustrade is on the facade line, and the columns dividing the window rest directly on the Read more [...]

Piazza Grande is the main square of Modena, located in the historical center of the city. The square, together with the Cathedral of Modena and the Ghirlandina Tower, was included in 1997 in the list of UNESCO World Heritage Sites.   SHORT HISTORY OF PIAZZA GRANDE The residential nucleus of the medieval Modena was formed around the ancient cathedral of the city, starting with the 7th century. Towards the end of the 9th century, the bishop Leodoino fortified the city, and the oldest part of the current Palazzo Comunale (Town Hall) was built near the cathedral. In 1099, the construction of the new cathedral began and the square began to take shape. Its northern side was defined by the Cathedral, the western side by the Bishop’s Palace, and the eastern side by the Town Hall. In 1501, Modena was hit by an earthquake, and the merlons of the Town Hall fell. In 1580, the square was cleaned, and the paving was arranged with stones and bricks. At the beginning of the 17th century, a new building was built on the southern side of the square for the Residence of the Judges (Residentia dei Giudici). In the first half of the Read more [...]

Teatro Municipale Romolo Valli is the most important theater in Reggio Emilia, located in Piazza Martiri del 7 Luglio 1960, in the historical center of the city. Romolo Valli was a well-known Italian actor born in Reggio Emilia, who, throughout his career, collaborated with Vittorio De Sica, Sergio Leone, Roman Polanski, Roger Vadim, and Luchino Visconti.   SHORT HISTORY OF TEATRO MUNICIPALE ROMOLO VALLI The building was designed and completed by the architect Cesare Costa of Modena, and built between 1852 and 1857. The works were directed by the local engineer Antonio Tegani. The theater was inaugurated on April 21, 1857, with the opera Vittor Pisani by the composer Achille Peri.   ART AND ARCHITECTURE OF THE ROMOLO VALLI MUNICIPAL THEATER The building has a rectangular plan with a length of 80 meters and a width of about 44 meters, with two additional rectangular loggias. The Romolo Valli Municipal Theater has a Neoclassical facade on two orders, in brick and marble, with Tuscan columns on the ground floor and Ionic pilasters on the upper floor. The upper part of the facade has 13 rectangular windows surmounted by bas-reliefs. Allegorical statues are placed on the entablature of the facade. The interior Read more [...]

Piazza Camillo Prampolini, also known as Piazza del Duomo, is one of the main squares of Reggio Emilia, located in the historical center of the city.   SHORT HISTORY OF PIAZZA CAMILLO PRAMPOLINI The square was born during the Renaissance period, and was known as Piazza Grande (Large Square), in contrast to Piazza San Prospero, which was called Piazza Piccola (Small Square). In the 19th century, the square was named after Vittorio Emanuele II, and after 1945 it was unofficially dedicated to the socialist politician Camillo Prampolini.   ARCHITECTURE OF PIAZZA CAMILLO PRAMPOLINI The most important building in the square, located on its eastern side, is the Cathedral of Reggio Emilia, dedicated to the Assumption of Mary. The Cathedral was built in Romanesque style starting with the 13th century. Its unfinished facade dates back to the 16th century. To the left of the Cathedral stands the Bishop’s Palace (Palazzo Vescovile) and the Baptistery built during the Middle Ages, which was later renovated and deprived of its main apse. On the northern side of the square stands Palazzo del Monte di Pietà, from which the Civic Tower (Torre Civica) with the clock rises. On the opposite side of the square, there Read more [...]

The Cathedral of Santa Maria Assunta is the Cathedral of Reggio Emilia, located in Piazza Camillo Prampolini, in the historical center of the city.   SHORT HISTORY OF THE CATHEDRAL OF SANTA MARIA ASSUNTA The first documents attesting to the existence of a church in the area date back to the middle of the 9th century. However, the structure was probably built in the 5th century. At the beginning of the 10th century, after repeated incursions of the Magyars, the Emperor Ludovico III entrusted bishop Pietro with the construction of the walls around the episcopal palace and the Cathedral. On December 26, 1228, the bell tower of the Cathedral collapsed. In 1268, under bishop Guido da Fogliano, the octagonal lantern and the current bell tower were built. In 1522, the enormous embossed copper statue of the Madonna with Child, by Bartolomeo Spani, was placed on the lantern. In 1544, Prospero Sogari, also known as Clemente, was commissioned to build the new facade of the church. The work on the facade started shortly after, but, due to lack of resources, it was stopped after a while. In 1557, the statues of Adam and Eve, also works by Spani, were placed above Read more [...]

Teatro Ludovico Ariosto is the second most important theater of Reggio Emilia, after the Romolo Valli Municipal Theater. The theater is located in Piazza della Vittoria, in the historical center of the city.   SHORT HISTORY OF TEATRO LUDOVICO ARIOSTO On this site, the Cittadella Theater (Teatro della Cittadella) was built between 1740 and 1741 to a design by Antonio Cugini. The Citadella Theater was destroyed by fire on the night of April 21, 1851. Traces of the old structure are still visible along the colonnade that borders the southern wall of the current theater, overlooking Corso Benedetto Cairoli. Teatro Ludovico Ariosto was erected in 1878. The project, on a design by the architect Achille Grimaldi, was financed by Ulderico Levi, a member of one of the most important Jewish families in the city. The Ludovico Ariosto Theater was designed as a space with multiple uses, suitable both for prose and for equestrian performances. In 1927, the Municipality carried out a profound renovation. The orchestra space was added, the structures necessary for the equestrian shows were eliminated, and the exterior and interior were decorated by Anselmo Govi with late Art Nouveau motifs. The last major restoration of the theater took Read more [...]

Piazze dei Teatri (Squares of Theaters) are a complex of squares and streets in Reggio Emilia, located in the northern part of the historical center of the city. The squares are overlooked by the three main theaters of Reggio Emilia – Teatro Romolo Valli, Teatro Ludovico Ariosto and Teatro Cavallerizza. Piazze dei Teatri are composed of the following squares – Piazza Martiri del 7 Luglio 1960, located in front of the Romolo Valli Municipal Theater, and Piazza della Vittoria, located in front of the Ludovico Ariosto Theater.   SHORT HISTORY OF PIAZZE DEI TEATRI From the beginning of the 19th century, the area underwent numerous transformations. Originally, the Cittadella Theater and the Ducal Palace overlooked this area. Both structures were demolished around the middle of the 19th century, and their place was taken by the Ludovico Ariosto Theater and the Romolo Valli Municipal Theater. The square in front of the Ariosto Theater, with the war memorial of the First World War, was the so-called Piazza d’Armi, renamed Piazza della Vittoria after 1918.   ARCHITECTURE OF PIAZZE DEI TEATRI In the western part of Piazza della Vittoria, there is the Ludovico Ariosto Theater, built starting with 1878 on the remains of Read more [...]

The Church of Christ (Chiesa del Cristo), also known as the Oratory of Christ (Oratorio del Cristo), is a Baroque church in Reggio Emilia. The church is located in Piazza Luigi Roversi, commonly known as Piazza del Cristo, in the southern part of the historical center of the city.   SHORT HISTORY OF THE CHURCH OF CHRIST The church was built starting with 1758 by the religious congregation Compagnia del Suffragio, to shelter a fresco of a crucifix painted with oil on plaster during the plague which affected the region between 1630 and 1631. The facade of the church was added in 1761, on a project by the architect Giovan Battista Cattani, also known as Cavallari. The church was closed during the Napoleonic era, and it was reopened in 1814. In 1887, the structure was restored under the direction of the engineer Albertini. The church is now home to the Orthodox Romanian congregation.   ART AND ARCHITECTURE OF THE CHURCH OF CHRIST The church has a characteristic Baroque convex facade decorated with statues and emblems. The facade has a large portal in the center, flanked by two pairs of columns with Composite capitals. Between the columns, there are niches housing Read more [...]

The Church of San Francesco, also known as the Church of the Immaculate Conception and of San Francesco, is a church in Reggio Emilia, located in Piazza Martiri del 7 Luglio 1960.   SHORT HISTORY OF THE CHURCH OF SAN FRANCESCO The church was built in the second half of the 13th century on a pre-existing structure dedicated to San Luca, which served as the chapel of the imperial palace. After having undergone various interventions over the centuries, the church was rebuilt in 1725, according to the project of the architect Giovanni Maria Ferraroni. Between 1856 and 1857, the facade of the church was rebuilt in Neoclassical style by Pietro Marchelli.   ART AND ARCHITECTURE OF THE CHURCH OF SAN FRANCESCO The church has a terracotta facade surmounted by a triangular pediment supported by pilasters. Above the main portal, there is a mosaic of Saint Francis receiving the stigmata. The interior, in Baroque style, has a single nave with vaulted ceilings, a cupola and the choir.   HOW TO GET TO THE CHURCH OF SAN FRANCESCO The church is located about 1 kilometer away from the Reggio Emilia railway station. The closest bus stop is located in Via Nobili, about Read more [...]

The Church of San Domenico is one of the most important religious and artistic landmarks in the historic center of Ancona. It is located in Piazza del Plebiscito, the city’s main historical square, and occupies a dominant position that immediately draws the attention of visitors. Rising at the top of a wide monumental staircase, the church visually closes one of the two short sides of the square and plays a fundamental role in defining its architectural identity. More than just a place of worship, the Church of San Domenico represents centuries of religious devotion, political change, and artistic patronage. Its imposing scale, refined architectural language, and remarkable collection of artworks make it one of the most significant churches in Ancona. Today, the Church of San Domenico continues to serve both spiritual and cultural functions. It is an active church, open to worshippers, while also attracting art lovers and history enthusiasts who come to admire its interior and understand its role in the broader urban context of Piazza del Plebiscito.     Short History of the Church of San Domenico The current Church of San Domenico stands on the site of a much older religious building. Before its construction, a church Read more [...]